The next day I got up early, cut myself a stick, and set off beyond the town-gates. I thought I would walk off my sorrow. It was a lovely day, bright and not too hot, a fresh sportive breeze roved over the earth with temperate rustle and frolic, setting all things a-flutter and harassing nothing. I wandered a long while over hills and through woods; I had not felt happy, I had left home with the intention of giving myself up to melancholy, but youth, the exquisite weather, the fresh air, the pleasure of rapid motion, the sweetness of repose, lying on the thick grass in a solitary nook, gained the upper hand; the memory of those never-to-be-forgotten words, those kisses, forced itself once more upon my soul. It was sweet to me to think that Zina?da could not, anyway, fail to do justice to my courage, my heroism. . . . ’ Others may seem better to her than I,’ I mused, ‘let them! But others only say what they would do, while I have done it. And what more would I not do for her?’ My fancy set to work. I began picturing to myself how I would save her from the hands of enemies; how, covered with blood I would tear her by force from prison, and expire at her feet. I remembered a picture hanging in our drawing-room — Malek-Adel bearing away Matilda — but at that point my attention was absorbed by the appearance of a speckled woodpecker who climbed busily up the slender stem of a birch-tree and peeped out uneasily from behind it, first to the right, then to the left, like a musician behind the bass-viol.

Then I sang ‘Not the white snows,’ and passed from that to a song well known at that period: ‘I await thee, when the wanton zephyr,’ then I began reading aloud Yermak’s address to the stars from Homyakov’s tragedy. I made an attempt to compose something myself in a sentimental vein, and invented the line which was to conclude each verse: ............