The day sanctioned by custom in the Five Towns for the making of pastry is Saturday. But Mrs. Baines made her pastry on Friday, because Saturday afternoon was, of course, a busy time in the shop. It is true that Mrs. Baines made her pastry in the morning, and that Saturday morning in the shop was scarcely different from any other morning. Nevertheless, Mrs. Baines made her pastry on Friday morning instead of Saturday morning because Saturday afternoon was a busy time in the shop. She was thus free to do her marketing without breath-taking flurry on Saturday morning.

On the morning after Sophia's first essay in dentistry, therefore, Mrs. Baines was making her pastry in the underground kitchen. This kitchen, Maggie's cavern-home, had the mystery of a church, and on dark days it had the mystery of a crypt. The stone steps leading down to it from the level of earth were quite unlighted. You felt for them with the feet of faith, and when you arrived in the kitchen, the kitchen, by contrast, seemed luminous and gay; the architect may have considered and intended this effect of the staircase. The kitchen saw day through a wide, shallow window whose top touched the ceiling and whose bottom had been out of the girls' reach until long after they had begun to go to school. Its panes were small, and about half of them were of the "knot" kind, through which no object could be distinguished; the other half were of a later date, and stood for the march of civilization. The view from the window consisted of the vast plate-glass windows of the newly built Sun vaults, and of passing legs and skirts. A strong wire grating prevented any excess of illumination, and also protected the glass from the caprices of wayfarers in King Street. Boys had a habit of stopping to kick with their full strength at the grating.

Forget-me-nots on a brown field ornamented the walls of the kitchen. Its ceiling was irregular and grimy, and a beam ran across it; in this beam were two hooks; from these hooks had once depended the ropes of a swing, much used by Constance and Sophia in the old days before they were grown up. A large range stood out from the wall between the stairs and the window. The rest of the furniture comprised a table--against the wall opposite the range-- a cupboard, and two Windsor chairs. Opposite the foot of the steps was a doorway, without a door, leading to two larders, dimmer even than the kitchen, vague retreats made visible by whitewash, where bowls of milk, dishes of cold bones, and remainders of fruit-pies, reposed on stillages; in the corner nearest the kitchen was a great steen in which the bread was kept. Another doorway on the other side of the kitchen led to the first coal-cellar, where was also the slopstone and tap, and thence a tunnel took you to the second coal-cellar, where coke and ashes were stored; the tunnel proceeded to a distant, infinitesimal yard, and from the yard, by ways behind Mr. Critchlow's shop, you could finally emerge, astonished, upon Brougham Street. The sense of the vast-obscure of those regions which began at the top of the kitchen steps and ended in black corners of larders or abruptly in the common dailiness of Brougham Street, a sense which Constance and Sophia had acquired in infancy, remained with them almost unimpaired as they grew old.

Mrs. Baines wore black alpaca, shielded by a white apron whose string drew attention to the amplitude of her waist. Her sleeves were turned up, and her hands, as far as the knuckles, covered with damp flour. Her ageless smooth paste-board occupied a corner of the table, and near it were her paste-roller, butter, some pie- dishes, shredded apples, sugar, and other things. Those rosy hands were at work among a sticky substance in a large white bowl.

"Mother, are you there?" she heard a voice from above.

"Yes, my chuck."

Footsteps apparently reluctant and hesitating clinked on the stairs, and Sophia entered the kitchen.

"Put this curl straight," said Mrs. Baines, lowering her head slightly and holding up her floured hands, which might not touch anything but flour. "Thank you. It bothered me. And now stand out of my light. I'm in a hurry. I must get into the shop so that I can send Mr. Povey off to the dentist's. What is Constance doing?"

"Helping Maggie to make Mr. Povey's bed."

"Oh!"

Though fat, Mrs. Baines was a comely woman, with fine brown hair, and confidently calm eyes that indicated her belief in her own capacity to accomplish whatever she could be called on to accomplish. She looked neither more nor less than her age, which was forty-five. She was not a native of the district, having been culled by her husband from the moorland town of Axe, twelve miles off. Like nearly all women who settle in a strange land upon marriage, at the bottom of her heart she had considered herself just a trifle superior to the strange land and its ways. This feeling, confirmed by long experience, had never left her. It was this feeling which induced her to continue making her own pastry-- with two thoroughly trained "great girls" in the house! Constance could make good pastry, but it was not her mother's pastry. In pastry-making everything can be taught except the "hand," light and firm, which wields the roller. One is born with this hand, or without it. And if one is born without it, the highest flights of pastry are impossible. Constance was born without it. There were days when Sophia seemed to possess it; but there were other days when Sophia's pastry was uneatable by any one except Maggie. Thus Mrs. Baines, though intensely proud and fond of her daughters, had justifiably preserved a certain condescension towards them. She honestly doubted whether either of them would develop into the equal of their mother.

"Now you little vixen!" she exclaimed. Sophia was stealing and eating slices of half-cooked apple. "This comes of having no breakfast! And why didn't you come down to supper last night?"

"I don't know. I forgot."

Mrs. Baines scrutinized the child's eyes, which met hers with a sort of diffident boldness. She knew everything that a mother can know of a daughter, and she was sure that Sophia had no cause to be indisposed. Therefore she scrutinized those eyes with a faint apprehension.

"If you can't find anything better to do," said she, "butter me the inside of this dish. Are your hands clean? No, better not touch it."

Mrs. Baines was now at the stage of depositing little pats of butter in rows on a large plain of paste. The best fresh butter! Cooking butter, to say naught of lard, was unknown in that kitchen on Friday mornings. She doubled the expanse of paste on itself and rolled the butter in--supreme operation!

"Constance has told you--about leaving school?" said Mrs. Baines, in the vein of small-talk, as she trimmed the paste to the shape of a pie-dish.

"Yes," Sophia replied shortly. Then she moved away from the table to the range. There was a toasting-fork on the rack, and she began to play with it.

"Well, are you glad? Your aunt Harriet thinks you are quite old enough to leave. And as we'd decided in any case that Constance was to leave, it's really much simpler that you should both leave together."

"Mother," said Sophia, rattling the toasting-fork, "what am I going to do after I've left school?"

"I hope," Mrs. Baines answered with that sententiousness which even the cleverest of parents are not always clever enough to deny............