DESTINY had willed that Loisillon, fortunate always, should be fortunate in dying at the right moment. A week later, when houses were closed, society broken up, the Chamber and the Institute not sitting, his funeral train would have been composed of Academicians attentive to their tallies, followed only by deputies from the numerous societies of which he was Secretary or President. But business-like to the last and after, he went off to the moment, just before the Grand Prix, choosing a week entirely blank, when, as there was no crime, or duel, or interesting lawsuit, or political event, the sensational obsequies of the Permanent Secretary would be the only pastime of the town.

The funeral mass was to be at twelve o’clock, and long before that hour an immense crowd was gathering round St. Germain des Prés. The traffic was stopped, and no carriages but those of persons invited were allowed to pass within the rails, strictly kept by a line of policemen posted at intervals. Who Loisillon was, what he had done in his seventy years’ sojourn among mankind, what was the meaning of the capital letter embroidered in silver on the funeral drapery, was known to but few in the crowd. The one thing which struck them was the arrangement of the protecting line, and the large space left to the dead, distance, room, and emptiness being the constant symbols of respect and grandeur. It had been understood that there would be a chance of seeing actresses and persons of notoriety, and the cockneys at a distance were putting names to the faces they recognised among the groups conversing in front of the church.

There, under the black-draped porch, was the place for hearing the true funeral oration on Loisillon, quite other than that which was to be delivered presently at Mont Parnasse, and the true article on the man and his work, very different from the notices ready for to-morrow’s newspapers. His work was a ‘Journey in Val d’Andorre,’ and two reports published at the National Press, relating to the time when he was Superintendent at the Beaux-Arts. The man was a sort of shrewd attorney, creeping and cringing, with a permanent bow and an apologetic attitude, which seemed to ask your pardon for his decorations, your pardon for his insignia, your pardon for his place in the Académie—where his experience as a man of business was useful in fusing together a number of different elements, with none of which he could well have been classed—your pardon for the amazing success which had raised so high such a worthless winged grub. It was remembered that at an official dinner he had said of himself complacently, as he bustled round the table with a napkin on his arm, ‘What an excellent servant I should have made!’ And it might have been written on his tomb.

And while they moralised upon the nothingness of his life, his corpse, the remains of nothing, was receiving the honours of death. Carriage after carriage drew up at the church; liveries brown and liveries blue came and disappeared; long-frocked footmen bowed to the pavement with a pompous banging of doors and steps; the groups of journalists respectfully made way, now for the Duchess Padovani, stately and proud, now for Madame Ancelin, blooming in her crape, now for Madame Eviza, whose Jewish eyes shone through her veil with blaze enough to attract a constable—all the ladies of the Académie, assembled in full congregation to practise their worship, not so much by a service to the memory of Loisillon, as by contemplation of their living idols, the ‘deities’ made and fashioned by the cunning of their little hands, the work upon which, as women, they had employed the superabundance of their energy, artfulness, ambition, and pride. Some actresses had come too, on the pretext that the deceased had been the president of some sort of Actors’ Orphanage, but moved in reality by the frantic determination ‘not to be out of it,’ which belongs to their class. Their expressions of woe were such that they might have been taken for near relations. A carriage suddenly drawing up set down a distracted group of black veils, whose sorrow was distressing to witness. The widow, at last? No, it is Marguerite Oger, the great sensational actress, whose appearance excites all round the square a prolonged stir and much pushing about. From the porch a journalist ran forward to meet her, and taking her hands besought her to bear up. ‘Yes,’ she said, ‘I ought to be calm; I will,’ Whereupon, drying her tears and forcing them back with her handkerchief, she entered, or it should rather be said ‘went on,’ into the darkness of the nave, with its background of glimmering tapers, fell down before a desk on the ladies’ side in a prostration of self-abandonment, and rising with a sorrowful air said to another actress at her side, ‘How much did they take at the Vaudeville last night?’ ‘168L. 18s.,’ answered her friend, with the same accent of grief.

Lost in the crowd at the edge of the square, Abel de Freydet heard the people round him say, ‘It’s Marguerite. How well she did it!’ But being a small man, he was trying in vain to make his way, when a hand was laid upon his shoulder. ‘What, still in Paris? It must be a trial for your poor sister,’ said Védrine, as he carried him along. Working his way with his strong elbows through the stream of people who only came up to his shoulder, and saying occasionally, ‘Excuse me, gentlemen—members of the family,’ he brought to the front with him his country friend, who, though delighted at the meeting, felt some embarrassment, as the sculptor talked after his fashion, freely and audibly. ‘Bless me, what luck Loisillon has! Why there weren’t more people for Béranger. This is the sort of thing to keep a young man’s pecker up.’ Here Freydet, seeing the hearse approaching, took off his hat. ‘Good gracious, what have you done to your head? Turn round. Why you look like Louis Philippe!’ The poet’s moustache was turned down, his hair brushed forward, and his pleasant face showed its complexion of ruddy brown between whiskers touched with grey. He drew up his short figure with a stiff dignity, whereat Védrine laughing said, ‘Ah, I see. Made up for the grandees at Chantilly? So you are still bent upon the Académie! Why, just look at the exhibition yonder.’

In the sunlight and on the broad enclosure the official attendants immediately behind the hearse made a shocking show. Chance might seem to have chosen them for a wager among the most ridiculous seniors in the Institute, and they looked especially-ugly in the uniform designed by David, the coat embroidered with green, the hat, the Court sword, beating against legs for which the designer was certainly not responsible. First came Gazan; his hat was tilted awry by the bumps of his skull, and the vegetable green of the coat threw into relief the earthy colour and scaly texture of his elephantine visage. At his side was the grim tall Laniboire with purple apoplectic veins and a crooked mouth. His uniform was covered by an overcoat whose insufficient length left visible the end of his sword and the tails of the frock, and gave him an appearance certainly much less dignified than that of the marshal with his black rod, who walked before. Those that followed, such as Astier-Réhu and Desminières, were all embarrassed and uncomfortable, all acknowledged by their apologetic and self-conscious bearing the absurdity of their disguise, which, though it might pass in the chastened light of their historic dome, seemed amid the real life of the street not less laughable than a show of monkeys. ‘I declare one would like to throw some nuts to see if they would go after them on all fours,’ said Freydet’s undesirable companion. But Freydet did not catch the impertinent remark. He slipped away, mixed with the procession, and entered the church between two files of soldiers with arms reversed. He was in his heart profoundly glad that Loisillon was dead. He had never seen or known him; he could not love him for his work’s sake, as he had done no work; and the only thing for which he could thank him was that he had left his chair empty at such a convenient moment. But he was impressed notwithstanding. The funeral pomp to which custom makes the old Parisian indifferent, the long line of knapsacks, the muskets that fell on the flags with a single blow (at the command of a boyish little martinet, with a stock under-his chin, who was probably performing on this occasion his first military duty), and, above all, the funeral music and the muffled drums, filled him with respectful emotion: and as always happened when he felt keenly, rimes began to rise. He had actually got a good beginning, presenting a grand picture of the storm and electric agitation and mental eclipse produced in the atmosphere of a nation when one of its great men disappears. But he broke off his thoughts to make room for Danjou, who, having arrived very late, pushed on amid the looks and whispers of the ladies, gazing about him coldly and haughtily and passing his hand over his head as he habitually does, doubtless to ascertain the safety of his back hair.

‘He did not recognise me,’ thought Freydet, hurt by the crushing glance with which the Academician relegated to the ranks t............