Amelius went straight back to the cottage, with the one desperate purpose of reverting to the old plan, and burying himself in his books. Surveying his well-filled shelves with an impatience unworthy of a scholar, Hume’s “History of England” unhappily caught his eye. He took down the first volume. In less than half an hour he discovered that Hume could do nothing for him. Wisely inspired, he turned to the truer history next, which men call fiction. The writings of the one supreme genius, who soars above all other novelists as Shakespeare soars above all other dramatists — the writings of Walter Scott — had their place of honour in his library. The collection of the Waverley Novels at Tadmor had not been complete. Enviable Amelius had still to read Rob Roy. He opened the book. For the rest of the day he was in love with Diana Vernon; and when he looked out once or twice at the garden to rest his eyes, he saw “Andrew Fairservice” busy over the flowerbeds.
He closed the last page of the noble story as Toff came in to lay the cloth for dinner.
The master at table and the servant behind his chair were accustomed to gossip pleasantly during meals. Amelius did his best to carry on the talk as usual. But he was no longer in the delightful world of illusion which Scott had opened to him. The hard realities of his own everyday life had gathered round him again. Observing him with unobtrusive attention, the Frenchman soon perceived the absence of the easy humour and the excellent appetite which distinguished his young master at other times.
“May I venture to make a remark, sir?” Toff inquired, after a long pause in the conversation.
“Certainly.”
“And may I take the liberty of expressing my sentiments freely?”
“Of course you may.”
“Dear sir, you have a pretty little simple dinner to-day,” Toff began. “Forgive me for praising myself, I am influenced by the natural pride of having cooked the dinner. For soup, you have Croute au pot; for meat, you have Tourne-dos a la sauce poivrade; for pudding, you have Pommes au beurre. All so nice — and you hardly eat anything, and your amiable conversation falls into a melancholy silence which fills me with regret. Is it you who are to blame for this? No, sir! it is the life you lead. I call it the life of a monk; I call it the life of a hermit — I say boldly it is the life of all others which is most unsympathetic to a young man like you. Pardon the warmth of my expressions; I am eager to make my language the language of utmost delicacy. May I quote a little song? It is in an old, old, old French piece, long since forgotten, called ‘Les Maris Garcons’. There are two lines in that song (I have often heard my good father sing them) which I will venture to apply to your case; ‘Amour, delicatesse, et gaite; D’un bon Francais c’est la devise!’ Sir, you have naturally delicatesse and gaite — but the last has, for some days, been under a cloud. What is wanted to remove that cloud? L’Amour! Love, as you say in English. Where is the charming woman, who is the only ornament wanting to this sweet cottage? Why is she still invisible? Remedy that unhappy oversight, sir. You are here in a suburban Paradise. I consult my long experience; and I implore you to invite Eve.— Ha! you smile; your lost gaiety returns, and you feel it as I do. Might I propose another glass of claret, and the reappearance on the table of the Tourne-dos a la poivrade?”
It was impossible to be melancholy in this man’s company. Amelius sanctioned the return of the Tourne-dos, and tried the other glass of claret. “My good friend,” he said, with something like a return of his old easy way, “you talk about charming women, and your long experience. Let’s hear what your experience has been.”
For the first time Toff began to look a little confused.
“You have honoured me, sir, by calling me your good friend,” he said. “After that, I am sure you will not send me away if I own the truth. No! My heart tells me I shall not appeal to your indulgence in vain. Dear sir, in the holidays which you kindly give me, I provide competent persons to take care of the house in my absence, don’t I? One person, if you remember, was a most handsome engaging young man. He is, if you please, my son by my first wife — now an angel in heaven. Another person, who took care of the house, on the next occasion, was a little black-eyed boy; a miracle of discretion for his age. He is my son by my second wife — now another angel in heaven. Forgive me, I have not done yet. Some few days since, you thought you heard an infant crying downstairs. Like a miserable wretch, I lied; I declared it was the infant in the next house. Ah, sir, it was my own cherubim baby by my third wife — an angel close by in the Edgeware Road, established in a small milliner shop, which will expand to great things by-and-by. The intervals between my marriages are not worthy of your notice. Fugitive caprices, sir — fugitive caprices! To sum it all up (as you say in England), it is not in me to resist the enchanting sex. If my third angel dies, I shall tear my hair — but I shall none the less take a fourth.”
“Take a dozen if you like,” said Amelius. “Why should you have kept all this from my knowledge?”
Toff hung his head. “I think it was one of my foreign mistakes,” he pleaded. “The servants’ advertisements in your English newspapers frighten me. How does the most meritorious manservant announce himself when he wants the best possible place? He says he is ‘without encumbrances.’ Gracious heaven, what a dreadful word to describe the poor pretty harmless children! I was afraid, sir, you might have some English objection to my ‘encumbrances.’ A young man, a boy, and a cherubim-baby; not to speak of the sacred memories of two women, and the charming occasional society of a third; all inextricably enveloped in the life of one amorous-meritorious French person — surely there was reason for hesitation here? No matter; I bless my stars I know better now, and I withdraw myself from further notice. Permit me to recall your attention to the Roquefort cheese, and a mouthful of potato-salad to correct the richness of him.”
The dinner was over at last. Amelius was alone again.
It was a still evening. Not a breath of wind stirred among the trees in the garden; no vehicles passed along the by-road in which the cottage stood. Now and then, Toff was audible downstairs, singing French songs in a high cracked voice, while he washed the plates and dishes, and set everything in order for the night. Amelius looked at his bookshelves — and felt that, after Rob Roy, there was no more reading for him that evening. The slow minutes followed one another wearily; the deadly depression of the earlier hours of the day was stealthily fastening its hold on him again. How might he best resist it? His healthy out-of-door habits at Tadmor suggested the only remedy that he could think of. Be his troubles what they might, his one simple method of resisting them, at all other times, was his simple method now. He went out for a walk.
For two hours he rambled about the great north-western suburb of London. Perhaps he felt the heavy oppressive weather, or perhaps his good dinner had not agreed with him. Any way, he was so thoroughly worn out, that he was obliged to return to the cottage in a cab.
Toff opened the door — but not with his customary alacrity. Amelius was too completely fatigued to notice any trifling circumstance. Otherwise, he would certainly have perceived something odd in the old Frenchman’s withered face. He looked at his master, as he relieved him of his hat and coat, with the strangest expression of interest and anxiety; modified by a certain sardonic sense of amusement underlying the more serious emotions. “A nasty dull evening,” Amelius said wearily. And Toff, always eager to talk at other times, only answered, “Yes, sir”— and retreated at once to the kitchen regions.
The fire was bright; the curtains were drawn; the reading-lamp, with its ample green shade, was on the table — a more comfortable room no man could have found to receive him after a long walk. Re............