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Chapter 15 The Scowl and Smile

SEVERAL days passed over the Seven Gables, heavily and drearily enough. In fact (not to attribute the whole gloom of sky and earth to the one inauspicious circumstance of Phoebe’s departure), an easterly storm had set in, and indefatigably apply itself to the task of making the black roof and walls of the old house look more cheerless than ever before. Yet was the outside not half so cheerless as the interior. Poor Clifford was cut off, at once, from all his scanty resources of enjoyment. Phoebe was not there; nor did the sunshine fall upon the floor. The garden, with its muddy walks, and the chill, dripping foliage of its summer-house, was an image to be shuddered at. Nothing flourished in the cold, moist, pitiless atmosphere, drifting with the brackish scud of sea-breezes, except the moss along the joints of the shingle-roof, and the great bunch of weeds, that had lately been suffering from drought, in the angle between the two front gables.

As for Hepzibah, she seemed not merely possessed with the east wind, but to be, in her very person, only another phase of this gray and sullen spell of weather; the east wind itself, grim and disconsolate, in a rusty black silk gown, and with a turban of cloud-wreaths on its head. The custom of the shop fell off, because a story got abroad that she soured her small beer and other damageable commodities, by scowling on them. It is, perhaps, true that the public had something reasonably to complain of in her deportment; but towards Clifford she was neither ill-tempered nor unkind, nor felt less warmth of heart than always, had it been possible to make it reach him. The inutility of her best efforts, however, palsied the poor old gentlewoman. She could do little else than sit silently in a corner of the room, when the wet pear-tree branches, sweeping across the small windows, created a noon-day dusk, which Hepzibah unconsciously darkened with her woe-begone aspect. It was no fault of Hepzibah’s. Everything — even the old chairs and tables, that had known what weather was for three or four such lifetimes as her own — looked as damp and chill as if the present were their worst experience. The picture of the Puritan Colonel shivered on the wall. The house itself shivered, from every attic of its seven gables down to the great kitchen fireplace, which served all the better as an emblem of the mansion’s heart, because, though built for warmth, it was now so comfortless and empty.

Hepzibah attempted to enliven matters by a fire in the parlor. But the storm demon kept watch above, and, whenever a flame was kindled, drove the smoke back again, choking the chimney’s sooty throat with its own breath. Nevertheless, during four days of this miserable storm, Clifford wrapt himself in an old cloak, and occupied his customary chair. On the morning of the fifth, when summoned to breakfast, he responded only by a broken-hearted murmur, expressive of a determination not to leave his bed. His sister made no attempt to change his purpose. In fact, entirely as she loved him, Hepzibah could hardly have borne any longer the wretched duty — so impracticable by her few and rigid faculties — of seeking pastime for a still sensitive, but ruined mind, critical and fastidious, without force or volition. It was at least something short of positive despair, that to-day she might sit shivering alone, and not suffer continually a new grief, and unreasonable pang of remorse, at every fitful sigh of her fellow sufferer.

But Clifford, it seemed, though he did not make his appearance below stairs, had, after all, bestirred himself in quest of amusement. In the course of the forenoon, Hepzibah heard a note of music, which (there being no other tuneful contrivance in the House of the Seven Gables) she knew must proceed from Alice Pyncheon’s harpsichord. She was aware that Clifford, in his youth, had possessed a cultivated taste for music, and a considerable degree of skill in its practice. It was difficult, however, to conceive of his retaining an accomplishment to which daily exercise is so essential, in the measure indicated by the sweet, airy, and delicate, though most melancholy strain, that now stole upon her ear. Nor was it less marvellous that the long-silent instrument should be capable of so much melody. Hepzibah involuntarily thought of the ghostly harmonies, prelusive of death in the family, which were attributed to the legendary Alice. But it was, perhaps, proof of the agency of other than spiritual fingers, that, after a few touches, the chords seemed to snap asunder with their own vibrations, and the music ceased.

But a harsher sound succeeded to the mysterious notes; nor was the easterly day fated to pass without an event sufficient in itself to poison, for Hepzibah and Clifford, the balmiest air that ever brought the humming-birds along with it. The final echoes of Alice Pyncheon’s performance (or Clifford’s, if his we must consider it) were driven away by no less vulgar a dissonance than the ringing of the shop-bell. A foot was heard scraping itself on the threshold, and thence somewhat ponderously stepping on the floor. Hepzibah delayed a moment, while muffling herself in a faded shawl, which had been her defensive armor in a forty years’ warfare against the east wind. A characteristic sound, however — neither a cough nor a hem, but a kind of rumbling and reverberating spasm in somebody’s capacious depth of chest;— impelled her to hurry forward, with that aspect of fierce faint-heartedness so common to women in cases of perilous emergency. Few of her sex, on such occasions, have ever looked so terrible as our poor scowling Hepzibah. But the visitor quietly closed the shop-door behind him, stood up his umbrella against the counter, and turned a visage of composed benignity, to meet the alarm and anger which his appearance had excited.

Hepzibah’s presentiment had not deceived her. It was no other than Judge Pyncheon, who, after in vain trying the front door, had now effected his entrance into the shop.

“How do you do, Cousin Hepzibah?— and how does this most inclement weather affect our poor Clifford?” began the Judge; and wonderful it seemed, indeed, that the easterly storm was not put to shame, or, at any rate, a little mollified, by the genial benevolence of his smile. “I could not rest without calling to ask, once more, whether I can in any manner promote his comfort, or your own.”

“You can do nothing,” said Hepzibah, controlling her agitation as well as she could.” I devote myself to Clifford. He has every comfort which his situation admits of.”

“But allow me to suggest, dear cousin,” rejoined the Judge,” you err — in all affection and kindness, no doubt, and with the very best intentions — but you do err, nevertheless, in keeping your brother so secluded. Why insulate him thus from all sympathy and kindness? Clifford, alas! has had too much of solitude. Now let him try society — the society, that is to say, of kindred and old friends. Let me, for instance, but see Clifford, and I will answer for the good effect of the interview.”

“You cannot see him,” answered Hepzibah. “Clifford has kept his bed since yesterday.”

“What! How! Is he ill?” exclaimed Judge Pyncheon, starting with what seemed to be angry alarm; for the very frown of the old Puritan darkened through the room as he spoke. “Nay, then, I must and will see him! What if he should die?”

“He is in no danger of death,” said Hepzibah — and added, with bitterness that she could repress no longer, “none; unless he shall be persecuted to death, now, by the same man who long ago attempted it!”

“Cousin Hepzibah,” said the Judge, with an impressive earnestness of manner, which grew even to tearful pathos as he proceeded, “is it possible that you do not perceive how unjust, how unkind, how unchristian, is this constant, this long-continued bitterness against me, for a part which I was constrained by duty and conscience, by the force of law, and at my own peril, to act? What did I do, in detriment to Clifford, which it was possible to leave undone? How could you, his sister — if, for your never-ending sorrow, as it has been for mine, you had known what I did — have, shown greater tenderness? And do you think, cousin, that it has cost me no pang?— that it has left no anguish in my bosom, from that day to this, amidst all the prosperity with which Heaven has blessed me?— or that I do not now rejoice, when it is deemed consistent with the dues of public justice and the welfare of society that this dear kinsman, this early friend, this nature so delicately and beautifully constituted — so unfortunate, let us pronounce him, and forbear to say, so guilty — that our own Clifford, in fine, should be given back to life, and its possibilities of enjoyment? Ah, you little know me, Cousin Hepzibah! You little know this heart! It now throbs at the thought of meeting him! There lives not the human being (except yourself — and you not more than I) who has shed so many tears for Clifford’s calamity. You behold some of them now. There is none who would so delight to promote his happiness! Try me, Hepzibah!— try me, cousin!— try the man whom you have treated as your enemy and Clifford’s!— try Jaffrey Pyncheon, and you shall find him true, to the heart’s core!”

“In the name of Heaven,” cried Hepzibah, provoked only to intenser indignation by this outgush of the inestimable tenderness of a stern nature —“in God’s name, whom you insult, and whose power I could almost question, since he hears you utter so many false words without palsying your tongue — give over, I beseech you, this loathsome pretence of affection for your victim! You hate him! Say so, like a man! You cherish, at this moment, some black purpose against him in your heart! Speak it out, at once!— or, if you hope so to promote it better, hide it till you can triumph in its success! But never speak again of your love for my poor brother. I cannot bear it! It will drive me beyond a woman’s decency! It will drive me mad! Forbear. Not another word! It will make me spurn you!”

For once, Hepzibah’s wrath had given her courage. She had spoken. But, after all, was this unconquerable distrust of Judge Pyncheon’s integrity, and this utter denial, apparently, of his claim to stand in the ring of human sympathies — were they founded in any just perception of his character, or merely the offspring of a woman’s unreasonable prejudice, deduced from nothing?

The Judge, beyond all question, was a man of eminent respectability. The church acknowledged it; the state acknowledged it. It was denied by nobody. In all the very extensive sphere of those who knew him, whether in his public or private capacities, there was not an individual — except Hepzibah, and some lawless mystic, like the daguerreotypist, and, possibly, a few political opponents — who would have dreamed of seriously disputing his claim to a high and honorable place in the world’s regard. Nor (we must do him the further justice to say) did Judge Pyncheon himself, probably, entertain many or very frequent doubts, that his enviable reputation accorded with his deserts. His conscience, therefore, usually considered the surest witness to a man’s integrity — his conscience, unless it might be for the little space of five minutes in the twenty-four hours, or, now and then, some black day in the whole year’s circle — his conscience bore an accordant testimony with the world’s laudatory voice. And yet, strong as this evidence may seem to be, we should hesitate to peril our own conscience on the assertion, that the Judge and the consenting world were right, and that poor Hepzibah with her solitary prejudice was wrong. Hidden from mankind — forgotten by himself, or buried so deeply under a sculptured and ornamented pile of ostentatious deeds that his daily life could take no note of it — there may have lurked some evil and unsightly thing. Nay, we could almost venture to say, further, that a daily guilt might have been acted by him, continually renewed, and reddening forth afresh, like the miraculous blood-stain of a murder, without his necessarily and at every moment being aware of it.

Men of strong minds, great force of character, and a hard texture of the sensibilities, are very capable of falling into mistakes of this kind. They are ordinarily men to whom forms are of paramount importance. Their field of action lies among the external phenomena of life. They possess vast ability in grasping, and arranging, and appropriating to themselves, the big, heavy, solid unrealities, such as gold, landed estate, offices of trust and emolument, and public honors. With these materials, and with deeds of goodly aspect, done in the public eye, an individual of this class builds up, as it were, a tall and stately edifice, which, in the view of other people, and ultimately in his own view, is no other than the man’s character, or the man himself. Behold, therefore, a palace! Its splendid halls and suites of spacious apartments are floored with a mosaic-work of costly marbles; its windows, the whole height of each room, admit the sunshine through the most transparent of plate-glass; its high cornices are gilded, and its ceilings gorgeously painted; and a lofty dome — through which, from the central pavement, you may gaze up to the sky, as with no obstructing medium between — surmounts the whole. With what fairer and nobler emblem could any man desire to shadow forth his character? Ah! but in some low and obscure nook — some narrow closet on the ground-floor, shut, locked and bolted, and the key flung away — or beneath the marble pavement, in a stagnant water-puddle, with the richest pattern of mosaic-work above — may lie a corpse, half decayed, and still decaying, and diffusing its death-scent all through the palace! The inhabitant will not be conscious of it, for it has long been his daily breath! Neither will the visitors, for they smell only the rich odors which the master sedulously scatters through the palace, and the incense which they bring, and delight to burn before him! Now and then, perchance, comes in a seer, before whose sadly gifted eye the whole structure melts into thin air, leaving only the hidden nook, the bolted closet, with the cobwebs festooned over its forgotten door, or the deadly hole under the pavement, and the decaying corpse within. Here, then, we are to seek the true emblem of the man’s character, and of the deed that gives whatever reality it possesses to his life. And, beneath the show of a marble palace, that pool of stagnant water, foul with many impurities, and, perhaps, tinged with blood — that secret abomination, above which, possibly, he may say his prayers, without remembering it — is this man’s miserable soul!

To apply this train of remark somewhat more closely to Judge Pyncheon. We might say (without in the least imputing crime to a personage of his eminent respectability) that there was enough of splendid rubbish in his life to cover up and paralyze a more active and subtile conscience than the Judge was ever troubled with. The purity of his judicial character, while on the bench; the faithfulness of his public service in subsequent capacities; his devotedness to his party, and the rigid consistency with which he had adhered to its principles, or, at all events, kept pace with its organized movements; his remarkable zeal as president of a Bible society; his unimpeachable integrity as treasurer of a widow’s and orphan’s fund; his benefits to horticulture, by producing two much esteemed varieties of the pear and to agriculture, through the agency of the famous Pyncheon bull; the cleanliness of his moral deportment, for a great many years past; the severity with which he had frowned upon, and finally cast off, an expensive and dissipated son, delaying forgiveness until within the final quarter of an hour of the young man’s life; his prayers at morning and eventide, and graces at meal-time; his efforts in furtherance of the temperance cause; his confining himself, since the last attack of the gout, to five diurnal glasses of old sherry wine; the snowy whiteness of his lin............

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