The kitchen steps were as steep, dark, and difficult as ever. Up those steps Sophia Scales, nine years older than when she had failed to persuade Constance to leave the Square, was carrying a large basket, weighted with all the heaviness of Fossette. Sophia, despite her age, climbed the steps violently, and burst with equal violence into the parlour, where she deposited the basket on the floor near the empty fireplace. She was triumphant and breathless. She looked at Constance, who had been standing near the door in the attitude of a shocked listener.

"There!" said Sophia. "Did you hear how she talked?"

"Yes," said Constance. "What shall you do?"

"Well," said Sophia. "I had a very good mind to order her out of the house at once. But then I thought I would take no notice. Her time will be up in three weeks. It's best to be indifferent. If once they see they can upset you However, I wasn't going to leave Fossette down there to her tender mercies a moment longer. She's simply not looked after her at all."

Sophia went on her knees to the basket, and, pulling aside the dog's hair, round about the head, examined the skin. Fossette was a sick dog and behaved like one. Fossette, too, was nine years older, and her senility was offensive. She was to no sense a pleasant object.

"See here," said Sophia.

Constance also knelt to the basket.

"And here," said Sophia. "And here."

The dog sighed, the insincere and pity-seeking sigh of a spoilt animal. Fossette foolishly hoped by such appeals to be spared the annoying treatment prescribed for her by the veterinary surgeon.

While the sisters were coddling her, and protecting her from her own paws, and trying to persuade her that all was for the best, another aged dog wandered vaguely into the room: Spot. Spot had very few teeth, and his legs were stiff. He had only one vice, jealousy. Fearing that Fossette might be receiving the entire attention of his mistresses, he had come to inquire into the situation. When he found the justification of his gloomiest apprehensions, he nosed obstinately up to Constance, and would not be put off. In vain Constance told him at length that he was interfering with the treatment. In vain Sophia ordered him sharply to go away. He would not listen to reason, being furious with jealousy. He got his foot into the basket.

"Will you!" exclaimed Sophia angrily, and gave him a clout on his old head. He barked snappishly, and retired to the kitchen again, disillusioned, tired of the world, and nursing his terrific grievance. "I do declare," said Sophia, "that dog gets worse and worse."

Constance said nothing.

When everything was done that could be done for the aged virgin in the basket, the sisters rose from their knees, stiffly; and they began to whisper to each other about the prospects of obtaining a fresh servant. They also debated whether they could tolerate the criminal eccentricities of the present occupant of the cave for yet another three weeks. Evidently they were in the midst of a crisis. To judge from Constance's face every imaginable woe had been piled on them by destiny without the slightest regard for their powers of resistance. Her eyes had the permanent look of worry, and there was in them also something of the self-defensive. Sophia had a bellicose air, as though the creature in the cave had squarely challenged her, and she was decided to take up the challenge. Sophia's tone seemed to imply an accusation of Constance. The general tension was acute.

Then suddenly their whispers expired, and the door opened and the servant came in to lay the supper. Her nose was high, her gaze cruel, radiant, and conquering. She was a pretty and an impudent girl of about twenty-three. She knew she was torturing her old and infirm mistresses. She did not care. She did it purposely. Her motto was: War on employers, get all you can out of them, for they will get all they can out of you. On principle--the sole principle she possessed--she would not stay in a place more than six months. She liked change. And employers did not like change. She was shameless with men. She ignored all orders as to what she was to eat and what she was not to eat. She lived up to the full resources of her employers. She could be to the last degree slatternly. Or she could be as neat as a pin, with an apron that symbolized purity and propriety, as to-night. She could be idle during a whole day, accumulating dirty dishes from morn till eve. On the other hand she could, when she chose, work with astonishing celerity and even thoroughness. In short, she was born to infuriate a mistress like Sophia and to wear out a mistress like Constance. Her strongest advantage in the struggle was that she enjoyed altercation; she revelled in a brawl; she found peace tedious. She was perfectly calculated to convince the sisters that times had worsened, and that the world would never again be the beautiful, agreeable place it once had been.

Her gestures as she laid the table were very graceful, in the pert style. She dropped forks into their appointed positions with disdain; she made slightly too much noise; when she turned she manoeuvred her swelling hips as though for the benefit of a soldier in a handsome uniform.

Nothing but the servant had been changed in that house. The harmonium on which Mr. Povey used occasionally to play was still behind the door; and on the harmonium was the tea-caddy of which Mrs. Baines used to carry the key on her bunch. In the corner to the right of the fireplace still hung the cupboard where Mrs. Baines stored her pharmacopoeia. The rest of the furniture was arranged as it had been arranged when the death of Mrs. Baines endowed Mr. and Mrs. Povey with all the treasures of the house at Axe. And it was as good as ever; better than ever. Dr. Stirling often expressed the desire for a corner cupboard like Mrs. Baines's corner cupboard. One item had been added: the 'Peel' compote which Matthew Peel-Swynnerton had noticed in the dining- room of the Pension Frensham. This majestic piece, which had been reserved by Sophia in the sale of the pension, stood alone on a canterbury in the drawingroom. She had stored it, with a few other trifles, in Paris, and when she sent for it and the packing-case arrived, both she and Constance became aware that they were united for the rest of their lives. Of worldly goods, except money, securities, and clothes, that compote was practically all that Sophia owned. Happily it was a first-class item, doing no shame to the antique magnificence of the drawing-room.

In yielding to Constance's terrible inertia, Sophia had meant nevertheless to work her own will on the interior of the house. She had meant to bully Constance into modernizing the dwelling. She did bully Constance, but the house defied her. Nothing could be done to that house. If only it had had a hall or lobby a complete transformation would have been possible. But there was no access to the upper floor except through the parlour. The parlour could not therefore be turned into a kitchen and the basement suppressed, and the ladies of the house could not live entirely on the upper floor. The disposition of the rooms had to remain exactly as it had always been. There was the same draught under the door, the same darkness on the kitchen stairs, the same difficulties with tradesmen in the distant backyard, the same twist in the bedroom stairs, the same eternal ascending and descending of pails. An efficient cooking-stove, instead of the large and capacious range, alone represented the twentieth century in the fixtures of the house.

Buried at the root of the relations between the sisters was Sophia's grudge against Constance for refusing to leave the Square. Sophia was loyal. She would not consciously give w............