Phoebus, in his steam-yacht Pan, of considerable admeasurement, and fitted up with every luxury and convenience that science and experience could suggest, was on his way to an island which he occasionally inhabited, near the Asian coast of the gean Sea, and which he rented from the chief of his wife’s house, the Prince of Samos. Mr. Phoebus, by his genius and fame, commanded a large income, and he spent it freely and fully. There was nothing of which he more disapproved than accumulation. It was a practice which led to sordid habits, and was fatal to the beautiful. On the whole, he thought it more odious even than debt, more permanently degrading. Mr. Phoebus liked pomp and graceful ceremony, and he was of opinion that great artists should lead a princely life, so that, in their manners and method of existence, they might furnish models to mankind in general, and elevate the tone and taste of nations.

Sometimes, when he observed a friend noticing with admiration, perhaps with astonishment, the splendor or finish of his equipments, he would say: “The world think I had a large fortune with Madame Phoebus. I had nothing. I understand that a fortune, and no inconsiderable one, would have been given had I chosen to ask for it. But I did not choose to ask for it. I made Madame Phoebus my wife because she was the finest specimen of the Aryan race that I was acquainted with, and I would have no considerations mixed up with the high motive that influenced me. My father-in-law Cantacuzene, whether from a feeling of gratitude or remorse, is always making us magnificent presents. I like to receive magnificent presents, but also to make them; and I presented him with a picture which is the gem of his gallery, and which, if he ever part with it, will in another generation be contended for by kings and peoples.

“On her last birthday we breakfasted with my father-in-law Cantacuzene, and Madame Phoebus found in her napkin a check for five thousand pounds. I expended it immediately in jewels for her personal use; for I wished my father-in-law to understand that there are other princely families in the world besides the Cantacuzenes.”

A friend once ventured inquiringly to suggest whether his way of life might not be conducive to envy, and so disturb that serenity of sentiment necessary to the complete life of an artist. But Mr. Phoebus would not for a moment admit the soundness of the objection. “No,” he said, “envy is a purely intellectual process. Splendor never excites it; a man of splendor is looked upon always with favor—his appearance exhilarates the heart of man. He is always popular. People wish to dine with him, to borrow his money, but they do not envy him. If you want to know what envy is, you should live among artists. You should hear me lecture at the Academy. I have sometimes suddenly turned round and caught countenances like that of the man who was waiting at the corner of the street for Benvenuto Cellini, in order to assassinate the great Florentine.”

It was impossible for Lothair in his present condition to have fallen upon a more suitable companion than Mr. Phoebus. It is not merely change of scene and air that we sometimes want, but a revolution in the atmosphere of thought and feeling in which we live and breathe. Besides his great intelligence and fancy, and his peculiar views on art and man and affairs in general, which always interested their hearer, and sometimes convinced, there was a general vivacity in Mr. Phoebus and a vigorous sense of life, which were inspiriting to his companions. When there was any thing to be done, great or small, Mr. Phoebus liked to do it; and this, as he averred, from a sense of duty, since, if any thing is to be done, it should be done in the best manner, and no one could do it so well as Mr. Phoebus. He always acted as if he had been created to be the oracle and model of the human race, but the oracle was never pompous or solemn, and the model was always beaming with good-nature and high spirits.

Mr. Phoebus liked Lothair. He liked youth, and good-looking youth; and youth that was intelligent and engaging and well-mannered. He also liked old men. But, between fifty and seventy, he saw little to approve of in the dark sex. They had lost their good............