Ralph Keeler(Written about 1898)

He was a Californian. I probably knew him in San Francisco in the early days--about 1865--when I was a newspaper reporter, and Bret Harte, Ambrose Bierce, Charles Warren Stoddard and Prentice Mulford were doing young literary work for Mr. Joe Lawrence's weekly periodical, the Golden Era. At any rate, I knew him in Boston a few years later, where he comraded with Howells, Aldrich, Boyle O'Reilly, and James T. Fields, and was greatly liked by them. I say he comraded with them, and that is the proper term, though he would not have given the relationship so familiar a name himself, for he was the modestest young fellow that ever was and looked humbly up to those distinguished men from his lowly obscurity, and was boyishly grateful for the friendly notice they took of him, and frankly grateful for it; and when he got a smile and a nod from Mr. Emerson and Mr. Whittier and Holmes and Lowell and Longfellow, his happiness was the prettiest thing in the world to see. He was not more than twenty-four at this time; the native sweetness of his disposition had not been marred by cares and disappointments; he was buoyant and hopeful, simple-hearted, and full of the most engaging and unexacting little literary ambitions. Whomsoever he met became his friend and--by some natural and unexplained impulse--took him under protection.
He probably never had a home or a boyhood. He had wandered to California as a little chap from somewhere or other, and had cheerfully achieved his bread in various humble callings, educating himself as he went along, and having a good and satisfactory time. Among his various industries was clog-dancing in a "nigger" show. When he was about twenty years old he scraped together eighty-five dollars--in greenbacks, worth about half that sum in gold--and on this capital he made the tour of Europe and published an account of his travels in the Atlantic Monthly. When he was about twenty-two he wrote a novel called Gloverson and His Silent Partners; and not only that, but found a publisher for it. But that was not really a surprising thing, in his case, for not even a publisher is hard-hearted enough to be able to say no to some people--and Ralph was one of those people. His gratitude for a favor granted him was so simple and sincere and so eloquent and touching that a publisher would recognize that if there was no money in the book there was still a profit to be had out of it beyond the value of money and above money's reach. There was no money in that book, not a single penny; but Ralph Keeler always spoke of his publisher as other people speak of divinities. The publisher lost two or three hundred dollars on the book, of course, and knew he would lose it when he made the venture, but he got much more than the worth of it back in the author's adoring admiration of him.
Ralph had little or nothing to do, and he often went out with me to the small lecture towns in the neighborhood of Boston. These lay within an hour of town, and we usually started at six or thereabouts, and returned to the city in the morning. It took about a month to do these Boston annexes, and that was the easiest and pleasantest month of the four or five which constituted the "lecture season." The "lyceum system" was in full flower in those days, and James Redpath's Bureau in School Street, Boston, had the management of it throughout the Northern States and Canada. Redpath farmed out the lectures in groups of six or eight to the lyceums all over the country at an average of about $100 a night for each lecture. His commission was 10 per cent; each lecture appeared about 110 nights in the season. There were a number of good drawing names in his list: Henry Ward Beecher; Anna Dickinson; John B. Gough; Horace Greeley; Wendell Phillips; Petroleum V. Nasby; Josh Billings; Hayes, the Arctic Explorer; Vincent, the English astronomer; Parsons, Irish orator; Agassiz; et al. He had in his list twenty or thirty men and women of light consequence and limited reputation who wrought for fees ranging from twenty-five dollars to fifty dollars. Their names have perished long ago. Nothing but art could find them a chance on the platform. Redpath furnished that art. All the lyceums wanted the big guns, and wanted them yearningly, longingly, strenuously. Redpath granted their prayers--on this condition: for each house-filler allotted them they must hire several of his house-emptiers. This arrangement permitted the lyceums to get through alive for a few years, but in the end it killed them all and abolished the lecture business.
Beecher, Gough, Nasby, and Anna Dickinson were the only lecturers who knew their own value and exacted it. In towns their fee was $200 and $250; in cities, $400. The lyceum always got a profit out of these four (weather permitting), but generally lost it again on the house-emptiers.
There were two women who should have been house-emptiers--Olive Logan and Kate Field--but during a season or two they were not. They charged $100, and were recognized house-fillers for certainly two years. After that they were capable emptiers and were presently shelved. Kate Field had made a wide, spasmodic notoriety in 1867 by some letters which she sent from Boston--by telegraph--to the Tribune about Dickens's readings there in the beginning of his triumphant American tour. The letters were a frenzy of praise--praise which approached idolatry--and this was the right and welcome key to strike, for the country was itself in a frenzy of enthusiasm about Dickens. Then the idea of telegraphing a newspaper letter was new and astonishing, and the wonder of it was in every one's mouth. Kate Field became a celebrity at once. By and by she went on the platform; but two or three years had elapsed and her subject--Dickens--had now lost its freshness and its interest. For a while people went to see her, because of her name; but her lecture was poor and her delivery repellently artificial; consequently, when the country's desire to look at her had been appeased, the platform forsook her.
She was a good creature, and the acquisition of a perishable and fleeting notoriety was the disaster of her life. To her it was infinitely precious, and she tried hard, in various ways, during more than a quarter of a century, to keep a semblance of life in it, but her efforts were but moderately successful. She died in the Sandwich Islands, regretted by her friends and forgotten of the world.
Olive Logan's notoriety grew out of--only the initiated knew what. Apparently it was a manufactured notoriety, not an earned one. She did write and publish little things in newspapers and obscure periodicals, but there was no talent in them, and nothing resembling it. In a century they would not have made her known. Her name was really built up out of newspaper paragraphs set afloat by her husband, who was a small-salaried minor journalist. During a year or two this kind of paragraphing was persistent; one could seldom pick up a newspaper without encountering it.
It is said that Olive Logan has taken a cottage at Nahant, and will spend the summer there.
Olive Logan has set her face decidedly against the adoption of the short skirt for afternoon wear.
The report that Olive Logan will spend the coming winter in Paris is premature. She has not yet made up her mind.
Olive Logan was present at Wallack's on Saturday evening, and was outspoken in her approval of the new piece.
Olive Logan has so far recovered from her alarming illness that if she continues to improve her physicians will cease from issuing bulletins to-morrow.
The result of this daily advertising was very curious. Olive Logan's name was as familiar to the simple public as was that of any celebrity of the time, and p............