A Huntress.

“Vamos, Lolita! hold up, my pretty pet! Two leagues more, and you shall bury that velvet snout of yours in the soft gramma grass, and cool your heated hoof in a crystal stream. Ay, and you shall have a half peck of pinon nuts for your supper, I promise you. You have done well to-day, but don’t let us get belated. At night, as you know, we might be lost on the Llano, and the wicked wolves eat us both up. That would be a sad thing, mia yegua. We must not let them have a chance to dispose of us in that manner. Adelante!”

Lolita is a mustang pony of clear chestnut colour, with white mane and tail; while the person thus apostrophising her is a young girl seated astride upon its back.

A beautiful girl, apparently under twenty of age, but with a certain commanding mien that gives her the appearance of being older. Her complexion, though white, has a tinge of that golden brown, or olive, oft observed in the Andalusian race; while scimitar shaped eyebrows, with hair of silken texture, black as the shadows of night, and a dark down on the upper lip, plainly proclaim the Moorish admixture.

It is a face of lovely cast and almost Grecian contour, with features of classic regularity; while the absence of obliquity in the orbs of the eye—despite the dusky hue of her akin—forbids the belief in Indian blood.

Although in a part of the world where such might be expected, there is, in truth, not a taint of it in her veins. The olivine tint is Hispano Moriscan—a complexion, if not more beautiful, certainly more picturesque than that of the Saxon blonde.

With the damask-red dancing out upon her cheeks, her eyes aglow from the equestrian exercise she has been taking, the young girl looks the picture of physical health; while the tranquil expression upon her features tells of mental contentment.

Somewhat singular is her costume, as the equipment. As already said, she bestrides her mustang man-fashion, the mode of Mexico; while a light fowling-piece, suspended en bandoulière, hangs down behind her back.

A woollen seraph of finest wool lies scarf-like across her left shoulder, half concealing a velveteen vest or spencer, close-buttoned over the rounded hemispheres of her bosom. Below, an embroidered skirt—the enagua—is continued by a pair of white calzoncillas, with fringe falling over her small feet, they are booted and spurred.

On her head is a hat of soft vicuna wool, with a band of bullion, a bordering of gold lace around the rim, and a plume of heron’s feather curving above the crown.

This, with her attitude on horseback, might seem outré in the eyes of a stranger to the customs of her country. The gun and its concomitant accoutrements give her something of a masculine appearance, and at the first glance might cause her to be mistaken for a man—a beardless youth.

But the long silken tresses scattered loosely over her shoulders, the finely-cut features, the delicate texture of the skin, the petticoat skirt, the small hand, with slender tapering fingers stretched forward to caress the neck of the mustang mare, are signs of femininity not to be misunderstood.

A woman—a huntress; the character clearly proclaimed by a brace of hounds—large dogs of the mastiff bloodhound breed—following at the heels of the horse. And a huntress who has been successful in the chase—as proved by two prong-horn antelopes, with shanks tied together, lying like saddle-bags across the croup.

The mustang mare needs no spur beyond the sound of that sweet well-known voice. At the word adelante (forward) she pricks up her ears, gives a wave of her snow-white tail, and breaks into a gentle canter, the hounds loping after in long-stretching trot.

For about ten minutes is this pace continued; when a bird flying athwart the course, so close that its wings almost brush Lolita’s muzzle, causes her rider to lean back in the saddle and check her suddenly up.

The bird is a black vulture—a zopiloté. It is not slowly soaring in the usual way, but shooting in a direct line, and swiftly as an arrow sent from the bow.

This it is that brings the huntress to a halt; and for a time she remained motionless, her eye following the vulture in its flight.

It is seen to join a flock of its fellows, so far off as to look like specks. The young girl can perceive that they are not flying in any particular direction, but swooping in circles, as if over some quarry that lies below. Whatever it is, they do not appear to have yet touched it. All............