The young Spartan’s legs shook under him when Mihalevitch conducted him into the rather shabbily furnished drawing-room of the Korobyins, and presented him to them. But his overwhelming feeling of timidity soon disappeared. In the general the good-nature innate in all Russians was intensified by that special kind of geniality which is peculiar to all people who have done something disgraceful; the general’s lady was as it were overlooked by every one; and as for Varvara Pavlovna, she was so self-possessed and easily cordial that every one at once felt at home in her presence; besides, about all her fascinating person, her smiling eyes, her faultlessly sloping shoulders and rosy-tinged white hands, her light and yet languid movements, the very sound of her voice, slow and sweet, there was an impalpable, subtle charm, like a faint perfume, voluptuous, tender, soft, though still modest, something which is hard to translate into words, but which moved and kindled — and timidity! was not the feeing it kindled. Lavretsky turned the conversation on the theater, on the performance of the previous day; she at once began herself to discuss Motchalov, and did not confine herself to sighs and interjections only, but uttered a few true observations full of feminine insight in regard to his acting. Mihalevitch spoke about music; she sat down without ceremony to the piano, and very correctly played some of Chopin’s mazurkas, wh............