A Clever Cheat — Passano — Pisa — Corilla — My Opinion of Squinting Eyes — Florence — I See Therese Again — My Son — Corticelli

I was standing at some distance from my carriage into which they were putting four horses, when a man accosted me and asked me if I would pay in advance or at the next stage. Without troubling to look at him I said I would pay in advance, and gave him a coin requesting him to bring me the change.

“Directly, sir,” said he, and with that he went into the inn.

A few minutes after, just as I was going to look after my change, the post-master came up and asked me to pay for the stage.

“I have paid already, and I am waiting for my change. Did I not give the money to you?”

“Certainly not, sir.”

“Whom did I give it to, then?”

“I really can’t say; but you will be able to recognize the man, doubtless.”

“It must have been you or one of your people.”

I was speaking loud, and all the men came about me.

“These are all the men in my employ,” said the master, and he asked if any of them had received the money from me.

They all denied the fact with an air of sincerity which left no room for suspicion. I cursed and swore, but they let me curse and swear as much as I liked. At last I discovered that there was no help for it, and I paid a second time, laughing at the clever rascal who had taken me in so thoroughly. Such are the lessons of life; always full of new experiences, and yet one never knows enough. From that day I have always taken care not to pay for posting except to the proper persons.

In no country are knaves so cunning as in Italy, Greece ancient and modern excepted.

When I got to the best inn at Leghorn they told me that there was a theatre, and my luck made me go and see the play. I was recognized by an actor who accosted me, and introduced me to one of his comrades, a self-styled poet, and a great enemy of the Abbe Chiari, whom I did not like, as he had written a biting satire against me, and I had never succeeded in avenging myself on him. I asked them to come and sup with me — a windfall which these people are not given to refusing. The pretended poet was a Genoese, and called himself Giacomo Passano. He informed me that he had written three hundred sonnets against the abbe, who would burst with rage if they were ever printed. As I could not restrain a smile at the good opinion the poet had of his works, he offered to read me a few sonnets. He had the manuscript about him, and I could not escape the penance. He read a dozen or so, which I thought mediocre, and a mediocre sonnet is necessarily a bad sonnet, as this form of poetry demands sublimity; and thus amongst the myriads of sonnets to which Italy gives birth very few can be called good.

If I had given myself time to examine the man’s features, I should, no doubt, have found him to be a rogue; but I was blinded by passion, and the idea of three hundred sonnets against the Abbe Chiari fascinated me.

I cast my eyes over the title of the manuscript, and read, “La Chiareide di Ascanio Pogomas.”

“That’s an anagram of my Christian name and my surname; is it not a happy combination?”

This folly made me smile again. Each of the sonnets was a dull diatribe ending with “l’abbate Chiari e un coglione.” He did not prove that he was one, but he said so over and over again, making use of the poet’s privilege to exaggerate and lie. What he wanted to do was to annoy the abbe, who was by no means what Passano called him, but on the contrary, a wit and a poet; and if he had been acquainted with the requirements of the stage he would have written better plays than Goldoni, as he had a greater command of language.

I told Passano, for civility’s sake, that he ought to get his Chiareide printed.

“I would do so,” said he, “if I could find a publisher, for I am not rich enough to pay the expenses, and the publishers are a pack of ignorant beggars. Besides, the press is not free, and the censor would not let the epithet I give to my hero pass. If I could go to Switzerland I am sure it could be managed; but I must have six sequins to walk to Switzerland, and I have not got them.”

“And when you got to Switzerland, where there are no theatres, what would you do for a living?”

“I would paint in miniature. Look at those.”

He gave me a number of small ivory tablets, representing obscene subjects, badly drawn and badly painted.

“I will give you an introduction to a gentleman at Berne,” I said; and after supper I gave him a letter and six sequins. He wanted to force some of his productions on me, but I would not have them.

I was foolish enough to give him a letter to pretty Sara’s father, and I told him to write to me at Rome, under cover of the banker Belloni.

I set out from Leghorn the next day and went to Pisa, where I stopped two days. There I made the acquaintance of an Englishman, of whom I bought a travelling carriage. He took me to see Corilla, the celebrated poetess. She received me with great politeness, and was kind enough to improvise on several subjects which I suggested. I was enchanted, not so much with her grace and beauty, as by her wit and perfect elocution. How sweet a language sounds when it is spoken well and the expressions are well chosen. A language badly spoken is intolerable even from a pretty mouth, and I have always admired the wisdom of the Greeks who made their nurses teach the children from the cradle to speak correctly and pleasantly. We are far from following their good example; witness the fearful accents one hears in what is called, often incorrectly, good society.

Corilla was ‘straba’, like Venus as painted by the ancients — why, I cannot think, for however fair a squint-eyed woman may be otherwise, I always look upon her face as distorted. I am sure that if Venus had been in truth a goddess, she would have made the eccentric Greek, who first dared to paint her cross-eyed, feel the weight of her anger. I was told that when Corilla sang, she had only to fix her squinting eyes on a man and the conquest was complete; but, praised be God! she did not fix them on me.

At Florence I lodged at the “Hotel Carrajo,” kept by Dr. Vannini, who delighted to confess himself an unworthy member of the Academy Della Crusca. I took a suite of rooms which looked out on the bank of the Arno. I also took a carriage and a footman, whom, as well as a coachman, I clad in blue and red livery. This was M. de Bragadin’s livery, and I thought I might use his colours, not with the intention of deceiving anyone, but merely to cut a dash.

The morning after my arrival I put on my great coat to escape observation, and proceeded to walk about Florence. In the evening I went to the theatre to see the famous harlequin, Rossi, but I considered his reputation was greater than he deserved. I passed the same judgment on the boasted Florentine elocution; I did not care for it at all. I enjoyed seeing Pertici; having become old, and not being able to sing any more, he acted, and, strange to say, acted well; for, as a rule, all singers, men and women, trust to their voice and care nothing for acting, so that an ordinary cold entirely disables them for the time being.

Next day I called on the banker, Sasso Sassi, on whom I had a good letter of credit, and after an excellent dinner I dressed and went to the opera an via della Pergola, taking a stage box, not so much for the music, of which I was never much of an admirer, as because I wanted to look at the actress.

The reader may guess my delight and surprise when I recognised in the prima donna Therese, the false Bellino, whom I had left at Rimini in the year 1744; that charming Therese whom I should certainly have married if M. de Gages had not put me under arrest. I had not seen her for seventeen years, but she looked as beautiful and ravishing as ever as she came forward on the stage. It seemed impossible. I could not believe my eyes, thinking the resemblance must be a coincidence, when, after singing an air, she fixed her eyes on mine and kept them there. I could no longer doubt that it was she; she plainly recognized me. As she left the stage she stopped at the wings and made a sign to me with her fan to come and speak to her.

I went out with a beating heart, though I could not explain my perturbation, for I did not feel guilty in any way towards Therese, save in that I had not answered the last letter she had written me from Naples, thirteen years ago. I went round the theatre, feeling a greater curiosity as to the results of our interview than to know what had befallen her during the seventeen years which seemed an age to me.

I came to the stage-door, and I saw Therese standing at the top of the stair. She told the door-keeper to let me pass; I went up and we stood face to face. Dumb with surprise I took her hand and pressed it against my heart.

“Know from that beating heart,” said I, “all that I feel.”

“I can’t follow your example,” said she, “but when I saw you I thought I should have fainted. Unfortunately I am engaged to supper. I shall not shut my eyes all night. I shall expect you at eight o’clock to-morrow morning. Where are you staying?”

“At Dr. Vannini’s.”

“Under what name?”

“My own.”

“How long have you been here?”

“Since yesterday.”

“Are you stopping long in Florence?”

“As long as you like.”

“Are you married?”

“No.”

“Cursed be that supper! What an event! You must leave me now, I have to go on. Good-bye till seven o’clock to-morrow.”

She had said eight at first, but an hour sooner was no harm. I returned to the theatre, and recollected that I had neither asked her name or address, but I could find out all that easily. She was playing Mandane, and her singing and acting were admirable. I asked a well-dressed young man beside me what that admirable actress’s name was.

“You have only come to Florence to-day, sir?”

“I arrived yesterday.”

“Ah! well, then it’s excusable. That actress has the same name as I have. She is my wife, and I am Cirillo Palesi, at your service.”

I bowed and was silent with surprise. I dared not ask where she lived, lest he might think my curiosity impertinent. Therese married to this handsome young man, of whom, of all others, I had made enquiries about her! It was like a scene in a play.

I could bear it no longer. I longed to be alone and to ponder over this strange adventure at my ease, and to think about my visit to Therese at seven o’clock the next morning. I felt the most intense curiosity to see what the husband would do when he recognized me, and he was certain to do so, for he had looked at me attentively as he spoke. I felt that my old flame for Therese was rekindled in my heart, and I did not know whether I was glad or sorry at her being married.

I left the opera-house and told my footman to call my carriage.

“You can’t have it till nine o’clock, sir; it was so cold the coachman sent the horses back to the stable.”

“We will return on foot, then.”

“You will catch a cold.”

“What is the prima donna’s name?”

“When she came here, she called herself Lanti, but for the last two months she has been Madame Palesi. She married a handsome young man with no property and no profession, but she is rich, so he takes his ease and does nothing.”

“Where does she live?”

“At the end of this street. There’s her house, sir; she lodges on the first floor.”

This was all I wanted to know, so I said no more, but took note of the various turnings, that I might be able to find my way alone the next day. I ate a light supper, and told Le Duc to call me at six o’clock.

“But it is not light till seven.”

“I know that.”

“Very good”

At the dawn of day, I was at the door of the woman I had loved so passionately. I went to the first floor, rang the bell, and an old woman came out and asked me if I were M. Casanova. I told her that I was, whereupon she said that the lady had informed her I was not coming till eight.

“She said seven.”

“Well, well, it’s of no consequence. Kindly walk in here. I will go and awake her.”

In five minutes, the young husband in his night-cap and dressing- gown came in, and said that his wife would not be long. Then looking at me attentively with an astounded stare, he said,

“Are you not the gentleman who asked me my wife’s name last night?”

“You are right, I did. I have not seen your wife for many years, but I thought I recognized her. My good fortune made me enquire of her husband, and the friendship which formerly attached me to her will henceforth attach me to you.”

As I uttered this pretty compliment Therese, as fair as love, rushed into the room with open arms. I took her to my bosom in a transport of delight, and thus we remained for two minutes, two friends, two lovers, happy to see one another after a long and sad parting. We kissed each other again and again, and then bidding her husband sit down she drew me to a couch and gave full course to her tears. I wept too, and my tears were happy ones. At last we wiped our eyes, and glanced towards the husband whom we had completely forgotten. He stood in an attitude of complete astonishment, and we burst out laughing. There was something so comic in his surprise that it would have taxed all the talents of the poet and the caricaturist to depict his expression of amazement. Therese, who knew how to manage him, cried in a pathetic an affectionate voice —

“My dear Palesi, you see before you my father — nay, more than a father, for this is my generous friend to whom I owe all. Oh, happy moment for which my heart has longed for these ten years past.”

At the word “father” the unhappy husband fixed his gaze on me, but I restrained my laughter with considerable difficulty. Although Therese was young for her age, she was only two years younger than I; but friendship gives a new meaning to the sweet name of father.

“Yes, sir,” said I, “your Therese is my daughter, my sister, my cherished friend; she is an angel, and this treasure is your wife.”

“I did not reply to your last letter,” said I, not giving him time to come to himself.

“I know all,” she replied. “You fell in love with a nun. You were imprisoned under the Leads, and I heard of your almost miraculous flight at Vienna. I had a false presentiment that I should see you in that town. Afterwards I heard of you in Paris and Holland, but after you left Paris nobody could tell me any more about you. You will hear some fine tales when I tell you all that has happened to me during the past ten years. Now I am happy. I have my dear Palesi here, who comes from Rome. I married him a couple of months ago. We are very fond of each other, and I hope you will be as much his friend as mine.”

At this I arose and embraced the husband, who cut such an extraordinary figure. He met me with open arms, but in some confusion; he was, no doubt, not yet quite satisfied as to the individual who was his wife’s father, brother, friend, and perhaps lover, all at once. Therese saw this feeling in his eyes, and after I had done she came and kissed him most affectionately, which confused me in my turn, for I felt all my old love for her renewed, and as ardent as it was when Don Sancio Pico introduced me to her at Ancona.

Reassured by my embrace and his wife’s caress, M. Palesi asked me if I would take a cup of chocolate with them, which he himself would make. I answered that chocolate was my favourite breakfast- dish, and all the more so when it was made by a friend. He went away to see to it. Our time had come.

As soon as we were alone Therese threw herself into my arms, her face shining with such love as no pen can describe.

“Oh, my love! whom I shall love all my life, clasp me to your breast! Let us give each other a hundred embraces on this happy day, but not again, since my fate has made me another’s bride. To-morrow we will be like brother and sister; to-day let us be lovers.”

S............