Nobody really thought that this almost ideal condition of things would persist: an enterprise commenced in such glory must surely traverse periods of difficulty and even of temporary disaster. But no! Cyril seemed to be made specially for school. Before Mr. Povey and Constance had quite accustomed themselves to being the parents of 'a great lad,' before Cyril had broken the glass of his miraculous watch more than once, the summer term had come to a end and there arrived the excitations of the prize-giving, as it was called; for at that epoch the smaller schools had not found the effrontery to dub the breaking-up ceremony a 'speech-day.' This prize-giving furnished a particular joy to Mr. and Mrs. Povey. Although the prizes were notoriously few in number--partly to add to their significance, and partly to diminish their cost (the foundation was poor)--Cyril won a prize, a box of geometrical instruments of precision; also he reached the top of his form, and was marked for promotion to the formidable Fourth. Samuel and Constance were bidden to the large hall of the Wedgwood Institution of a summer afternoon, and they saw the whole Board of Governors raised on a rostrum, and in the middle, in front of what he referred to, in his aristocratic London accent, as 'a beggarly array of rewards,' the aged and celebrated Sir Thomas Wilbraham Wilbraham, ex-M.P., last respectable member of his ancient line. And Sir Thomas gave the box of instruments to Cyril, and shook hands with him. And everybody was very well dressed. Samuel, who had never attended anything but a National School, recalled the simple rigours of his own boyhood, and swelled. For certainly, of all the parents present, he was among the richest. When, in the informal promiscuities which followed the prize distribution, Cyril joined his father and mother, sheepishly, they duly did their best to make light of his achievements, and failed. The walls of the hall were covered with specimens of the pupils' skill, and the headmaster was observed to direct the attention of the mighty to a map done by Cyril. Of course it was a map of Ireland, Ireland being the map chosen by every map-drawing schoolboy who is free to choose. For a third-form boy it was considered a masterpiece. In the shading of mountains Cyril was already a prodigy. Never, it was said, had the Macgillycuddy Reeks been indicated by a member of that school with a more amazing subtle refinement than by the young Povey. From a proper pride in themselves, from a proper fear lest they should be secretly accused of ostentation by other parents, Samuel and Constance did not go near that map. For the rest, they had lived with it for weeks, and Samuel (who, after all, was determined not to be dirt under his son's feet) had scratched a blot from it with a completeness that defied inquisitive examination.

The fame of this map, added to the box of compasses and Cyril's own desire, pointed to an artistic career. Cyril had always drawn and daubed, and the drawing-master of the Endowed School, who was also headmaster of the Art School, had suggested that the youth should attend the Art School one night a week. Samuel, however, would not listen to the idea; Cyril was too young. It is true that Cyril was too young, but Samuel's real objection was to Cyril's going out alone in the evening. On that he was adamant.

The Governors had recently made the discovery that ............