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Fate And The Artist

The workmen’s dwellings stood in the northwest of London, in quaint rivalry with the comfortable ugliness of the Maida Vale blocks of flats. They were fairly new and very well built, with wide stone staircases that echoed all day to the impatient footsteps of children, and with a flat roof that served at once as a playground for them and a drying-ground for their mothers’ washing. In hot weather it was pleasant enough to play hide-and-seek or follow-my-leader up and down the long alleys of cool white linen, and if a sudden gust of wind or some unexpected turn of the game set the wet sheets flapping in the children’s faces, their senses were rather tickled than annoyed.

To George, mooning in a corner of the railings that seemed to keep all London in a cage, these games were hardly more important than the shoutings and whistlings that rose from the street below. It seemed to him that all his life — he had lived eleven years — he had been standing in a corner watching other people engaging in meaningless ploys and antics. The sun was hot, and yet the children ran about and made themselves hotter, and he wondered, as when he had been in bed with one of his frequent illnesses he had wondered at the grown-up folk who came and went, moving their arms and legs and speaking with their mouths, when it was possible to lie still and quiet and feel the moments ticking themselves off in one’s forehead. As he rested in his corner, he was conscious of the sharp edge of the narrow stone ledge on which he was sitting and the thin iron railings that pressed into his back; he smelt the evil smell of hot London, and the soapy odour of the washing; he saw the glitter of the dust, and the noises of the place beat harshly upon his ears, but he could find no meaning in it all. Life spoke to him with a hundred tongues, and all the while he was longing for silence. To the older inhabitants of the tenements he seemed a morbid little boy, unhappily too delicate for sense to be safely knocked into him; his fellow-children would have ignored him completely if he had not had strange fancies that made interesting stories and sometimes inspired games. On the whole, George was lonely without knowing what loneliness meant.

All day long the voice of London throbbed up beyond the bars, and George would regard the chimneys and the housetops and the section of lively street that fell within his range with his small, keen eyes, and wonder why the world did not forthwith crumble into silent, peaceful dust, instead of groaning and quivering in continual unrest. But when twilight fell and the children were tired of playing, they would gather round him in his corner by the tank and ask him to tell them stories. This tank was large and open and held rain water for the use of the tenants, and originally it had been cut off from the rest of the roof by some special railings of its own; but two of the railings had been broken, and now the children could creep through and sit round the tank at dusk, like Eastern villagers round the village well.

And George would tell them stories — queer stories with twisted faces and broken backs, that danced and capered merrily enough as a rule, but sometimes stood quite still and made horrible grimaces. The children liked the cheerful moral stories better, such as Arthur’s Boots.

“Once upon a time,” George would begin, “there was a boy called Arthur, who lived in a house like this, and always tied his bootlaces with knots instead of bows. One night he stood on the roof and wished he had wings like a sparrow, so that he could fly away over the houses. And a great wind began, so that everybody said there was a storm, and suddenly Arthur found he had a little pair of wings, and he flew away with the wind over the houses. And presently he got beyond the storm to a quiet place in the sky, and Arthur looked up and saw all the stars tied to heaven with little bits of string, and all the strings were tied in bows. And this was done so that God could pull the string quite easily when He wanted to, and let the stars fall. On fine nights you can see them dropping. Arthur thought that the angels must have very neat fingers to tie so many bows, but suddenly, while he was looking, his feet began to feel heavy, and he stooped down to take off his boots; but he could not untie the knots quick enough, and soon he started falling very fast. And while he was falling, he heard the wind in the telegraph wires, and the shouts of the boys who sell papers............

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