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Chapter 11 Drums of the Little People

Six times the green light of the Shadowed-land had darkened into the pale dusk that was its night, and I had heard nothing, seen nothing of the Witch-woman or of any of those who dwelt on the far side of the white river. They had been six days and nights of curious interest. We had gone with Evalie among the golden pygmies over all their guarded plain; and we had gone at will among them, alone.

We had watched them at their work and at their play, listened to their drumming and looked on in wonder at their dances — dances so intricate, so extraordinary, that they were more like complex choral harmonies than steps and gestures. Sometimes the Little People danced in small groups of a dozen or so, and then it was like some simple song. But sometimes they were dancing by the hundreds, interlaced, over a score of the smooth-turfed dancing greens; and then it was like symphonies translated into choreographic measures.

They danced always to the music of their drums; they had no other music, nor did they need any. The drums of the Little People were of many shapes and sizes, in range covering all of ten octaves, and producing not only the semitones of our own familiar scale, but quarter and eighth-tones and even finer gradations that oddly affect the listener — at least, they did me. They ranged in pitch from the pipe organ’s deepest bass to a high staccato soprano. Some, the pygmies played with thumbs and fingers, and some with palms of their hands, and some with sticks. There were drums that whispered, drums that hummed, drums that laughed, and drums that sang.

Dances and drums, but especially the drums, were evocative of strange thoughts, strange pictures; the drums beat at the doors of another world — and now and then opened them wide anough to give a glimpse of fleeting, weirdly beautiful, weirdly disturbing, images.

There must have been between four and five thousand of the Little People in the approximately twenty square miles of cultivated, fertile plain enclosed by their wall; how many outside of it, I had no means of knowing. There were a score or more of small colonies, Evalie told us. These were like hunting or mining posts from which came the pelts, the metals and other things the horde fashioned to their uses. At Nansur Bridge was a strong warrior post. Some balance of nature, so far as I could leam from her, kept them at about the same constant; they grew quickly into maturity and their lives were not long.

She told us of Sirk, the city of those who had fled from the Sacrifice. From her description an impregnable place, built against the cliffs; walled; boiling springs welling up at the base of its battlements and forming an impassable moat. There was constant warfare between the people of Sirk and the white wolves of Lur, lurking in the encompassing forest, keeping watch to intercept those fleeing to it from Karak. I had the feeling that there was furtive intercourse between Sirk and the golden pygmies, that perhaps the horror of the Sacrifice which both shared, and the revolt of those in Sirk against the worshippers of Khalk’ru was a bond. And that when they could, the Little People helped them, and would even join hands with them, were it not for the deep ancient fear of what might follow should they break the compact their forefathers had made with the Ayjir.

It was a thing Evalie said that made me think that.

“If you had turned the other way, Leif — and if you had escaped the wolves of Lur — you would have come to Sirk. And a great change might have grown from that, for Sirk would have welcomed you, and who knows what might have followed, with you as their leader. Nor would my Little People then . . .”

She stopped there, nor would she complete the sentence, for all my urging. So I told her there were too many ifs about the matter, and I was content that the dice had fallen as they had. It pleased her.

I had one experience not shared by Jim. Its significance I did not then recognize. The Little People were as I have said — worshippers of life. That was their whole creed and faith. Here and there about the plain were small cairns, altars in fact, upon which, cut from wood or stone or fossil ivory, were the ancient symbols of fertility; sometimes singly, sometimes in pairs, and sometimes in a form curiously like that same symbol of the old Egyptians — the looped cross, the crux ansata which Osiris, God of the Resurrection, carried in his hand and touched, in the Hall of the Dead, those souls which had passed all tests and had earned immortality.

It happened on the third day. Evalie bade me go with her, and alone. We walked along the well-kept path that ran along the base of the cliffs in which the pygmies had their lairs. The tiny golden-eyed women peeped out at us and trilled to their dolls of children as we passed. Groups of elders, both men and women, came dancing toward us and fell in behind us as we went on. Each and all carried drums of a type I had not yet seen. They did not beat them, nor did they talk; group by group they dropped in behind us, silently.

After awhile I noticed that there were no more lairs. At the end of half an hour we turned a bastion of the dins. We were at the edge of a small meadow carpeted with moss, fine and soft as the pile of a silken carpet. The meadow was peihaps five hundred feet wide and about as many feet deep. Opposite me was another bastion. It was as though a rounded chisel had been thrust down, cutting out a semicircle in the precipice. At the far end of the meadow was what, at first glance, I thought a huge domed building, and then saw was an excrescence from the cliff itself.

In this rounded rock was an oval entrance, not much larger than an average door. As I stood, wondering, Evalie took my hand and led me toward it. We went through it.

The domed rock was hollow.

It was a temple of the Little People — I knew that, of course, as soon as I had crossed the threshold. Its walls of some cool, green stone curved smoothly up. It was not dark within the temple. The rocky dome had been pierced as though by the needle of a lace-maker, and through hundreds of the frets light streamed. The walls caught it, and dispersed it from thousands of crystalline angles within the stone. The floor was carpeted with the thick, soft moss, and this was faintly luminous, adding to the strange pellucid light; it must have covered at least two acres.

Evalie drew me forward. In the exact centre of the floor was a depression, like an immense bowl. Between it and me stood one of the looped-cross symbols, thrice the height of a tall man. It was polished, and glimmered as though cut from some enormous amethystine crystal I glanced behind me. The pygmies who had followed us were pouring through the oval doorway.

They crowded close behind us as Evalie again took my hand and led me toward the cross. She pointed, and I peered down into the bowl.

I looked upon the Kraken!

There it lay, sprawled out within the bowl, black tentacles spread fanwise from its bloated body, its huge black eyes staring inscrutably up into mine!

Resurgence of the old horror swept me. I jumped back with an oath.

The pygmies were crowding around my knees, staring up at me intently. I knew that my horror was written plain upon my face. They began an excited trilling, nodding to one another, gesticulating. Evalie watched them gravely, and then I saw her own face lighten as though with relief.

She smiled at me, and pointed again to the bowl. I forced myself to look. And now I saw that the shape within it had been cunningly carved. The dreadful, inscrutable eyes were of jet-like jewel. Through the end of each of the fifty-foot-long tentacles had been driven one of the crux ansatas, pinioning it like a spike; and through the monstrous body had been driven a larger one. I read the meaning: life fettering the enemy of life; rendering it impotent; prisoning it with the secret, ancient and holy symbol of that very thing it was bent upon destroying. And the great looped-cross above — watching and guarding like the god of life.

I heard a rippling and rustling and rushing from the drums. On and on it went in quickly increasing tempo. There was triumph in it — the triumph of onrushing conquering waves, the triumph of the free rushing wind; and there was peace and surety of peace in it — like the rippling song of little waterfalls chanting their faith that “they will go on and on for ever”, the rippling of little waves among the sedges of the river-bank, and the rustling of the rain bringing life to all the green things of earth.

Round the amethystine cross Evalie began to dance, circling it slowly to the rippling, the rustling and the rushing music of the drums. And she was the spirit of that song they sang, and the spirit of all those things of which they sang.

Three times she circled it. She came dancing to me, took my hand once more and led me away, out through the portal. From behind us, as we passed through, there came a sustained rolling of the little drums, no longer rippling, rustling, rushing — defiant now, triumphal.

But of that ceremony, or of its reasons, or of the temple itself she would speak no work thereafter, question her as I might.

And we still had to stand upon Nansur Bridge and look on towered Karak.

“On the morrow,” she would say; and when the morrow came, again she would say —“on the morrow”. When she answered me, she would drop long lashes over the clear brown eyes and glance at me from beneath them, strangely; or touch my hair and say that there were many morrows and what did it matter on which of them we went, since Nansur would not run away. There was some reluctance I could not fathom. And day by day her sweetness and her beauty wound a web around my heart until I began to wonder whether it might become a shield against the touch of what I carried on my breast.

But the Little People still had their doubts about me. temple ceremony or none; that was plain enough. Jim, they had taken to their hearts; they twittered and trilled and laughed with him as though he were one of them. They were polite and friendly enough to me, but they watched me. Jim could take up the tiny doll-like children and play with them. The mothers didn’t like me to do that and showed it very clearly. I received direct confirmation of how they felt about me that morning.

“I’m going to leave you for two or three days, Leif,” he told me when we had finished breakfasting. Evalie had floated away on some call from her small folk.

“Going to leave me!” I gaped at him in astonishment. “What do you mean? Where are you going?”

He laughed.

“Going to look at the tlanusi — what Evalie calls the dalanusa — the big leeches. The river guards she told us the pygmies put on the job when the bridge was broken.”

She had not spoken about them again, and I had forgotten all about them.

“What are they, Indian?”

“That’s what I’m going to find out. They sound like the great leech of Tianusi’yi. The tribes said it was red with white stripes and as big as a house. The Little People don’t go that far. They only say they’re as big as you are.”

“Listen, Indian — I’m going along.”

“Oh, no, you’re not.”

“I’d like to know why not.”

“Because the Little People won’t let you. Now listen to me, old-timer — the plain fact is that they’re not entirely satisfied about you. They’re polite, and they wouldn’t hurt Evalie’s feelings for the world, but — they’d much rather be without you.”

“You’re telling me nothing new,” I said.

“No, but here is something new. A party that’s been on a hunting trip down the other end of the valley came in yesterday. One of them ............

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