Of all prophecies, none are, perhaps, so frequently erroneous as those on which we are most apt to venture in endeavouring to foretell the effect of outward events on the characters of men. In no form of our anticipations are we more frequently baffled than in such attempts to estimate beforehand the influence of circumstance over conduct, not only in others, but also even in ourselves. Let the event but happen, and men, whom we view by the light of our previous observation of them, act under it as the living contradictions of their own characters. The friend of our daily social intercourse, in the progress of life, and the favourite hero of our historic studies, in the progress of the page, astonish, exceed, or disappoint our expectations alike. We find it as vain to foresee a cause as to fix a limit for the arbitrary inconsistencies in the dispositions of mankind.
But, though to speculate upon the future conduct of others under impending circumstances be but too often to expose the fallacy of our wisest anticipations, to contemplate the nature of that conduct after it has been displayed is a useful subject of curiosity, and may perhaps be made a fruitful source of instruction. Similar events which succeed each other at different periods are relieved from monotony, and derive new importance from the ever-varying effects which they produce on the human character. Thus, in the great occurrence which forms the foundation of our narrative, we may find little in the siege of Rome, looking at it as a mere event, to distinguish it remarkably from any former siege of the city — the same desire for glory and vengeance, wealth and dominion, which brought Alaric to her walls, brought other invaders before him. But if we observed the effect of the Gothic descent upon Italy on the inhabitants of her capital, we shall find ample matter for novel contemplation and unbounded surprise.
We shall perceive, as an astonishing instance of the inconsistencies of the human character, the spectacle of a whole people resolutely defying an overwhelming foreign invasion at their very doors, just at the period when they had fallen most irremediably from the highest position of national glory to the lowest depths of national degradation; resisting an all-powerful enemy with inflexible obstinacy, for the honour of the Roman name, which they had basely dishonoured or carelessly forgotten for ages past. We shall behold men who have hitherto laughed at the very name of patriotism, now starving resolutely in their country’s cause; who stopped at no villainy to obtain wealth, now hesitating to employ their ill-gotten gains in the purchase of the most important of all gratifications — their own security and peace. Instances of the unimaginable effect produced by the event of the siege of Rome on the characters of her inhabitants might be drawn from all classes, from the lowest to the highest, from patrician to plebeian; but to produce them here would be to admit too long an interruption in the progress of the present narrative. If we are to enter at all into detail on such a subject, it must be only in a case clearly connected with the actual requirements of our story; and such a case may be found, at this juncture, in the conduct of the senator Vetranio, under the influence of the worst calamities attending the blockade of Rome by the Goths.
Who, it may be asked, knowing the previous character of this man, his frivolity of disposition, his voluptuous anxiety for unremitting enjoyment and ease, his horror of the slightest approaches of affliction or pain, would have imagined him capable of rejecting in disdain all the minor chances of present security and future prosperity which his unbounded power and wealth might have procured for him, even in a famine-stricken city, and rising suddenly to the sublime of criminal desperation, in the resolution to abandon life as worthless the moment it had ceased to run in the easy current of all former years? Yet to this determination had he now arrived; and, still more extraordinary, in this determination had he found others, of his own patrician order, to join him.
The reader will remember his wild announcement of his intended orgie to the Prefect Pompeianus during the earlier periods of the siege; that announcement was now to be fulfilled. Vetranio had bidden his guests to the Banquet of Famine. A chosen number of the senators of the great city were to vindicate their daring by dying the revellers that they had lived; by resigning in contempt all prospect of starving, like the common herd, on a lessening daily pittance of loathsome food; by making their triumphant exit from a fettered and ungrateful life, drowned in floods of wine, and lighted by the fires of the wealthiest palace of Rome!
It had been intended to keep this frantic determination a profound secret, to let the mighty catastrophe burst upon the remaining inhabitants of the city like a prodigy from heaven; but the slaves intrusted with the organisation of the suicide banquet had been bribed to their tasks with wine, and in the carelessness of intoxication had revealed to others whatever they heard within the palace walls. The news passed from mouth to mouth. There was enough in the prospect of beholding the burning palace and the drunken suicide of its desperate guests to animate even the stagnant curiosity of a famishing mob.
On the appointed evening the people dragged their weary limbs from all quarters of the city towards the Pincian Hill. Many of them died on the way; many lost their resolution to proceed to the end of their journey, and took shelter sullenly in the empty houses on the road; many found opportunities for plunder and crime as they proceeded, which tempted them from their destination; but many persevered in their purpose — the living dragging the dying along with them, the desperate driving the cowardly before them in malignant sport, until they gained the palace gates. It was by their voices, as they reached her ear from the street, that the fast-sinking faculties of Antonina had been startled, though not revived; and there, on the broad pavement, lay these citizens of a fallen city — a congregation of pestilence and crime — a starving and an awful band!
The moon, brightened by the increasing darkness, now clearly illuminated the street, and revealed, in a narrow space, a various and impressive scene.
One side of the roadway in which stood Vetranio’s palace was occupied, along each extremity, as far as the eye could reach at night, by the groves and outbuildings attached to the senator’s mansion. The palace grounds, at the higher and farther end of the street — looking from the Pincian Gate — crossed it by a wide archway, and then stretched backward, until they joined the trees of the little garden of Numerian’s abode. In a line with this house, but separated from it by a short space, stood a long row of buildings, let out floor by floor to separate occupants, and towering to an unwieldy altitude; for in ancient Rome, as in modern London, in consequence of the high price of land in an over-populated city, builders could only secure space in a dwelling by adding inconveniently to its height. Beyond these habitations rose the trees surrounding another patrician abode; and beyond that the houses took a sudden turn, and nothing more was visible in a straight line but the dusky, indefinite objects of the distant view.
The whole appearance of the street before Vetranio’s mansion, had it been unoccupied by the repulsive groups now formed in it, would have been eminently beautiful at the hours of which we now write. The nobly symmetrical frontage of the palace itself, with its graceful succession of long porticoes and colossal statues, contrasted by the picturesquely irregular appearance of the opposite dwelling of Numerian and the lofty houses by its side; the soft, indistinct masses of foliage running parallel along the upper ends of the street, terminated and connected by the archway garden across the road, on which was planted a group of tall pine-trees, rising in gigantic relief against the transparent sky; the brilliant light streaming across the pavement from Vetranio’s gaily-curtained windows, immediately opposed by the tranquil moonlight which lit the more distant view — formed altogether a prospect in which the natural and the artificial were mingled together in the most exquisite proportions — a prospect whose ineffable poetry and beauty might, on any other night, have charmed the most careless eye and exalted the most frivolous mind. But now, overspread as it was by groups of people gaunt with famine and hideous with disease; startled as it was, at gloomy intervals, by contending cries of supplication, defiance, and despair — its brightest beauties of Nature and Art appeared but to shine with an aspect of bitter mockery around the human misery which their splendour disclosed.
Upwards of a hundred people — mostly of the lowest orders — were congregated before the senator’s devoted dwelling. Some few among them passed slowly to and fro in the street, their figures gliding shadowy and solemn through the light around them; but the greater number lay on the pavement before the wall of Numerian’s dwelling and the doorways of the lofty houses by its side. Illuminated by the full glare of the light from the palace windows, these groups, huddled together in the distorted attitudes of suffering and despair, assumed a fearful and unearthly appearance. Their shrivelled faces, their tattered clothing, their wan forms, here prostrate, there half-raised, were bathed in a steady red glow. High above them, at the windows of the tall houses, now tenanted in every floor by the dead, appeared a few figures (the mercenary guardians of the dying within) bending forward to look out upon the palace opposite — their haggard faces showing pale in the clear moonlight. Sometimes their voices were heard calling in mockery to the mass of people below to break down the strong steel gates of the palace, and tear the full wine-cup from its master’s lips. Sometimes those beneath replied with execrations, which rose wildly mingled with the wailing of women and children, the moans of the plague-stricken, and the supplications of the famished to the slaves passing backwards and forwards behind the palace railings for charity and help.
In the intervals, when the tumult of weak voices was partially lulled, there was heard a dull, regular, beating sound, produced by those who had found dry bones on their road to the palace, and were pounding them on the pavement, in sheltered places, for food. The wind, which had been refreshing during the day, had changed at sunset, and now swept up slowly over the street in hot, faint gusts, plague-laden, from the East. Particles of the ragged clothing on some prostrate forms lying most exposed in its course waved slowly to and fro, as it passed, like banners planted by Death on the yielding defences of the citadel of Life. It wound through the open windows of the palace, hot and mephitic, as if tainted with the breath of the foul and furious words which it bore onward into the banqueting-hall of the senator’s reckless guests. Driven over such scenes as now spread beneath it, it derived from them a portentous significance; it seemed to blow like an atmosphere exuded from the furnace-depths of centre earth, breathing sinister warnings of some deadly convulsion in the whole fabric of Nature over the thronged and dismal street.
Such was the prospect before the palace, and such the spectators assembled in ferocious anxiety to behold the destruction of the senator’s abode. Meanwhile, within the walls of the building, the beginning of the fatal orgie was at hand.
It had been covenanted by the slaves (who, during the calamities in the besieged city, had relaxed in their accustomed implicit obedience to their master with perfect impunity), that, as soon as the last labours of preparation were completed, they should be free to consult their own safety by quitting the devoted palace. Already some of the weakest and most timid of their numbers might be seen passing out hastily into the gardens by the back gates, like engineers who had fired a train, and were escaping ere the explosion burst forth. Those among the menials who still remained in the palace were for the greater part occupied in drinking from the vases of wine which had been placed before them, to preserve to the last moment their failing strength.
The mockery of festivity had been extended even to their dresses — green liveries girt with cherry-coloured girdles arrayed their wasted forms. They drank in utter silence. Not the slightest appearance of revelry or intoxication prevailed among their ranks. Confusedly huddled together, as if for mutual protection, they ever and anon cast quick glances of suspicion and apprehension upon some six or eight of the superior attendants of the palace, who walked backwards and forwards at the outer extremity of the hall occupied by their comrades, and occasionally advancing along the straight passages before them to the front gates of the building, appeared to be exchanging furtive signals with some of the people in the street. Reports had been vaguely spread of a secret conspiracy between some of the principal of the slaves and certain chosen ruffians of the populace, to murder all the inmates of the palace, seize on its treasures, and, opening the city gates to the Goths, escape with their booty during the confusion of the pillage of Rome. Nothing had as yet been positively discovered; but the few attendants who kept ominously apart from the rest were unanimously suspected by their fellows, who now watched them over their wine-cups with anxious eyes. Different as was the scene among the slaves still left in the palace from the scene among the people dispersed in the street, the one was nevertheless in its own degree as gloomily suggestive of some great impending calamity as the other.
The grand banqueting-hall of the palace, prepared though it now was for festivity, wore a changed and melancholy aspect.
The massive tables still ran down the whole length of the noble room, surrounded by luxurious couches, as in former days, but not a vestige of food appeared upon their glittering surfaces. Rich vases, flasks, and drinking-cups, all filled with wine, alone occupied the festal board. Above, hanging low from the ceiling, burnt ten large lamps, corresponding to the number of guests assembled, as the only procurable representatives of the hundreds of revellers who had feasted at Vetranio’s expense during the brilliant nights that were now passed for ever. At the lower end of the room, beyond the grand door of entrance, hung a thick black curtain, apparently intended to conceal mysteriously some object behind it. Before the curtain burnt a small lamp of yellow glass, raised upon a high gilt pole, and around and beneath it, heaped against the side walls, and over part of the table, lay a various and confused mass of rich objects, all of a nature more or less inflammable, and all besprinkled with scented oils. Hundreds of yards of gorgeously variegated hangings, rolls upon rolls of manuscripts, gaudy dresses of all colours, toys, utensils, innumerable articles of furniture formed in rare and beautifully inlaid woods, were carelessly flung together against the walls of the apartment, and rose high towards its ceiling.
On every part of the tables not occupied by the vases of wine were laid gold and jewelled ornaments which dazzled the eye by their brilliancy; while, in extraordinary contrast to the magnificence thus profusely displayed, there appeared in one of the upper corners of the hall an old wooden stand covered by a coarse cloth, on which were placed one or two common earthenware bowls, containing what my be termed a ‘mash’ of boiled bran and salted horseflesh. Any repulsive odour which might have arisen from this strange compound was overpowered by the various perfumes sprinkled about the room, which, mingling with the hot breezes wafted through the windows from the street, produced an atmosphere as oppressive and debilitating, in spite of its artificial allurements to the sense of smell, as the air of a dungeon or the vapours of a marsh.
Remarkable as was the change in the present appearance of the banqueting-hall, it was but the feeble reflection of the alteration for the worse in the aspect of the host and his guests. Vetranio reclined at the head of the table, dressed in a scarlet mantle. An embroidered towel with purple tassels and fringes, connected with rings of gold, fell over his breast, and silver and ivory bracelets were clasped round his arms. But of the former man the habiliments were all that remained. His head was bent forward, as if with the weakness of age; his emaciated arms seemed barely able to support the weight of the ornaments which glittered on them; his eyes had contracted a wild, unsettled expression; and a deadly paleness overspread the once plump and jovial cheeks which so many mistresses had kissed in mercenary rapture in other days. Both in countenance and manner the elegant voluptuary of our former acquaintance at the Court of Ravenna was entirely and fatally changed. Of the other eight patricians who lay on the couches around their altered host — some wild and reckless, some gloomy and imbecile — all had suffered in the ordeal of the siege, the famine, and the pestilence, like him.
Such were the members of the assemblage, represented from the ceiling by nine of the burning lamps. The tenth and last lamp indicated the presence of one more guest who reclined a little apart from the rest.
This man was hump-backed; his gaunt, bony features were repulsively disproportioned to his puny frame, which looked doubly contemptible, enveloped as it was in an ample tawdry robe. Sprung from the lowest ranks of the populace, he had gradually forced himself into the favour of his superiors by his skill in coarse mimicry, and his readiness in ministering to the worst vices of all who would employ him. Having lost the greater part of his patrons during the siege, finding himself abandoned to starvation on all sides, he had now, as a last resource, obtained permission to participate in the Banquet of Famine, to enliven it by a final exhibition of his buffoonery, and to die with his masters, as he had lived with them — the slave, the parasite, and the imitator of the lowest of their vices and the worst of their crimes.
At the commencement of the orgie, little was audible beyond the clash of the wine-cups, the low occasional whispering of the revellers, and the confused voices of the people without, floating through the window from the street. The desperate compact of the guests, now that its execution had actually begun, awed them at first in spite of themselves. At length, when there was a lull of all sounds — when a temporary calm prevailed over the noises outside — when the wine-cups were emptied, and left for a moment ere they were filled again — Vetranio feebly rose, and, announcing with a mocking smile that he was about to speak a funeral oration over his friends and himself, pointed to the wall immediately behind him as to an object fitted to awaken the astonishment or the hilarity of his moody guests.
Against the upper part of the wall were fixed various small statues in bronze and marble, all representing the owner of the palace, and all hung with golden plates. Beneath these appeared the rent-roll of his estates, written in various colours on white vellum, and beneath that, scratched on the marble in faint irregular characters, was no less an object than his own epitaph, composed by himself. It may be translated thus:—
Stop, Spectator!
If thou has reverently cultivated the pleasures of the taste,
pause amid these illustrious ruins of what was once
a palace,
and peruse with respect on this stone
the epitaph of VETRANIO, a senator.
He was the first man who invented a successful
nightingale sauce;
his bold and creative genius added much,
and would have added more, to
THE ART OF COOKERY;
but, alas for the interests of science!
he lived in the days when the Gothic barbarians besieged
THE IMPERIAL CITY;
famine left him no matter for gustatory experiment;
and pestilence deprived him of cooks to enlighten!
Opposed at all points by the force of adverse circumstances,
finding his life of no further use to the culinary
interests of Rome,
he called his chosen friends together to assist him,
conscientiously drank up every drop of wine remaining
in his cellars,
lit the funeral pile of himself and his guests,
in the banqueting-hall of his own palace,
and died, as he had lived,
the patriotic CATO
of his country’s gastronomy!
‘Behold!’ cried Vetranio, pointing triumphantly to the epitaph — ‘behold in every line of those eloquent letters at once the seal of my resolute adherence to the engagement that unites us here, and the foundation of my just claim to the reverence of posterity on the most useful of the arts which I exercised for the benefit of my species! Read, friends, brethren, fellow-martyrs of glory, and, as you read, rejoice with me over the hour of our departure from the desecrated arena, no longer worthy the celebration of the Games of Life! Yet, ere the feast proceeds, hear me while I speak — I make my last oration as the arbiter of our funeral sports, as the host of the Banquet of Famine!
‘Who would sink ignobly beneath the slow superiority of starvation, or perish under the quickly glancing steel of the barbarian conqueror’s sword, when such a death as ours is offered to the choice? — when wine flows bright, to drown sensation in oblivion, and a palace and its treasures furnish alike the scene of the revel and the radiant funeral pile? The mighty philosophers of India — the inspired Gymnosophists — died as we shall die! Calanus before Alexander, Zamarus in the presence of Augustus, lit the fires that consumed them! Let us follow their glorious example! No worms will prey upon our bodies, no hired mourners will howl discordant at our funerals! Purified in the radiance of primeval fire, we shall vanish triumphant from enemies and friends — a marvel to the earth, a vision of glory to the gods themselves!
‘Is it a day more or a day less of life that is now of importance to us? No; it is only towards the easiest and the noblest death that our aspirations can turn! Among our number there is now not one whom the care of existence can further occupy!
‘Here, at my right hand, reclines my estimable comrade of a thousand former feasts, Furius Balburius Placidus, who, when we sailed on the Lucrine Lake, was wont to complain of intolerable hardship if a fly settled on the gilded folds of his umbrella; who languished for a land of Cimmerian darkness if a sunbeam penetrated the silken awnings of his garden-terrace; and who now wrangles for a mouthful of horseflesh with the meanest of his slaves, and would exchange the richest of his country villas for a basket of dirty bread! O Furius Balburius Placidus, of what further use is life to thee?
‘There, at my left, I discern the changed though still expressive countenance of the resolute Thascius, he who chastised a slave with a hundred lashes if his warm water was not brought immediately at his command; he whose serene contempt for every member of the human species by himself once ranked him among the greatest of human philosophers; even he now wanders through his palace unserved, and fawns upon the plebeian who will sell him a measure of wretched bran! Oh, admired friend, oh, rightly reasoning Thascius, say, is there anything in Rome which should delay thee on thy journey to the Elysian Fields?
‘Farther onward at the table, drinking largely while I speak, I behold, O Marcus Moecius Moemmius, thy once plump and jovial form! — thou, in former days accustomed to rejoice in the length of thy name, because it enabled thy friends to drink the more in drinking a cup to each letter of it, tell me what banqueting-hall is now open to thee but this? — and thus desolate in the city of thy social triumphs, what should disincline thee to make of our festal solemnity thy last revel on earth?
‘Thou, too, facetious hunchback, prince of parasites, unscrupulous Reburrus, where, but at this banquet of famine, will thy buffoonery now procure for thee a draught of reviving wine? Thy masters have abandoned thee to thy native dunghill! No more shalt thou wheedle for them when they borrow, or bully for them when they pay! No more charges of poisoning or magic shalt thou forge to imprison their troublesome creditors! Oh, officious sycophant, thy occupations are no more! Drink while thou canst, and then resign thy carcass to congenial mire!
‘And you, my five remaining friends, whom — little desirous of further delay — I will collectively address, think on the days when the suspicion of an infectious malady in any one of your companions was sufficient to separate you from the dearest of them; when the slaves who came to you from their palaces underwent long ceremonies of ablution before they approached your presence; and remembering this, reflect that most, perhaps all of us, now meet here plague-tainted already; and then say, of what advantage is it to languish for a life which is yours no longer?
‘No, my friends, my brethren of the banquet; feeling that when life is worthless it is folly to live, you cannot shrink from the lofty resolution by which we are bound, you cannot pause on our joyful journey of departure from the scenes of earth — I wrong you even by a doubt! Let me now, rather, ask your attention for a worthier subject — the enumeration of the festal ceremonies by which the progress of the banquet will be marked. That task concluded, that last ceremony of my last welcome to you these halls duly performed, I join you once more in your final homage to the deity of our social lives — the God of Wine!
‘It is not unknown to you — learned as you are in the jovial antiquities of the table — that it was, among some of the ancients, a custom for a master-spirit of philosophy to preside — the teacher as well as the guest — at their feasts. This usage it has been my care to revive, and, as this four meeting is unparalleled in its heroic design, so it was my ambition to bid to it one unparalleled, either as a teacher or a guest. Fired by an original idea, unobserved of my slaves, aided only by my singing-boy, the faithful Glyco, I have succeeded in placing behind that black curtain such an associate of our revels as you have never feasted with before, whose appearance at the fitting moment must strike you irresistibly with astonishment, and whose discourse — not of human wisdom only — will be inspired by the midnight secrets of the tomb. By my side, on this parchment, lies the formulary of questions to be addressed by Reburrus, when the curtain is withdrawn, to the Oracle of the Mysteries of other Spheres.
‘Before you, behold in those vases all that remains of my once well-stocked cellars, and all that is provided for the palates of my guests! We sit at the Banquet of Famine, and no coarser sustenance than inspiring wine finds admittance at the Bacchanalian board. Yet, should any among us, in his last moments, be feeble enough to pollute his lips with nourishment alone worthy of the vermin of the earth, let him seek the wretched and scanty table, type of the wretched and scanty food that covers it, placed yonder in obscurity behind me. There will he find (in all barely sufficient for one man’s poorest meal) the last morsels of the vilest nourishment left in the palace. For me, my resolution is fixed — it is only the generous wine-cup that shall now approach my lips!
‘Above me are the ten lamps, answering to the number of my friends here assembled. One after another, as the wine overpowers us, those burning images of life will be extinguished in succession by the guests who remain proof against our draughts; and the last of these, lighting this torch at the last lamp, will consummate the banquet, and celebrate its glorious close, by firing the funeral pile of my treasures heaped yonder against my palace walls! If my powers fail me before yours, swear to me that whoever among you is able to lift the cup to his lips after it has dropped from the hands of the rest, will fire the pile! Swear it by your lost mistresses, your lost friends, your lost treasures! — by your own lives, devoted to the pleasures of wine and the purification of fire!’
As, with flashing eyes and flushed countenance, Vetranio sank back on his couch, his companions, inflamed with the wine they had already drunk, arose cup in hand, and turned towards him. Their voices, discordantly mingled, pronounced the oath together; then, as they resumed their former positions, their eyes all turned towards the black curtain in ardent expectation.
They had observed the sinister and sarcastic expression of Vetranio’s eye as he spoke of his concealed guest; they knew that the hunchback Reburrus possessed, among his other powers of buffoonery, the art of ventriloquism; and they suspected the presence of some hideous or grotesque image of a heathen god or demon in the hidden recess, which the jugglery of the parasite was to gift with the capacity of speech. Blasphemous comments upon life, death, and immortality were eagerly awaited. The general impatience for the withdrawal of the curtain was perceived by Vetranio, who, waving his hand for silence, authoritatively exclaimed —
‘The hour has not yet arrived. More draughts must be drunk, more libations poured out, ere the mystery of the curtain is revealed! Ho, Glyco!’ he continued, turning towards the singing-boy, who had silently entered the room, ‘the moment is yours! Tune your lyre, and recite my last ode, which I have addressed to you! Let the charms of Poetry preside over the feast of Death!’
The boy advanced, trembling; his once ruddy face was colourless and haggard; his eyes were fixed with a look of rigid terror on the black curtain; his features palpably expressed the presence within him of some secret and overwhelming recollection which had crushed all his other faculties and perceptions. Steadily, almost guiltily, averting his face from his master’s countenance, he stood by Vetranio’s couch, a frail and fallen being, a mournful spectacle of perverted docility and degraded youth.
Still true, however, to the duties of his vocation, he ran his thin, trembling fingers over the lyre, and mechanically preluded the commencement of the ode. But during the silence of attention which now prevailed, the confused noises from the people in the street penetrated more distinctly into the banqueting-room; and at this moment, high above them all — hoarse, raving, terrible, rose the voice of one man.
‘Tell me not,’ it cried, ‘of perfumes wafted from the palace! — foul vapours flow from it! — see, they sink, suffocating over me! — they bathe sky and earth, and men who move around us, in fierce, green light!’
Then other voices of men and women, shrill and savage, broke forth in interruption together:— ‘Peace, Davus! you awake the dead about you!’ ‘Hide in the darkness; you are plague-struck; your skin is shrivelled; your gums are toothless!’ ‘When the palace is fired you shall be flung into the flames to purify your rotten carcass!’
‘Sing!’ cried Vetranio furiously, observing the shudders that ran over the boy’s frame and held him speechless. ‘Strike the lyre, as Timotheus struck it before Alexander! Drown in melody t............