The inward and convulsive trembling of the marquise was more apparent than she wished it to be; a tragic drama developed at that moment in the souls of all present.
“You did not expect me so soon, I fancy,” said Conti, offering his arm to Beatrix.
The marquise could not avoid dropping Calyste’s arm and taking that of Conti. This ignoble transit, imperiously demanded, so dishonoring to the new love, overwhelmed Calyste who threw himself on the bench beside Camille, after exchanging the coldest of salutations with his rival. He was torn by conflicting emotions. Strong in the thought that Beatrix loved him, he wanted at first to fling himself upon Conti and tell him that Beatrix was his; but the violent trembling of the woman betraying how she suffered — for she had really paid the penalty of her faults in that one moment — affected him so deeply that he was dumb, struck like her with a sense of some implacable necessity.
Madame de Rochefide and Conti passed in front of the seat where Calyste had dropped beside Camille, and as she passed, the marquise looked at Camille, giving her one of those terrible glances in which women have the art of saying all things. She avoided the eyes of Calyste and turned her attention to Conti, who appeared to be jesting with her.
“What will they say to each other?” Calyste asked of Camille.
“Dear child, you don’t know as yet the terrible rights which an extinguished love still gives to a man over a woman. Beatrix could not refuse to take his arm. He is, no doubt, joking her about her new love; he must have guessed it from your attitudes and the manner in which you approached us.”
“Joking her!” cried the impetuous youth, starting up.
“Be calm,” said Camille, “or you will lose the last chances that remain to you. If he wounds her self-love, she will crush him like a worm under her foot. But he is too astute for that; he will manage her with greater cleverness. He will seem not even to suppose that the proud Madame de Rochefide could betray him; she could never be guilty of such depravity as loving a man for the sake of his beauty. He will represent you to her as a child ambitious to have a marquise in love with him, and to make himself the arbiter of the fate of two women. In short, he will fire a broadside of malicious insinuations. Beatrix will then be forced to parry with false assertions and denials, which he will simply make use of to become once more her master.”
“Ah!” cried Calyste, “he does not love her. I would leave her free. True love means a choice made anew at every moment, confirmed from day to day. The morrow justifies the past, and swells the treasury of our pleasures. Ah! why did he not stay away a little longer? A few days more and he would not have found her. What brought him back?”
“The jest of a journalist,” replied Camille. “His opera, on the success of which he counted, has fallen flat. Some journalist, probably Claude Vignon, remarked in the foyer: ‘It is hard to lose fame and mistress at the same moment,’ and the speech cut him in all his vanities. Love based on petty sentiments is always pitiless. I have questioned him; but who can fathom a nature so false and deceiving? He appeared to be weary of his troubles and his love — in short, disgusted with life. He regrets having allied himself so publicly with the marquise, and made me, in speaking of his past happiness, a melancholy poem, which was somewhat too clever to be true. I think he hoped to worm out of me the secret of your love, in the midst of the joy he expected his flatteries to cause me.”
“What else?” said Calyste, watching Beatrix and Conti, who were now coming towards them; but he listened no longer to Camille’s words.
In talking with Conti, Camille had held herself prudently on the defensive; she had betrayed neither Calyste’s secret nor that of Beatrix. The great artist was capable of treachery to every one, and Mademoiselle des Touches warned Calyste to distrust him.
“My dear friend,” she said, “this is by far the most critical moment for you. You need caution and a sort of cleverness you do not possess; I am afraid you will let yourself be tricked by the most wily man I have ever known, and I can do nothing to help you.”
The bell announced dinner. Conti offered his arm to Camille; Calyste gave his to Beatrix. Camille drew back to let the marquise pass, but the latter had found a moment in which to look at Calyste, and impress upon him, by putting her finger on her lips, the absolute necessity of discretion.
Conti was extremely gay during the dinner; perhaps this was only one way of probing Madame de Rochefide, who played her part extremely ill. If her conduct had been mere coquetry, she might have deceived even Conti; but her new love was real, and it betrayed her. The wily musician, far from adding to her embarrassment, pretended not to have perceived it. At dessert, he brought the conversation round to women, and lauded the nobility of their sentiments. Many a woman, he said, who might have been willing to abandon a man in prosperity, would sacrifice all to him in misfortune. Women had the advantage over men in constancy; nothing ever detached them from their first lover, to whom they clung as a matter of honor, unless he wounded them; they felt that a second love was unworthy of them, and so forth. His ethics were of the highest order; shedding incense on the altar where he knew that one heart at least, pierced by many a blow, was bleeding. Camille and Beatrix alone understood the bitterness of the sarcasms shot forth in the guise of eulogy. At times they both flushed scarlet, but they were forced to control themselves. When dinner was over, they took each other by the arm to return to Camille’s salon, and, as if by mutual consent, they turned aside into the great salon, where they could be alone for an instant in the darkness.
“It is dreadful to let Conti ride over me roughshod; and yet I can’t defend myself,” said Beatrix, in a low voice. “The galley-slave is always a slave to his chain-companion. I am lost; I must needs return to my galleys! And it is you, Camille, who have cast me there! Ah! you brought him back a day too soon, or a day too late. I recognize your infernal talent as author. Well, your revenge is complete, the finale perfect!”
“I may have told you that I would write to Conti, but to do it was another matter,” cried Camille. “I am incapable of such baseness. But you are unhappy, and I will forgive the suspicion.”
“What will become of Calyste?” said the marquise, with naive self-conceit.
“Then Conti carries you off, does he?” asked Camille.
“Ah! you think you triumph!” cried Beatrix.
Anger distorted her handsome face as she said those bitter words to Camille, who was trying to hide her satisfaction under a false expression of sympathy. Unfortunately, the sparkle in her eyes belied the sadness of her face, and Beatrix was learned in such deceptions. When, a few moments later, the two women were seated under a strong light on that divan where the first three weeks so many comedies had been played, and where the secret tragedy of many thwarted passions had begun, they examined each other for the last time, and felt they were forever parted by an undying hatred.
“Calyste remains to you,” said Beatrix, looking into Camille’s eyes; “but I am fixed in his heart, and no woman can ever drive me out of it.”
Camille replied, with an inimitable tone of irony that struck the marquise to the heart, in the famous words of Mazarin’s niece to Louis XIV. —
“You reign, you love, and you depart!”
Neither Camille nor Beatrix was conscious during this sharp and bitter scene of the absence of Conti and Calyste. The composer had remained at table with his rival, begging him to keep him company in finishing a bottle of champagne.
“We have something to say to each other,” added Conti, to prevent all refusal on the part of Calyste.
Placed as they both were, it was impossible for the young Breton to refuse this challenge.
“My dear friend,” said the composer, in his most caressing voice, as soon as the poor lad had drunk a couple of glasses of champagne, “we are both good fellows, and we can speak to each other frankly. I have not come here suspiciously. Beatrix loves me,”— this with a gesture of the utmost self-conceit —“but the truth is, I have ceased to love her. I am not here to carry her away with me, but to break off our relations, and to leave her the honors of the rupture. You are young; you don’t yet know how useful it is to appear to be the victim when you are really the executioner. Young men spit fire and flame; they leave a woman with noise and fury; they often despise her, and they make her hate them. But wise men do as I am doing; they get themselves dismissed, assu............