Mrs. Nutter and Mrs. Sturk, the wives of the two men who most hated one another within the vicinage of Chapelizod — natural enemies, holding aloof one from another, and each regarding the other in a puzzled way, with a sort of apprehension and horror, as the familiar of that worst and most formidable of men — her husband — were this night stricken with a common fear and sorrow.
Darkness descended on the Mills and the river — a darkness deepened by the umbrageous trees that grouped about the old gray house in which poor Mrs. Nutter lay so ill at ease. Moggy carried the jingling tray of tea-things into Nutter’s little study, and lighted his candles, and set the silver snuffers in the dish, and thought she heard him coming, and ran back again, and returned with the singing ‘tea-kitchen,’ and then away again, for the thin buttered toast under its china cover, which our ancestors loved.
Then she listened — but ’twas a mistake — it was the Widow Macan’s step, who carried the ten pailfuls of water up from the river to fill the butt in the backyard every Tuesday and Friday, for a shilling a week, and ‘a cup o’ tay with the girls in the kitchen.’
Then Moggy lighted the fire with the stump of a candle, for the night was a little chill, and she set the small round table beside it, and laid her master’s pipe and tobacco-box on it, and listened, and began to wonder what detained him.
So she went out into the sharp still air, and stood on the hall-door step, and listened again. Presently she heard the Widow Macan walking up from the garden with the last pail on her head, who stopped when she saw her, and set down the vessel upon the corner of the clumsy little balustrade by the door-step. So Moggy declared her uneasiness, which waxed greater when Mrs. Macan told her that ‘the masther, God bless him, wasn’t in the garden.’
She had seen him standing at the river’s edge, while she passed and repassed. He did not move a finger, or seem to notice her, and was looking down into the water. When she came back the third or fourth time, he was gone.
At Moggy’s command she went back into the garden, though she assured her, solemnly —’’twas nansince lookin’ there’— and called Mr. Nutter, at first in a deferential and hesitating way; but, emboldened and excited by the silence, for she began to feel unaccountably queer, in a louder and louder a key, till she was certain that he was neither in the garden nor in the orchard, nor anywhere near the house. And when she stopped, the silence seemed awful, and the darkness under the trees closed round her with a supernatural darkness, and the river at the foot of the walk seemed snorting some inarticulate story of horror. So she locked the garden door quickly, looking over her shoulder for she knew not what, and ran faster than she often did along the sombre walk up to the hall door, and told her tale to Moggy, and begged to carry the pail in by the hall-door.
In they came, and Moggy shut the hall-door, and turned the key in it. Perhaps ’twas the state in which the poor lady lay up stairs that helped to make them excited and frightened. Betty was sitting by her bedside, and Toole had been there, and given her some opiate, I suppose, for she had dropped into a flushed snoring sleep, a horrid counterfeit of repose. But she had first had two or three frightful fits, and all sorts of wild, screaming talk between. Perhaps it was the apparition of Mary Matchwell, whose evil influence was so horribly attested by the dismal spectacle she had left behind her, that predisposed them to panic; but assuredly each anticipated no good from the master’s absence, and had a foreboding of something bad, of which they did not speak; but only disclosed it by looks, and listening, and long silences. The lights burning in Nutter’s study invited them, and there the ladies seated themselves, and made their tea in the kitchen tea-pot, and clapped it on the hob, and listened for sounds from Mrs. Nutter’s chamber, and for the step of her husband crossing the little court-yard; and they grew only more nervous from listening, and there came every now and then a little tapping on the window-pane. It was only, I think, a little sprig of the climbing-rose that was nailed by the wall, nodding at every breath, and rapping like unseen finger-tops, on the glass. But, as small things will, with such folk, under such circumstances, it frightened them confoundedly.
Then, on a sudden, there came a great yell from poor Mrs. Nutter’s chamber, and they both stood up very pale. The Widow Macan, with the cup in her hand that she was ‘tossing’ at the moment, and Moggy, all aghast, invoked a blessing under her breath, and they heard loud cries and sudden volleys of talk, and Biddy’s voice, soothing the patient.
Poor Mrs. Nutter had started up, all on a sudden, from her narcotic doze, with a hideous scream that had frightened the women down stairs. Then she cried —
‘Where am I?’ and ‘Oh, the witch — the witch!’
‘Oh! no, Ma’am, dear,’ replied Betty; ‘now, aisy, Ma’am, darling.’
‘I’m going mad.’
‘No, Ma’am, dear?— there now — sure ’tis poor Betty that’s in it — don’t be afear’d, Ma’am.’
‘Oh, Betty, hold me — don’t go — I’m mad — am I mad?’
Then in the midst of Betty’s consolations, she broke into a flood of tears, and seemed in some sort relieved; and Betty gave her her drops again, and she began to mumble to herself, and so to doze.
At the end of another ten minutes, with a scream, she started up again.
‘That’s her step — where are you, Betty?’ she shrieked, and when Betty ran to the bedside, she held her so hard that the maid was ready to cry out, leering all the time over her shoulder —‘Where’s Charles Nutter?— I saw him speaking to you.’
Then the poor little woman grew quieter, and by her looks and moans, and the clasping of her hands, and her upturned eyes, seemed to be praying; and when Betty stealthily opened the press to take out another candle, her poor mistress uttered another terrible scream, crying —
‘You wretch! her head won’t fit — you can’t hide her;’ and the poor woman jumped out of her bed, shriek............