Five O’clock in the Morning

The clock in the hotel office struck three. Orlando Brotherson counted the strokes; then went on writing. His transom was partly open and he had just heard a step go by his door. This was nothing new. He had already heard it several times before that night. It was Mr. Challoner’s step, and every time it passed, he had rustled his papers or scratched vigorously with his pen. “He is keeping watch for Oswald,” was his thought. “They fear a sudden end to this. No one, not the son of my mother knows me. Do I know myself?”

Four o’clock! The light was still burning, the pile of letters he was writing increasing.

Five o’clock! A rattling shade betrays an open window. No other sound disturbs the quiet of the room. It is empty now; but Mr. Challoner, long since satisfied that all was well, goes by no more. Silence has settled upon the hotel;— that heavy silence which precedes the dawn.

There was silence in the streets also. The few who were abroad, crept quietly along. An electric storm was in the air and the surcharged clouds hung heavy and low, biding the moment of outbreak. A man who had left a place of many shadows for the more open road, paused and looked up at these clouds; then went calmly on.

Suddenly the shriek of an approaching train tears through the valley. Has it a call for this man? No. Yet he pauses in the midst of the street he is crossing and watches, as a child might watch, for the flash of its lights at the end of the darkened vista. It comes — filling the empty space at which he stares with moving life — engine, baggage car and a long string of Pullmans. Then all is dark again and only the noise of its slackening wheels comes to him through the night. It has stopped at the station. A minute longer and it has started again, and the quickly lessening rumble of its departure is all that remains of this vision of man’............