Mr. Polly’s marriage followed with a certain inevitableness.
He tried to assure himself that he was acting upon his own forceful initiative, but at the back of his mind was the completest realisation of his powerlessness to resist the gigantic social forces he had set in motion. He had got to marry under the will of society, even as in times past it has been appointed for other sunny souls under the will of society that they should be led out by serious and unavoidable fellow-creatures and ceremoniously drowned or burnt or hung. He would have preferred infinitely a more observant and less conspicuous r?le, but the choice was no longer open to him. He did his best to play his part, and he procured some particularly neat check trousers to do it in. The rest of his costume, except for some bright yellow gloves, a grey and blue mixture tie, and that the broad crape hat-band was changed for a livelier piece of silk, were the things he had worn at the funeral of his father. So nearly akin are human joy and sorrow.
The Larkins sisters had done wonders with grey sateen. The idea of orange blossom and white veils had been abandoned reluctantly on account of the expense of cabs. A novelette in which the heroine had stood at the altar in “a modest going-away dress” had materially assisted this decision. Miriam was frankly tearful, and so indeed was Annie, but with laughter as well to carry it off. Mr. Polly heard Annie say something vague about never getting a chance because of Miriam always sticking about at home like a cat at a mouse-hole, that became, as people say, food for thought. Mrs. Larkins was from the first flushed, garrulous, and wet and smeared by copious weeping; an incredibly soaked and crumpled and used-up pocket handkerchief never left the clutch of her plump red hand. “Goo’ girls, all of them,” she kept on saying in a tremulous voice; “such-goo-goo-goo-girls!” She wetted Mr. Polly dreadfully when she kissed him. Her emotion affected the buttons down the back of her bodice, and almost the last filial duty Miriam did before entering on her new life was to close that gaping orifice for the eleventh time. Her bonnet was small and ill-balanced, black adorned with red roses, and first it got over her right eye until Annie told her of it, and then she pushed it over her left eye and looked ferocious for a space, and after that baptismal kissing of Mr. Polly the delicate millinery took fright and climbed right up to the back part of her head and hung on there by a pin, and flapped piteously at all the larger waves of emotion that filled the gathering. Mr. Polly became more and more aware of that bonnet as time went on, until he felt for it like a thing alive. Towards the end it had yawning fits.
The company did not include Mrs. Johnson, but Johnson came with a manifest surreptitiousness and backed against walls and watched Mr. Polly with doubt and speculation in his large grey eyes and whistled noiselessly and doubtful on the edge of things. He was, so to speak, to be best man, sotto voce. A sprinkling of girls in gay hats from Miriam’s place of business appeared in church, great nudgers all of them, but only two came on afterwards to the house. Mrs. Punt brought her son with his ever-widening mind, it was his first wedding, and a Larkins uncle, a Mr. Voules, a licenced victualler, very kindly drove over in a gig from Sommershill with a plump, well-dressed wife to give the bride away. One or two total strangers drifted into the church and sat down observantly far away.
This sprinkling of people seemed only to enhance the cool brown emptiness of the church, the rows and rows of empty pews, disengaged prayerbooks and abandoned hassocks. It had the effect of a preposterous misfit. Johnson consulted with a thin-legged, short-skirted verger about the disposition of the party. The officiating clergy appeared distantly in the doorway of the vestry, putting on his surplice, and relapsed into a contemplative cheek-scratching that was manifestly habitual. Before the bride arrived Mr. Polly’s sense of the church found an outlet in whispered criticisms of ecclesiastical architecture with Johnson. “Early Norman arches, eh?” he said, “or Perpendicular.”
“Can’t say,” said Johnson.
“Telessated pavements, all right.”
“It’s well laid anyhow.”
“Can’t say I admire the altar. Scrappy rather with those flowers.”
He coughed behind his hand and cleared his throat. At the back of his mind he was speculating whether flight at this eleventh hour would be criminal or merely reprehensible bad taste. A murmur from the nudgers announced the arrival of the bridal party.
The little procession from a remote door became one of the enduring memories of Mr. Polly’s life. The little verger had bustled to meet it, and arrange it according to tradition and morality. In spite of Mrs. Larkins’ “Don’t take her from me yet!” he made Miriam go first with Mr. Voules, the bridesmaids followed and then himself hopelessly unable to disentangle himself from the whispering maternal anguish of Mrs. Larkins. Mrs. Voules, a compact, rounded woman with a square, expressionless face, imperturbable dignity, and a dress of considerable fashion, completed the procession.
Mr. Polly’s eye fell first upon the bride; the sight of her filled him with a curious stir of emotion. Alarm, desire, affection, respect — and a queer element of reluctant dislike all played their part in that complex eddy. The grey dress made her a stranger to him, made her stiff and commonplace, she was not even the rather drooping form that had caught his facile sense of beauty when he had proposed to her in the Recreation Ground. There was something too that did not please him in the angle of her hat, it was indeed an ill-conceived hat with lar............