When Tod reached the street, he saw a dozen great violet shafts of light moving across the evening sky in wide crazy sweeps. Whenever one of the fiery columns reached the lowest point of its arc, it lit for a moment the rose-colored domes and delicate minarets of Kahn’s Persian Palace Theatre. The purpose of this display was to signal the world premiere of a new picture.

Turning his back on the searchlights, he started in the opposite direction, toward Homer’s place. Before he had gone very far, he saw a clock that read a quarter past six and changed his mind about going back just yet. He might as well let the poor fellow sleep for another hour and kill some time by looking at the crowds.

When still a block from the theatre, he saw an enormous electric sign that hung over the middle of the street. In letters ten feet high he read that

“MR. KAHN A PLEASURE DOME DECREED”

Although it was still several hours before the celebrities would arrive, thousands of people had already gathered. They stood facing the theatre with their backs toward the gutter in a thick line hundreds of feet long. A big squad of policemen was trying to keep a lane open between the front rank of the crowd and the facade of the theatre.

Tod entered the lane while the policeman guarding it was busy with a woman whose parcel had torn open, dropping oranges all over the place. Another policeman shouted for him to get the hell across the street, but he took a chance and kept going. They had enough to do without chasing him. He noticed how worried they looked and how careful they tried to be. If they had to arrest someone, they joked good-naturedly with the culprit, making light of it until they got him around the corner, then they whaled him with their clubs. Only so long as the man was actually part of the crowd did they have to be gentle.

Tod had walked only a short distance along the narrow lane when he began to get frightened. People shouted, commenting on his hat, his carriage, and his clothing. There was a continuous roar of catcalls, laughter and yells, pierced occasionally by a scream. The scream was usually followed by a sudden movement in the dense mass and part of it would surge forward wherever the police line was weakest. As soon as that part was rammed back, the bulge would pop out somewhere else.

The police force would have to be doubled when the stars started to arrive. At the sight of their heroes and heroines, the crowd would turn demoniac. Some little gesture, either too pleasing or too offensive, would start it moving and then nothing but machine guns would stop it. Individually the purpose of its members might simply be to get a souvenir, but collectively it would grab and rend.

A young man with a portable microphone was describing the scene. His rapid, hysterical voice was like that of a revivalist preacher whipping his congregation toward the ecstasy of fits.

“What a crowd, folks! What a crowd! There must be ten thousand excited, screaming fans outside Kahn’s Persian tonight. The police can’t hold them. Here, listen to them roar.”

He held the microphone out and those near it obligingly roared for him.

“Did you hear it? It’s a bedlam, folks. A veritable bedlam! What excitement! Of all the premieres I’ve attended, this is the most . . . the most . . . stupendous, folks. Can the police hold them? Can they? It doesn’t look so, folks . . . ”

Another squad of police came charging up. The sergeant pleaded with the announcer to stand further back so the people couldn’t hear him His men threw themselves at the crowd. It allowed itself to be hustled and shoved out of habit and because it lacked an objective. It tolerated the police, just as a bull elephant does when he allows a small boy to drive him with a light stick.

Tod could see very few people who looked tough, nor could he see any working men. The crowd was made up of the lower middle classes, every other person one of his torchbearers.

Just as he came near the end of the lane, it closed in front of him with a heave, and he had to fight his way through. Someone knocked his hat off and when he stooped to pick it up, someone kicked him. He whirled around angrily and found himself surrounded by people who were laughing at him. He knew enough to laugh with them. The crowd became sympathetic. A stout woman slapped him on the back, while a man handed him his hat, first brushing it carefully with his sleeve. Still another man shouted for a way to be cleared.

By a great deal of pushing and squirming, always trying to look as though he were enjoying himself, Tod finally managed to break into the open. After rearranging his clothes, he went over to a parking lot and sat down on the retaining wall that ran along the front of it.

New groups, whole families, kept arriving. He could see a change come over them as soon as they had become part of the crowd. Until they reached the line, they looked difficult, almost furtive, but the moment they had become part of it, they turned arrogant and pugnacious. It was a mistake to think them harmless curiosity seekers. They were savage and bitter, especially the middle-aged and the old, and had been made so by boredom and disappointment.

All their lives they had slaved at some kind of dull, heavy labor, behind desks and counters, in the fields and at tedious machines of all sorts, saving their pennies and dreaming of the leisure that would be theirs when they had enough. Finally that day came. They could draw a weekly income of ten or fifteen dollars. Where else should they go but California, the land of sunshine and oranges?

Once there, they discover that sunshine isn’t enough. They get tired of oranges, even of avocado pears and passion fruit. Nothing happens. They don’t know what to do with their time. They haven’t the mental equipment for leisure, the money nor the physical equipment for pleasure. Did they slave so long just to go to an occasional Iowa picnic? What else is there? They watch the waves come in at Venice. There wasn’t any ocean where most of them came from, but after you’ve seen one wave, you’ve seen them all. The same is true of the airplanes at Glendale. If only a plane would crash once in a while so that they could watch the passengers being consumed in a “holocaust of flame,” as the newspapers put it. But the planes never crash.

Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, war. This daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.

Tod stood up. During the ten minutes he had been sitting on the wall, the crowd had grown thirty feet and he was afraid that his escape might be cut off if he loitered much longer. He crossed to the other side of the street and started back.

He was trying to figure what to do if he were unable to wake Homer when, suddenly he saw his head bobbing above the crowd. He hurried toward him. From his appearance, it was evident that there was something definitely wrong.

Homer walked more than ever like a badly made automaton and his features were set in a rigid, mechanical grin. He had his trousers on over his nightgown and part of it hung out of his open fly. In both of his hands were suitcases. With each step, he lurched to one side then the other, using the suitcases for balance weights.

Tod stopped directly in front of him, blocking his way. “Where’re you going?”

“Wayneville,” he replied, using an extraordinary amount of jaw movement to get out this single word.

“That’s fine. But you can’t walk to the station from here. It’s in Los Angeles.”

Homer tried to get around him, but he caught his arm. “We’ll get a taxi. I’ll go with you.”

The cabs were all being routed around the block because of the preview. He explained this to Homer and tried to get him to walk to the corner.

“Come on, we’re sure to get one on the next street.”

Once Tod got him into a cab, he intended to tell the driver to go to the nearest hospital. But Homer wouldn’t budge, no matter how hard he yanked and pleaded. People stopped to watch them, others turned their heads curiously. He decided to leave him and get a cab.

“I’ll come right back,” he said.

He couldn’t tell from either Homer’s eyes or expression whether he heard, for they both were empty of everything, even annoyance. At the corner he looked around and saw that Homer had started to cross the street, moving blindly. Brakes screeched and twice he was almost run over, but he didn’t swerve or hurry. He moved in a straight diagonal. When he reached the other curb, he tried to get on the sidewalk at a point where the crowd was very thick and was shoved violently back. He made another attempt and this time a policeman grabbed him by the back of the neck and hustled him to the end of the line. When the policeman let go of him, he kept on walking as though nothing had happened.

Tod tried to get over to him, but was unable to cross until the traffic lights changed. When he reached the other side, he found Homer sitting on a bench, fifty or sixty feet from the outskirts of the crowd.

He put his arm around Homer’s shoulder and suggested that they walk a few blocks further. When Homer didn’t answer, he reached over to pick up one of the valises. Homer held on to it.

“I’ll carry it for you,” he said, tugging gently.

“Thief!”

Before Homer could repeat the shout, he jumped away. It would be extremely embarrassing if Homer shouted thief in front of a cop. He thought of phoning for an ambulance. But then, after all, how could he be sure that Homer was crazy? He was sitting quietly on the bench, minding his own business.

Tod decided to wait, then try again to get him into a cab. The crowd was growing in size all the time, but it would be at least half an hour before it over-ran the bench. Before that happened, he would think of some plan. He moved a short distance away and stood with his back to a store window so that he could watch Homer without attracting attention.

About ten feet from where Homer was sitting grew a large eucalyptus tree and behind the trunk of ‘the tree was a little boy. Tod saw him peer around it with great caution, then suddenly jerk his head back. A minute later he repeated the maneuver. At first Tod thought he was playing hide and seek, then noticed that he had a string in his hand which was attached to an old purse that lay in front of Homer’s bench. Every once in a while the child would jerk the string, making the purse hop like a sluggish toad. Its torn lining hung from its iron mouth like a furry tongue and a few uncertain flies hovered over it.

Tod knew the game the child was playing. He used to play it himself when he was small. If Homer reached to pick up the purse, thinking there was money in it, he would yank it away and scream with laughter.

When Tod went over to the tree, he was surprised to discover that it was Adore Loomis, the kid who lived across the street from Homer. Tod tried to chase him, but he dodged around the tree, thumbing his nose. He gave up and went back to his original position. The moment he left, Adore got busy with his purse again. Homer wasn’t paying any attention to the child, so Tod decided to let him alone.

Mrs. Loomis must be somewhere in the crowd, he thought. Tonight when she found Adore, she would give him a hiding. He had torn the pocket of his jacket and his Buster Brown collar was smeared with grease.

Adore had a nasty temper. The completeness with which Homer ignored both him and his pocketbook made him frantic. He gave up dancing it at the end of the string and approached the ............