The next day Charles had the child brought back. She asked for her mamma. They told her she was away; that she would bring her back some playthings. Berthe spoke of her again several times, then at last thought no more of her. The child’s gaiety broke Bovary’s heart, and he had to bear besides the intolerable consolations of the chemist.

Money troubles soon began again, Monsieur Lheureux urging on anew his friend Vincart, and Charles pledged himself for exorbitant sums; for he would never consent to let the smallest of the things that had belonged to HER be sold. His mother was exasperated with him; he grew even more angry than she did. He had altogether changed. She left the house.

Then everyone began “taking advantage” of him. Mademoiselle Lempereur presented a bill for six months’ teaching, although Emma had never taken a lesson (despite the receipted bill she had shown Bovary); it was an arrangement between the two women. The man at the circulating library demanded three years’ subscriptions; Mere Rollet claimed the postage due for some twenty letters, and when Charles asked for an explanation, she had the delicacy to reply —

“Oh, I don’t know. It was for her business affairs.”

With every debt he paid Charles thought he had come to the end of them. But others followed ceaselessly. He sent in accounts for professional attendance. He was shown the letters his wife had written. Then he had to apologise.

Felicite now wore Madame Bovary’s gowns; not all, for he had kept some of them, and he went to look at them in her dressing-room, locking himself up there; she was about her height, and often Charles, seeing her from behind, was seized with an illusion, and cried out —

“Oh, stay, stay!”

But at Whitsuntide she ran away from Yonville, carried off by Theodore, stealing all that was left of the wardrobe.

It was about this time that the widow Dupuis had the honour to inform him of the “marriage of Monsieur Leon Dupuis her son, notary at Yvetot, to Mademoiselle Leocadie Leboeuf of Bondeville.” Charles, among the other congratulations he sent him, wrote this sentence —

“How glad my poor wife would have been!”

One day when, wandering aimlessly about the house, he had gone up to the attic, he felt a pellet of fine paper under his slipper. He opened it and read: “Courage, Emma, courage. I would not bring misery into your life.” It was Rodolphe’s letter, fallen to the ground between the boxes, where it had remained, and that the wind from the dormer window had just blown towards the door. And Charles stood, motionless and staring, in the very same place where, long ago, Emma, in despair, and paler even than he, had thought of dying. At last he discovered a small R at the bottom of the second page. What did this mean? He remembered Rodolphe’s attentions, his sudden, disappearance, his constrained air when they had met two or three times since. But the respectful tone of the letter deceived him.

“Perhaps they loved one another platonically,” he said to himself.

Besides, Charles was not of those who go to the bottom of things; he shrank from the proofs, and his vague jealousy was lost in the immensity of his woe.

Everyone, he thought, must have adored her; all men assuredly must have coveted her. She seemed but the more beautiful to him for this; he was seized with a lasting, furious desire for her, that inflamed his despair, and that was boundless, because it was now unrealisable.

To please her, as if she were still living, he adopted her predilections, her ideas; he bought patent leather boots and took to wearing white cravats. He put cosmetics on his moustache, and, like her, signed notes of hand. She corrupted him from beyond the grave.

He was obliged to sell his silver piece by piece; next he sold the drawing-room furniture. All the rooms were stripped; but the bedroom, her own room, remained as before. After his dinner Charles went up there. He pushed the round table in front of the fire, and drew up her armchair. He sat down opposite it. A candle burnt in one of the gilt candlesticks. Berthe by his side was painting prints.

He suffered, poor man, at seeing her so badly dressed, with laceless boots, and the arm-holes of her pinafore torn down to the hips; for the charwoman took no care of her. But she was so sweet, so pretty, and her little head bent forward so gracefully, letting the dear fair hair fall over her rosy cheeks, that an infinite joy came upon him, a happiness mingled with bitterness, like those ill-made wines that taste of resin. He mended her toys, made her puppets from cardboard, or sewed up half-torn dolls. Then, if his eyes fell upon the workbox, a ribbon lying about, or even a pin left in a crack of the table, he began to dream, and looked so sad that she became as sad as he.

No one now came to see them, for Justin had run away to Rouen, where he was a grocer’s assistant, and the druggist’s children saw less and less of the child, Monsieur Homais not caring, seeing the difference of their social position, to continue the intimacy.

The blind man, whom he had not been able to cure with the pomade, had gone back to the hill of Bois-Guillaume, where he told the travellers of the vain attempt of the druggist, to such an extent, that Homais when he went to town hid himself behind the curtains of the “Hirondelle” to avoid meeting him. He detested him, and wishing, in the interests of his own reputation, to get rid of him at all costs, he directed against him a secret battery, that betrayed the depth of his intellect and the baseness of his vanity. Thus, for six consecutive months, one could read in the “Fanal de Rouen” editorials such as these —

“All who bend their steps towards the fertile plains of Picardy have, no doubt, remarked, by the Bois-Guillaume hill, a wretch suffering from a horrible facial wound. He importunes, persecutes one, and levies a regular tax on all travellers. Are we still living in the monstrous times of the Middle Ages, when vagabonds were permitted to display in our public places leprosy and scrofulas they had brought back from the Crusades?”

Or —

“In spite of the laws against vagabondage, the approaches to our great towns continue to be infected by bands of beggars. Some are seen going about alone, and these are not, perhaps, the least dangerous. What are our ediles about?”

Then Homais invented anecdotes —

“Yesterday, by the Bois-Guillaume hill, a skittish horse —” And then followed the story of an accident caused by the presence of the blind man.

He managed so well that the fellow was locked up. But he was released. He began again, and Homais began again. It was a struggle. Homais won it, for his foe was condemned to life-long confinement in an asylum.

This success emboldened him, and henceforth there was no longer a dog run over, a barn burnt down, a woman beaten in the parish, of which he did not immediately inform the public, guided always by the love of progress and the hate of priests. He instituted comparisons between the elementary and clerical schools to the detriment of the latter; called to mind the massacre of St. Bartholomew a propos of a grant of one hundred francs to the church, and denounced abuses, aired new views. That was his phrase. Homais was digging and delving; he was becoming dangerous.

However, he was stifling in the narrow limits of journalism, and soon a book, a work was necessary to him. Then he composed “General Statistics of the Canton of Yonville, followed by Climatological Remarks.” The statistics drove him to philosophy. He busied himself with great questions: the social problem: moralisation of the poorer classes, pisciculture, caoutchouc, railways, etc. He even began to blush at being a bourgeois. He affected the artistic style, he smoked. He bought two chic Pompadour statuettes to adorn his drawing-room.

He by no means gave up his shop. On the contrary, he kept well abreast of new discoveries. He followed the great movement of chocolates; he was the first to introduce “cocoa” and “revalenta” into the Seine-Inferieure. He was enthusiastic about the hydro-electric Pulvermacher chains; he wore one himself, and when at night he took off his flannel vest, Madame Homais stood quite dazzled before the golden spiral beneath which he was hidden, and felt her ardour redouble for this man more bandaged than a Scythian, and splendid as one of the Magi.

He had fine ideas about Emma’s tomb. First he proposed a broken column with some drapery, next a pyramid, then a Temple of Vesta, a sort of rotunda, or else a “mass of ruins.” And in all his plans Homais always stuck to the weeping willow, which he looked upon as the indispensable symbol of sorrow.

Charles and he made a journey to Rouen together to look at some tombs at a funeral furnisher’s, accomp............