The moving crowd and the strange mixture of noises that burst on him at the entrance of the piazza, reminded Tito of what Nello had said to him about the Fierucoloni, and he pushed his way into the crowd with a sort of pleasure in the hooting and elbowing, which filled the empty moments, and dulled that calculation of the future which had so new a dreariness for him, as he foresaw himself wandering away solitary in pursuit of some unknown fortune, that his thought had even glanced towards going in search of Baldassarre after all.
At each of the opposite inlets he saw people struggling into the piazza, while above them paper lanterns, held aloft on sticks, were waving uncertainly to and fro. A rude monotonous chant made a distinctly traceable strand of noise, across which screams, whistles, gibing chants in piping boyish voices, the beating of drums, and the ringing of little bells, met each other in confused din. Every now and then one of the dim floating lights disappeared with a smash from a stone launched more or less vaguely in pursuit of mischief, followed by a scream and renewed shouts. But on the outskirts of the whirling tumult there were groups who were keeping this vigil of the Nativity of the Virgin in a more methodical manner than by fitful stone-throwing and gibing. Certain ragged men, darting a hard sharp glance around them while their tongues rattled merrily, were inviting country people to game with them on fair and open-handed terms; two masquerading figures on stilts, who had snatched lanterns from the crowd, were swaying the lights to and fro in meteoric fashion, as they strode hither and thither; a sage trader was doing a profitable business at a small covered stall, in hot berlingozzi, a favourite farinaceous delicacy; one man standing on a barrel, with his back firmly planted against a pillar of the loggia in front of the Foundling Hospital (Spedale degl’ Innocenti), was selling efficacious pills, invented by a doctor of Salerno, warranted to prevent toothache and death by drowning; and not far off, against another pillar, a tumbler was showing off his tricks on a small platform; while a handful of ‘prentices, despising the slack entertainment of guerilla stone-throwing, were having a private concentrated match of that favourite Florentine sport at the narrow entrance of the Via de’ Febbrai.
Tito, obliged to make his way through chance openings in the crowd, found himself at one moment close to the trotting procession of barefooted, hard-heeled contadine, and could see their sun-dried, bronzed faces, and their strange, fragmentary garb, dim with hereditary dirt and of obsolete stuffs and fashions, that made them look in the eyes of the city people, like a way-worn ancestry returning from a pilgrimage on which they had set out a century ago. Just then it was the hardy, scant-feeding peasant-women from the mountains of Pistoia, who were entering with a year’s labour in a moderate bundle of yarn on their backs and in their hearts that meagre hope of good and that wide dim fear of harm, which were somehow to be cared for by the Blessed Virgin, whose miraculous image, painted by the angels, was to have the curtain drawn away from it on this Eve of her Nativity, that its potency might stream forth without obstruction.
At another moment he was forced away towards the boundary of the piazza, where the more stationary candidates for attention and small coin had judiciously placed themselves, in order to be safe in their rear. Among these Tito recognised his acquaintance Bratti, who stood with his back against a pillar, and his mouth pursed up in disdainful silence, eyeing every one who approached him with a cold glance of superiority, and keeping his hand fast on a serge covering which concealed the contents of the basket slung before him. Rather surprised at a deportment so unusual in an anxious trader, Tito went nearer and saw two women go up to Bratti’s basket with a look of curiosity, whereupon the pedlar drew the covering tighter, and looked another way. It was quite too provoking. and one of the women was fain to ask what there was in his hasket?
‘Before I answer that, Monna, I must know whether you mean to buy. I can’t show such wares as mine in this fair for every fly to settle on and pay nothing. My goods are a little too choice for that. Besides, I’ve only two left, and I’ve no mind to sell them; for with the chances of the pestilence that wise men talk of, there is likelihood of their being worth their weight in gold. No, no: andate con Dio.’ The two women looked at each other. ‘And what may be the price?’ said the second.
‘Not within what you are likely to have in your purse, buona donna,’ said Bratti, in a compassionately supercilious tone. ‘I recommend you to trust in Messer Domeneddio and the saints: poor people can do no better for themselves.’
‘Not so poor!’ said the second woman, indignantly, drawing out her money-bag. ‘Come, now! what do you say to a grosso?’
‘I say you may get twenty-one quattrini for it,’ said Bratti, coolly; ‘but not of me, for I haven’t got that small change.’
‘Come: two, then?’ said the woman, getting exasperated, while her companion looked at her with some envy. ‘It will hardly be above two, I think.’
After further bidding, and further mercantile coquetry Bratti put on an air of concession.
‘Since you’ve set your mind on it,’ he said, slowly raising the cover, ‘I should be loth to do you a mischief; for Maestro Gabbadeo used to say, when a woman sets her mind on a thing and doesn’t get it, she’s in worse danger of the pestilence than before. Ecco! I have but two left; and let me tell you, the fellow to them is on the finger of Maestro Gabbadeo, who is gone to Bologna — as wise a doctor as sits at any door.’
The precious objects were two clumsy iron rings, beaten into the fashion of old Roman rings, such as were sometimes disinterred. The rust on them, and the entirely hidden character of their potency, were so satisfactory, that the grossi were paid without grumbling, and the first woman destitute of those handsome coins, succeeded after much show of reluctance on Bratti’s part in driving a bargain with some of her yarn, and carried off the remaining ring in triumph. Bratti covered up his basket, which was now filled with miscellanies, probably obtained under the same sort of circumstances as the yarn, and, moving from his pillar, came suddenly upon Tito, who, if he had had time, would have chosen to avoid recognition.
‘By the head of San Giovanni, now,’ said Bratti, drawing Tito back to the pillar, ‘this is a piece of luck. For I was talking of you this morning, Messer Greco; but, I said, he is mounted up among the signori now — and I’m glad of it, for I was at the bottom of his fortune — but I can rarely get speech of him, for he’s not to be caught lying on the stones now — not he! But it’s your luck, not mine, Messer Greco, save and except some small trifle to satisfy me for my trouble in the transaction.’
‘You speak in riddles, Bratti,’ said Tito. ‘Remember, I don’t sharpen my wits, as you do, by driving hard bargains for iron rings: you must be plain.’
‘By the Holy ‘Vangels! it was an easy bargain I gave them. If a Hebrew gets thirty-two per cent, I hope a Christian may get a little more. If I had not borne a conscience, I should have got twice the money and twice the yarn. But, talking of rings, it is your ring — that very ring you’ve got on your finger — that I could get you a purchaser for; ay, and a purchaser with a deep money-bag.’
‘Truly?’ said Tito, looking at his ring and listening.
‘A Genoese who is going straight away into Hungary, as I understand. He came and looked all over my shop to see if I had any old things I didn’t know the price of; I warrant you, he thought I had a pumpkin on my shoulders. He had been rummaging all the shops in Florence. And he had a ring on — not like yours, but something of the same fashion; and as he was talking of rings, I said I knew a fine young man, a particular acquaintance of mine, who had a ring of that sort. And he said, “Who is he, pray? Tell him I’ll give him his price for it.” And I thought of going after you to Nello’s to-morrow; for it’s my opinion of you, Messer Greco, that you’re not one who’d see the Arno run broth, and stand by without dipping your finger.’
Tito had lost no word of what Bratti had said, yet his mind had been very busy all the while. Why should he keep the ring? It had been a mere sentiment, a mere fancy, that had prevented him from selling it with the other gems; if he had been wiser and had sold it, he might perhaps have escaped that identification by Fra Luca. It was true that it had been taken from Baldassarre’s finger and put on his own as soon as his young hand had grown to the needful size; but there was really no valid good to anybody in those superstitious scruplcs about inanimate objects. The ring had helped towards the recognition of him. Tito had begun to dislike recognition, which was a claim from the past. This foreigner’s offer, if he would really give a good price, was an opportunity for getting rid of the ring without the trouble of seeking a purchaser.
‘You speak with your usual wisdom, Bratti,’ said Tito. ‘I have no objection to hear what your Genoese will offer. But when and where shall I have speech of him?’
‘To-morrow, at three hours after sunrise, he will be at my shop, and if your wits are of that sharpness I have always taken them to be, Messer Greco, you will ask him a heavy price; for he minds not money. It’s my belief he’s buying for somebody else, and not for himself — perhaps for some great signor.’
‘It is well,’ said Tito. ‘I will be at your shop, if nothing hinders.’
‘And you will doubtless deal nobly by me for old acquaintance’ sake, Messer Greco, so I will not stay to fix the small sum you will give me in token of my service in the matter. It seems to me a thousand years now till I get out of the piazza, for a fair is a dull, not to say a wicked thing, when one has no more goods to sell.’
Tito made a hasty sign of assent and adieu, and moving away from the pillar, again found himself pushed towards the middle of the piazza and back again, without the power of determining his own course. In this zigzag way he was carried along to the end of the piazza opposite the church, where, in a deep recess formed by an irregularity in the line of houses, an entertainment was going forward which seemed to be especially attractive to the crowd. Loud bursts of laughter interrupted a monologue which was sometimes slow and oratorical, at others rattling and buffoonish. Here a girl was being pushed forward into the inner circle with apparent reluctance, and there a loud laughing minx was finding a way with her own elbows. It was a strange light that was spread over the piazza. There were the pale stars breaking out above, and the dim waving lanterns below leaving all objects indistinct except when they were seen close under the fitfully moving lights; but in this recess there was a stronger light, against which the heads of the encircling spectators stood in dark relief as Tito was gradually pushed towards them, while above them rose the head of a man wearing a white mitre with yellow cabalistic figures upon it.
‘Behold, my children!’ Tito heard him saying, ‘behold your opportunity! neglect not the holy sacrament of matrimony when it can be had for the small sum of a white quattrino — the cheapest matrimony ever offered, and dissolved by special bull beforehand at every man’s own will and pleasure. Behold the bull!’ Here the speaker held up a piece of parchment with huge seals attached to it. ‘Behold the indulgence granted by his Holiness Alexander the Sixth, who, being newly elected Pope for his peculiar piety, intends to reform and purify the Church, and wisely begins by abolishing that priestly abuse which keeps too large a share of this privileged matrimony to the clergy and stints the laity. Spit once, my sons, and pay a white quattrino! This is the whole and sole price of the indulgence. The quattrino is the only difference the Holy Father allows to be put any longer between us and the clergy — who spit and pay nothing.’
Tito thought he knew the voice, which had a peculiarly sharp ring, but the face was too much in shadow from the lights behind for him to be sure of the features. Stepping as near as he could, he saw within the circle behind the speaker an altar-like table raised on a small platform, and covered with a red drapery stitched all over with yellow cabalistical figures. Half-a-dozen thin tapers burned at the back of this table, which had a conjuring apparatus scattered over it, a large open book in the centre, and at one of the front angles a monkey fastened by a cord to a small ring and holding a small taper, which in his incessant fidgety movements fell more or less aslant, whilst an impish boy in a white surplice occupied himself chiefly in cuffing the monkey, and adjusting the taper. The man in the mitre also wore a surplice, and over it a chasuble on which the signs of the zodiac were rudely marked in black upon a yellow ground. Tito was sure now that he recognised the sharp upward-tending angles of the face under the mitre: it was that of Maestro Vaiano, the mountebank, from whom he had rescued Tessa. Pretty little Tessa! Perhaps she too had come in among the troops of contadine.
‘Come, my maidens! This is the time for the pretty who can have many chances, and for the ill-favoured who have few. Matrimony to be had — hot, eaten, and done with as easily as berlingozzi! And see!’ here the conjuror held up a cluster of tiny bags. ‘To every bride I give a Breve with a secret in it — the secret alone worth the money you pay for the matrimony. The secret how to — no, no, I will not tell you what the secret is about, and that makes it a double secret. Hang it round your neck if you like, and never look at it; I don’t say that will not be the best, for then you will see many things you don’t expect: though if you open it you may break your leg, e vero, but you will know a secret! Something nobody knows but me! And mark — I give you the Breve, I don’t sell it, as many another holy man would: the quattrino is for the matrimony, and the Breve you get for nothing. Orsu, giovanetti, come like dutiful sons of the Church and buy the Indulgence of his Holiness Alexander the Sixth.’
This buffoonery just fitted the taste of the audience; the fierucola was but a small occasion, so the townsmen might be contented with jokes that were rather less indecent than those they were accustomed to hear at every carnival, put into easy rhyme by the Magnifico and his poetic satellites; while the women, over and above any relish of the fun, really, began to have an itch for the Brevi. Several couples had already gone through the ceremony, in which the conjuror’s solemn gibberish and grimaces over the open book, the antics of the monkey, and even the preliminary spitting, had called forth peals of laughter; and now a well-looking, merry-eyed youth of seventeen, in a loose tunic and red cap, pushed forward, holding by the hand a plump brunette, whose scanty ragged dress displayed her round arms and legs very picturesquely.
‘Fetter us without delay, Maestro!’ said the youth, ‘for I have got to take my bride home and paint her under the light of a lantern.’
‘Ha! Mariotto, my son, I commend your pious observance . . .’ The conjuror was going on, when a loud chattering behind warned him that an unpleasant crisis had arisen with his monkey.
The temper of that imperfect acolyth was a little tried by the over-active discipline of his colleague in the surplice, and a sudden cuff administered as his taper fell to a horizontal position, caused him to leap back with a violence that proved too much for the slackened knot by which his cord was fastened. His first leap was to the other end of the table, from which position his remonstrances were so threatening that the imp in the surplice took up a wand by way of an equivalent threat, whereupon the monkey leaped on to the head of a tall woman in the foreground, dropping his taper by the way, and chattering with increased emphasis from that eminence. Great was the screaming and confusion, not a few of the spectators having a vague dread of the Maestro’s monkey, as capable of more hidden mischief than mere teeth and claws could inflict; and the conjuror himself was in some alarm lest any harm should happen to his familiar. In the scuffle to seize the monkey’s string, Tito got out of the circle, and, not caring to contend for his place again, he allowed himself to be gradually pushed towards the church of the Nunziata, and to enter amongst the worshippers.
The brilliant illumination within seemed to press upon his eyes with palpable force after the pale scattered lights and broad shadows of the piazza, and for the first minute or two he could see nothing distinctly. That yellow splendour was in itself something supernatural and heavenly to many of the peasant-women, for whom half the sky was hidden by mountains, and who went to bed in the twilight; and the uninterrupted chant from the choir was repose to the e............