Olive thought she knew the worst, as we have perceived; but the worst was really something she could not know, inasmuch as up to this time Verena chose as little to confide to her on that one point as she was careful to expatiate with her on every other. The change that had taken place in the object of Basil Ransom’s merciless devotion since the episode in New York was, briefly, just this change — that the words he had spoken to her there about her genuine vocation, as distinguished from the hollow and factitious ideal with which her family and her association with Olive Chancellor had saddled her — these words, the most effective and penetrating he had uttered, had sunk into her soul and worked and fermented there. She had come at last to believe them, and that was the alteration, the transformation. They had kindled a light in which she saw herself afresh and, strange to say, liked herself better than in the old exaggerated glamour of the lecture-lamps. She could not tell Olive this yet, for it struck at the root of everything, and the dreadful, delightful sensation filled her with a kind of awe at all that it implied and portended. She was to burn everything she had adored; she was to adore everything she had burned. The extraordinary part of it was that though she felt the situation to be, as I say, tremendously serious, she was not ashamed of the treachery which she — yes, decidedly, by this time she must admit it to herself — she meditated. It was simply that the truth had changed sides; that radiant image began to look at her from Basil Ransom’s expressive eyes. She loved, she was in love — she felt it in every throb of her being. Instead of being constituted by nature for entertaining that sentiment in an exceptionally small degree (which had been the implication of her whole crusade, the warrant for her offer of old to Olive to renounce), she was framed, apparently, to allow it the largest range, the highest intensity. It was always passion, in fact; but now the object was other. Formerly she had been convinced that the fire of her spirit was a kind of double flame, one half of which was responsive friendship for a most extraordinary person, and the other pity for the sufferings of women in general. Verena gazed aghast at the colourless dust into which, in three short months (counting from the episode in New York), such a conviction as that could crumble; she felt it must be a magical touch that could bring about such a cataclysm. Why Basil Ransom had been deputed by fate to exercise this spell was more than she could say — poor Verena, who up to so lately had flattered herself that she had a wizard’s wand in her own pocket.

When she saw him a little way off, about five o’clock — the hour she usually went out to meet him — waiting for her at a bend of the road which lost itself, after a winding, straggling mile or two, in the indented, insulated “point,” where the wandering bee droned through the hot hours with a vague, misguided flight, she felt that his tall, watching figure, with the low horizon behind, represented well the importance, the towering eminence he had in her mind — the fact that he was just now, to her vision, the most definite and upright, the most incomparable, object in the world. If he had not been at his post when she expected him she would have had to stop and lean against something, for weakness; her whole being would have throbbed more painfully than it throbbed at present, though finding him there made her nervous enough. And who was he, what was he? she asked herself. What did he offer her besides a chance (in which there was no compensation of brilliancy or fashion) to falsify, in a conspicuous manner, every hope and pledge she had hitherto given? He allowed her, certainly, no illusion on the subject of the fate she should meet as his wife; he flung over it no rosiness of promised ease; he let her know that she should be poor, withdrawn from view, a partner of his struggle, of his severe, hard, unique stoicism. When he spoke of such things as these, and bent his eyes on her, she could not keep the tears from her own; she felt that to throw herself into his life (bare and arid as for the time it was) was the condition of happiness for her, and yet that the obstacles were terrible, cruel. It must not be thought that the revolution which was taking place in her was unaccompanied with suffering. She suffered less than Olive certainly, for her bent was not, like her friend’s, in that direction; but as the wheel of her experience went round she had the sensation of being ground very small indeed. With her light, bright texture, her complacent responsiveness, her genial, graceful, ornamental cast, her desire to keep on pleasing others at the time when a force she had never felt before was pushing her to please herself, poor Verena lived in these days in a state of moral tension — with a sense of being strained and aching — which she didn’t betray more only because it was absolutely not in her power to look desperate. An immense pity for Olive sat in her heart, and she asked herself how far it was necessary to go in the path of self-sacrifice. Nothing was wanting to make the wrong she should do her complete; she had deceived her up to the very last; only three months earlier she had reasserted her vows, given her word, with every show of fidelity and enthusiasm. There were hours when it seemed to Verena that she must really push her inquiry no further, but content herself with the conclusion that she loved as deeply as a woman could love and that it didn’t make any difference. She felt Olive’s grasp too clinching, too terrible. She said to herself that she should never dare, that she might as well give up early as late; that the scene, at the end, would be something she couldn’t face; that she had no right to blast the poor creature’s whole future. She had a vision of those dreadful years; she knew that Olive would never get over the disappointment. It would touch her in the point where she felt everything most keenly; she would be incurably lonely and eternally humiliated. It was a very peculiar thing, their friendship; it had elements which made it probably as complete as any (between women) that had ever existed. Of course it had been more on Olive’s side than on hers, she had always known that; but that, again, didn’t make any difference. It was of no use for her to tell herself that Olive had begun it entirely and she had only responded out of a kind of charmed politeness, at first, to a tremendous appeal. She had lent herself, given herself, utterly, and she ought to have known better if she didn’t mean to abide by it. At the end of three weeks she felt that her inquiry was complete, but that after all nothing was gained except an immense interest in Basil Ransom’s views and the prospect of an eternal heartache. He had told her he wanted her to know him, and now she knew him pretty thoroughly. She knew him and she adored him, but it didn’t make any difference. To give him up or to give Olive up — this effort would be the greater of the two.

If Basil Ransom had the advantage, as far back as that day in New York, of having struck a note which was to reverberate, it may easily be imagined that he did not fail to follow it up. If he had projected a new light into Verena’s mind, and made the idea of giving herself to a man more agreeable to her than that of giving herself to a movement, he found means to deepen this illumination, to drag her former standard in the dust. He was in a very odd situation indeed, carrying on his siege with his hands tied. As he had to do everything in an hour a day, he perceived that he must confine himself to the essential. The essential was to show her how much he loved her, and then to press, to press, always to press. His hovering about Miss Chancellor’s habitation without going in was a strange regimen to be subjected to, and he was sorry not to see more of Miss Birdseye, besides often not knowing what to do with himself in the mornings and evenings. Fortunately he had brought plenty of books (volumes of rusty aspect, picked up at New York bookstalls), and in such an affair as this he could take the less when the more was forbidden him. For the mornings, sometimes, he had the resource of Doctor Prance, with whom he made a great many excursions on the water. She was devoted to boating and an ardent fisherwoman, and they used to pull out into the bay together, cast their lines, and talk a prodigious amount of heresy. She met him, as Verena met him, “in the environs,” but in a different spirit. He was immensely amused at her attitude, and saw that nothing in the world could, as he expressed it, make her wink. She would never blench nor show surprise; she had an air of taking everything abnormal for granted; betrayed no consciousness of the oddity of Ransom’s situation; said nothing to indicate she had noticed that Miss Chancellor was in a frenzy or that Verena had a daily appointment. You might have supposed from her manner that it was as natural for Ransom to sit on a fence half a mile off as in one of the red rocking-chairs, of the so-called “Shaker” species, which adorned Miss Chancellor’s back verandah. The only thing our young man didn’t like about Doctor Prance was the impression she gave him (out of the crevices of her reticence he hardly knew how it leaked) that she thought Verena rather slim. She took an ironical view of almost any kind of courtship, and he could see she didn’t wonder women were such featherheads, so long as, whatever brittle follies they cultivated, they could get men to come and sit on fences for them. Doctor Prance told him Miss Birdseye noticed nothing; she had sunk, within a few days, into a kind of transfigured torpor; she didn’t seem to know whether Mr. Ransom were anywhere round or not. She guessed she thought he had just come down for a day and gone off again; she probably supposed he just wanted to get toned up a little by Miss Tarrant. Sometimes, out in the boat, when she looked at him in vague, sociable silence, while she waited for a bite (she delighted in a bite), she had an expression of diabolical shrewdness. When Ransom was not scorching there beside her (he didn’t mind the sun of Massachusetts), he lounged about in the pastoral land which hung (at a very moderate elevation) above the shore. He always had a book in his pocket, and he lay under whispering trees and kicked his heels and made up his mind on what side he should take Verena the next time. At the end of a fortnight he had succeeded (so he believed, at least) far better than he had hoped, in this sense, that the girl had now the air of making much more light of her “gift.” He was indeed quite appalled at the facility with which she threw it over, gave up the idea that it was useful and precious. That had been what he wanted her to do, and the fact of the sacrifice (once she had fairly looked at it) costing her so little only proved his contention, only made it clear that it was not necessary to her happiness to spend half her life ranting (no matter how prettily) in public. All the same he said to himself that, to make up for the loss of whatever was sweet in the reputation of the thing, he should have to be tremendously nice to her in all the coming years. During the first week he was at Marmion she made of him an inquiry which touched on this point.

“Well, if it’s all a mere delusion, why should this facility have been given me — why should I have been saddled with a superfluous talent? I don’t care much about it — I don’t mind telling you that; but I confess I should like to know what is to become of all that part of me, if I retire into private life, and live, as you say, simply to be charming for you. I shall be like a singer with a beautiful voice (you have told me yourself my voice is beautiful) who has accepted some decree of never raising a note. Isn’t that a great waste, a great violation of nature? Were not our talents given us to use, and have we any right to smother them and deprive our fellow-creatures of such pleasure as they may confer? In the arrangement you propose” (that was Verena’s way of speaking of the question of their marriage) “I don’t see what provision is made for the poor faithful, dismissed servant. It is all very well to be charming to you, but there are people who have told me that once I get on a platform I am charming to all the world. There is no harm in my speaking of that, because you have told me so yourself. Perhaps you intend to have a platform erected in our front parlour, where I can address you every evening, and put you to sleep after your work. I say our front parlour, as if it were certain we should have two! It doesn’t look as if our means would permit that — and we must have some place to dine, if there is to be a platform in our sitting-room.”

“My dear young woman, it will be easy to solve the difficulty: the dining-table itself shall be our platform, and you shall mount on top of that.” This was Basil Ransom’s sportive reply to his companion’s very natural appeal for light, and the reader will remark that if it led her to push her investigation no further, she was very easily satisfied. There was more reason, however, as well as more appreciation of a very considerable mystery, in what he went on to say. “Charming to me, charming to all the world? What will become of your charm?— is that what you want to know? It will be about five thousand times greater than it is now; that’s what will become of it. We shall find plenty of room for your facility; it will lubricate our whole existence. Believe me, Miss Tarrant, these things will take care of themselves. You won’t sing in the Music Hall, but you will sing to me; you will sing to every one who knows you and approaches you. Your gift is indestructible; don’t talk as if I either wanted to wipe it out or should be able to make it a particle less divine. I want to give it another direction, certainly; but I don’t want to stop your activity. Your gift is the gift of expression, and there is nothing I can do for you that will make you less expressive. It won’t gush out at a fixed hour and on a fixed day, but it will irrigate, it will fertilise, it will brilliantly adorn your conversation. Think how delightful it will be when your influence becomes really social. Your facility, as you call it, will simply make you, in conversation, the most charming woman in America.”

It is to be feared, indeed, that Verena was easily satisfied (convinced, I mean, not that she ought to succumb to him, but that there were lovely, neglected, almost unsuspected truths on his side); and there is further evidence on the same head in the fact that after the first once or twice she found nothing to say to him (much as she was always saying to herself) about the cruel effect her apostasy would have upon Olive. She forbore to plead that reason after she had seen how angry it made him, and with how almost savage a contempt he denounced so flimsy a pretext. He wanted to know since when it was more becoming to take up with a morbid old maid than with an honourable young man; and when Verena pronounced the sacred name of friendship he inquired what fanatical sophistry excluded him from a similar privilege. She had told him, in a moment of expansion (Verena believed she was immensely on her guard, but her guard was very apt to be lowered), that his visits to Marmion cast in Olive’s view a remarkable light upon his chivalry; she chose to regard his resolute pursuit of Verena as a covert persecution of herself. Verena repented, as soon as she had spoken, of having given further currency to this taunt; but she perceived the next moment no harm was done, Basil Ransom taking in perfectly good part Miss Chancellor’s reflexions on his delicacy, and making them the subject of much free laughter. She could not know, for in the midst of his hilarity the young man did not compose himself to tell her, that he had made up his mind on this question before he left New York — as long ago as when he wrote her the note (subsequent to her departure from that city) to which allusion has already been made, and which was simply the fellow of the letter addressed to her after his visit to Cambridge: a friendly, respectful, yet rather pregnant sign that, decidedly, on second thoughts, separation didn’t imply for him the intention of silence. We know a little about his second thoughts, as much as is essential, and especially how the occasion of their springing up had been the windfall of an editor’s encouragement. The importance of that encouragement, to Basil’s imagination, was doubtless much augmented by his desire for an excuse to take up again a line of behaviour which he had forsworn (small as had, as yet, been his opportunity to indulge in it) very much less than he supposed; still, it worked an appreciable revolution in his view of his case, and made him ask himself what amount of consideration he should (from the most refined Southern point of view) owe Miss Chancellor in the event of his deciding to go after Verena Tarrant in earnest. He was not slow to decide that he owed her none. Chivalry had to do with one’s relations with people one hated, not with those one loved. He didn’t hate poor Miss Olive, though she might make him yet; and even if he did, any chivalry was all moonshine which should require him to give up the girl he adored in order that his third cousin should see he could be gallant. Chivalry was forbearance and generosity with regard to the weak; and there was nothing weak about Miss Olive, she was a fighting woman, and she would fight him to the death, giving him not an inch of odds. He felt that she was fighting there all day long, in her cottage fortress; her resistance was in the air he breathed, and Verena came out to him sometimes quite limp and pale from the tussle.

It was in the same jocose spirit with which he regarded Olive’s view of the sort of standard a Mississippian should live up to that he talked to Verena about the lecture s............