It was Ulpius. The Pagan was changed in bearing and countenance as well as in apparel. He stood more firm and upright; a dull, tawny hue overspread his face; his eyes, so sunken and lustreless in other days, were now distended and bright with the glare of insanity. It seemed as if his bodily powers had renewed their vigour, while his mental faculties had declined towards their ruin.
No human eye had ever beheld by what foul and secret means he had survived through the famine, on what unnatural sustenance he had satisfied the cravings of inexorable hunger; but there, in his gloomy shelter, the madman and the outcast had lived and moved, and suddenly and strangely strengthened, after the people of the city had exhausted all their united responses, lavished in vain all their united wealth, and drooped and died by thousands around him!
His grasp still lay heavy on the father and daughter, and still both confronted him — silent, as if death-struck by his gaze; motionless, as if frozen at his touch. His presence was exerting over them a fatal fascination. The power of action, suspended in Antonina as she entered their ill-chosen refuge, was now arrested in Numerian also; but with him no thought of the enemy in the street had any part, at this moment, in the resistless influence which held him helpless before the enemy in the temple.
It was a feeling of deeper awe and darker horror. For now, as he looked upon the hideous features of Ulpius, as he saw the forbidden robe of priesthood in which the Pagan was arrayed, he beheld not only the traitor who had successfully plotted against the prosperity of his household, but the madman as well, — the moral leper of the whole human family — the living Body and the dead Soul — the disinherited of that Divine Light of Life which it is the awful privilege of mortal man to share with the angels of God.
He still clasped Antonina to his side, but it was unconsciously. To all outward appearance he was helpless as his helpless child, when Ulpius slowly removed his grasp from their shoulders, separated them, and locking the hand of each in his cold, bony fingers, began to speak.
His voice was deep and solemn, but his accents, in their hard, unvarying tone, seemed to express no human emotion. His eyes, far from brightening as he spoke, relapsed into a dull, vacant insensibility. The connection between the action of speech and the accompanying and explaining action of look which is observable in all men, seemed lost in him. It was fearful to behold the death-like face, and to listen at the same moment to the living voice.
‘Lo! the votaries come to the temple!’ murmured the Pagan. ‘The good servants of the mighty worship gather at the voice of the priest! In the far provinces, where the enemies of the gods approach to profane the sacred groves, behold the scattered people congregating by night to journey to the shrine of Serapis! Adoring thousands kneel beneath the lofty porticoes, while within, in the secret hall where the light is dim, where the air quivers round the breathing deities on their pedestals of gold, the high priest Ulpius reads the destinies of the future, that are unrolled before his eyes like a book!’
As he ceased, and, still holding the hands of his captives, looked on them fixedly as ever, his eyes brightened and dilated again; but they expressed not the slightest recognition either of father or daughter. The delirium of his imagination had transported him to the temple at Alexandria; the days were revived when his glory had risen to its culminating point, when the Christians trembled before him as their fiercest enemy, and the Pagans surrounded him as their last hope. The victims of his former and forgotten treachery were but as two among the throng of votaries allured by the fame of his eloquence, by the triumphant notoriety of his power to protect the adherents of the ancient creed.
But it was not always thus that his madness declared itself: there were moments when it rose to appalling frenzy. Then he imagined himself to be again hurling the Christian assailants from the topmost walls of the besieged temple, in that past time when the image of Serapis was doomed by the Bishop of Alexandria to be destroyed. His yells of fury, his frantic execrations of defiance were heard afar, in the solemn silence of pestilence-stricken Rome. Those who, during the most fatal days of the Gothic blockade, dropped famished on the pavement before the little temple, as they endeavoured to pass it on their onward way, presented a dread reality of death, to embody the madman’s visions of battle and slaughter. As these victims of famine lay expiring in the street, they heard above them his raving voice cursing them for Christians, triumphing over them as defeated enemies destroyed by his hand, exhorting his imaginary adherents to fling the slain above on the dead below, until the bodies of the besiegers of the temple were piled, as barriers against their living comrades, round its walls. Sometimes his frenzy gloried in the fancied revival of the foul and sanguinary ceremonies of Pagan superstition. Then he bared his arms, and shouted aloud for the sacrifice; he committed dark and nameless atrocities — for now again the dead and the dying lay before him, to give substance to the shadow of his evil thoughts; and Plague and Hunger were as creatures of his will, and slew the victim for the altar ready to his hands.
At other times, when the raving fit had passed away, and he lay panting in the darkest corner of the interior of the temple, his insanity assumed another and a mournful form. His voice grew low and moaning; the wreck of his memory — wandering and uncontrollable — floated back, far back, on the dark waters of the past; and his tongue uttered fragments of words and phrases that he had murmured at his father’s knees — farewell, childish wishes that he had breathed in his mother’s ear — innocent, anxious questions which he had addressed to Macrinus, the high priest, when he first entered the service of the gods at Alexandria. His boyish reveries — the gentleness of speech and poetry of thought of his first youthful days, were now, by the unsearchable and arbitrary influences of his disease, revived in his broken words, renewed in his desolate old age of madness and crime, breathed out in unconscious mockery by his lips, while the foam still gathered about them, and the last flashes of frenzy yet lightened in his eyes.
This unnatural calmness of language and vividness of memory, this treacherous appearance of thoughtful, melancholy self-possession, would often continue through long periods, uninterrupted; but, sooner or later, the sudden change came; the deceitful chain of thought snapped asunder in an instant; the word was left half uttered; the wearied limbs started convulsively into renewed action; and as the dream of violence returned and the dream of peace vanished, the madman rioted afresh in his fury; and journeyed as his visions led him, round and round his temple sanctuary, and hither and thither, when the night was dark and death was busiest in Rome, among the expiring in deserted houses, and the lifeless in the silent streets.
But there were other later events in his existence that never revived within him. The old familiar image of the idol Serapis, which had drawn him into the temple when he re-entered Rome, absorbed in itself and in its associated remembrances all that remained active of his paralysed faculties. His betrayal of his trust in the house of Numerian, his passage through the rifted wall, his crushing repulse in the tent of Alaric, never for a moment occupied his wandering thoughts. The clouds that hung over his mind might open to him parting glimpses of the toils and triumphs of his early career; but they descended in impenetrable darkness on all the after-days of his dreary life.
Such was the being to whose will, by a mysterious fatality, the father and child were now submitted; such the existence — solitary, hopeless, loathsome — of their stern and wily betrayer of other days!
Since he had ceased speaking, the cold, death-like grasp of his hand had gradually strengthened, and he had begun to look slowly and inquiringly round him from side to side. Had this change marked the approaching return of his raving paroxysm, the lives of Numerian and Antonina would have been sacrificed the next moment; but all that it now denoted was the quickening of the lofty and obscure ideas of celebrity and success, of priestly honour and influence, of the splendour and glory of the gods, which had prompted his last words.
He moved suddenly, and drew the victims of his dangerous caprice a few steps farther into the interior of the temple; then led them close up to the lofty pile of objects which had first attracted Numerian’s eyes on entering the building. ‘Kneel and adore!’ cried the madman fiercely, replacing his hands on their shoulders and pressing them to the ground — ‘You stand before the gods, in the presence of their high priest!’
The girl’s head sank forward, and she hid her face in her hands; but her father looked up tremblingly at the pile. His eyes had insensibly become more accustomed to the dim light of the temple, and he now saw more distinctly the objects composing the mass that rose above him.
Hundreds of images of the gods, in gold, silver, and wood — many in the latter material being larger than life; canopies, vestments, furniture, utensils, all of ancient Pagan form, were heaped together, without order or arrangement, on the floor, to a height of full fifteen feet.
There was something at once hideous and grotesque in the appearance of the pile. The monstrous figures of the idols, with their rude carved draperies and symbolic weapons, lay in every wild variety of position, and presented every startling eccentricity of line, more especially towards the higher portions of the mass, where they had evidently been flung up from the ground by the hand that had raised the structure.
The draperies mixed among the images and the furniture were here coiled serpent-like around them, and there hung down towards the ground, waving slow and solemn in the breezes that wound through the temple doorway. The smaller objects of gold and silver, scattered irregularly over the mass, shone out from it like gleaming eyes; while the pile itself, seen in such a place under a dusky light, looked like some vast, misshapen monster — the gloomy embodiment of the bloodiest superstitions of Paganism, the growth of damp airs and teeming ruin, of shadow and darkness, of accursed and infected solitude!
Even in its position, as well as in the objects of which it was composed, the pile wore an ominous and startling aspect; its crooked outline, expanding towards the top, was bent over fearfully in the direction of the doorway; it seemed as if a single hand might sway it in its uncertain balance, and hurl it instantly in one solid mass to the floor.
Many toilsome hours had passed away, long secret labour had been expended in the erection of this weird and tottering structure; but it was all the work of one hand. Night after night had the Pagan entered the deserted temples in the surrounding streets, and pillaged them of their contents to enrich his favoured shrine: the removal of the idols from their appointed places, which would have been sacrilege in any meaner man, was in his eyes the dread privilege of the high priest alone.
He had borne heavy burdens, and torn asunder strong fastenings, and journeyed and journeyed again for hours together over the same gloomy streets, without loitering in his task; he had raised treasures and images one above another; he had strengthened the base and heightened the summit of this precious and sacred heap; he had repaired and rebuilt, whenever it crumbled and fell, this new Babel that he longed to rear to the Olympus of the temple roof, with a resolute patience and perseverance that no failure or fatigue could overcome.
It was the dearest purpose of his dreamy superstition to surround himself with innumerable deities, as well as to assemble innumerable worshippers; to make the sacred place of his habitation a mighty Pantheon, as well as a point of juncture for the scattered congregations of the Pagan world. This was the ambition in which his madness expanded to the fiercest fanaticism; and as he now stood erect with his captives beneath him, his glaring eyes looked awe-struck when he fixed them on his idols; he uplifted his arms in solemn, ecstatic triumph, and in low tones poured forth his invocations, wild, intermingled, and fragmentary, as the barbarous altar which his solitary exertions had reared.
Whatever was the effect on Numerian of his savage and confused ejaculations, they were unnoticed, even unheard, by Antonina; for now, while the madman’s voice softened to an undertone, and while she hid all surrounding objects from her eyes, her senses were awakened to sounds in the temple which she had never remarked before.
The rapid current of the Tiber washed the foundation walls of one side of the building, within which the clear, lulling bubble of the water was audible with singular distinctness. But besides this another and a shriller sound caught the ear. On the summit of the temple roof still remained several rows of little gilt bells, originally placed there, partly with the intention of ornamenting this portion of the outer structure, partly in order that the noise they produced, when agitated by the wind, might scare birds from settling in their flight on the consecrated edifice. The sounds produced by these bells were silvery and high pitched; now, when the breeze was strong, they rang together merrily and continuously; now, when it fell, their notes were faint, separate, and irregular, almost plaintive in their pure metallic softness. But, however their tone might vary under the capricious influences of the wind, it seemed always wonderfully mingled within the temple with the low, eternal bubbling of the river, which filled up the slightest pauses in the pleasant chiming of the bells, and ever preserved its gentle and monotonous harmony just audible beneath them.
There was something in this quaint, unwonted combination of sounds, as they were heard in the vaulted interior of the little building, strangely simple, attractive, and spiritual; the longer they were listened to, the more completely did the mind lose the recollection of their real origin, and gradually shape out of them wilder and wilder fancies, until the bells as they rang their small peal seemed like happy voices of a heavenly stream, borne lightly onward on its airy bubbles, and ever rejoicing over the gliding current that murmured to them as it ran.
Spite of the peril of her position, and of the terror which still fixed her speechless and crouching on the ground, the effect on Antonina of the strange mingled music of the running water and the bells was powerful enough, when she first heard it, to suspend all her other emotions in a momentary wonder and doubt. She withdrew her hands from her face, and glanced round mechanically to the doorway, as if she imagined that the sounds proceeded from the street.
When she looked, the declining sun, gliding between two of the outer pillars which surrounded the temple, covered with a bright glow the smooth pavement before the entrance. A swarm of insects flew drowsily round and round in the warm mellow light; their faint monotonous humming deepened, rather than interrupted, the perfect silence prevailing over all things without.
But a change was soon destined to appear in the repose of the quiet, vacant scene; hardly a minute had elapsed while Antonina still looked on it before she saw stealing over the sunny pavement a dark shadow, the same shadow that she had last beheld when she stopped in her flight to look behind her in the empty street. At first it slowly grew and lengthened, then it remained stationary, then it receded and vanished as gradually as it had advanced, and then the girl heard, or fancied that she heard, a faint sound of footsteps, retiring along the lateral colonnades towards the river side of the building.
A low cry of horror burst from her lips as she sank back towards her father; but it was unheeded. The voice of Ulpius had resumed in the interval its hollow loudness of tone; he had raised Numerian from the ground; his strong, cold grasp, which seemed to penetrate to the old man’s heart, which held him motionless and helpless as if by a fatal spell, was on his arm.
‘Hear it! hear it!’ cried the Pagan, waving his disengaged hand as if he were addressing a vast concourse of people — ‘I advance this man to be one of the servants of the high priest! He has travelled from a far country to the sacred shrine; he is docile and obedient before the altar of the gods; the lot is cast for his future life; his dwelling shall be in the temple to the day of his death! He shall minister before me in white robes, and swing the smoking censer, and slay the sacrifice at my feet!’
He stopped. A dark and sinister expression appeared in his eyes as the word ‘sacrifice’ passed his lips; he muttered doubtingly to himself — ‘The sacrifice! — is it yet the hour of the sacrifice?’ — and looked round towards the doorway.
The sun still shone gaily on the outer pavement; the insects still circled slowly in the mellow light; no shadow was now visible; no distant footsteps were heard; there was nothing audible but the happy music of the bubbling water, and the chiming, silvery bells.
For a few moments the madman looked out anxiously towards the street, without uttering a word or moving a muscle. The raving fit was nearly possessing him again, as the thought of the sacrifice flashed over his darkened mind; but once more its approach was delayed.
He slowly turned his head in the direction of the interior of the temple. ‘The sun is still bright in the outer courts,’ he murmured in an undertone, ‘the hour of the sacrifice is not yet! Come!’ he continued in a louder voice, shaking Numerian by the arm. ‘It is time that the servant of the temple should behold the place of the sacrifice, and sharpen the knife for the victim before sunset! Arouse thee, bondman, and follow me!’
As yet, Numerian had neither spoken, nor attempted to escape. The preceding events, though some space has been occupied in describing them, passed in so short a period of time, that he had not hitherto recovered from the first overwhelming shock of the meeting with Ulpius. But now, awed though he still was, he felt that the moment of the struggle for freedom had arrived.
‘Leave me, and let us depart! — there can be no fellowship between us again!’ he exclaimed with the reckless courage of despair, taking the hand of Antonina, and striving to free himself from the madman’s grasp. But the effort was vain; Ulpius tightened his hold and laughed in triumph. ‘What! the servant of the temple is in terror of the high priest, and shrinks from walking in the place of the sacrifice!’ he cried. ‘Fear not, bondman! The mighty one, who rules over life and death, and time and futurity, deals kindly with the servant of his choice! Onward! onward! to the place of darkness and doom, where I alone am omnipotent, and all others are creatures who tremble and obey! To thy lesson, learner! by sunset the victim must be crowned!’
He looked round on Numerian for an instant, as he prepared to drag him forward, and their eyes met. In the fierce command of his action, and the savage exultation of his glance, the father saw repeated in a wilder form the very attitude and expression which he had beheld in the Pagan on the morning of the loss of his child. All the circumstances of that miserable hour — the vacant bed-chamber — the banished daughter — the triumph of the betrayer — the anguish of the betrayed — rushed over his mind, and rose up before it vivid as a pictured scene before his eyes.
He struggled no more; the powers of resistance in mind and body were crushed alike. He made an effort to remove Antonina from his side, as if, in forgetfulness of the hidden enemy without, he designed to urge her flight through the open door, while the madman’s attention was yet distracted from her. But, beyond this last exertion of the strong instinct of paternal love, every other active emotion seemed dead within him.
Vainly had he striven to disentangle the child from the fate that might be in store for the parent. To her the dread of the dark shadow on the pavement was superior to all other apprehensions. She now clung more closely to her father, and tightened her clasp round his hand. So, when the Pagan advanced into the interior of the temple, it was not Numerian alone who followed him to the place of sacrifice, but Antonina as well.
They moved to the back of the pile of idols. Behind it appeared a high partition of gilt and inlaid wood reaching to the ceiling, and separating the outer from the inner part of the temple. A low archway passage, protected by carved gates similar to those at the front of the building, had been formed in the partition, and through this Ulpius and his prisoners now passed into the recess beyond.
This apartment was considerably smaller than the first hall of the temple which they had just left. The ceiling and the floor both sloped downwards together, and here the rippling of the waters of the Tiber was more distinctly audible to them than in the outer division of the building. At the moment when they entered it the place was very dark; the pile of idols intercepted even the little light that could have been admitted through its narrow entrance; but the dense obscurity was soon dissipated. Dragging Numerian after him to the left side of the recess, Ulpius drew back a sort of wooden shutter, and a vivid ray of sunlight immediately streamed in through a small circular opening pierced in this part of the temple.
Then there became apparent, at the lower end of the apartment, a vast yawning cavity in the wall, high enough to admit a man without stooping, but running downwards almost perpendicularly to some lower region which it was impossible to see, for no light shot upwards from this precipitous artificial abyss, in the darkness of which the eye was lost after it had penetrated to the distance of a few feet only from the opening. At the base of the confined space thus visible appeared the commencement of a flight of steps, evidently leading far downwards into the cavity. On the abruptly sloping walls, which bounded it on all sides, were painted, in the brilliant hues of ancient fresco, representations of the deities of the mythology — all in the attitude of descending into the vault, and all followed by figures of nymphs bearing wreaths of flowers, beautiful birds, and other similar adjuncts of the votive ceremonies of Paganism. The repulsive contrast between the bright colours and graceful forms presented by the frescoes, and the perilous and gloomy appearance of the cavity which they decorated, increased remarkably the startling significance in the character of the whole structure. Its past evil uses seemed ineradicably written over every part of it, as past crime and torment remain ineradicably written on the human face; the mind imbibed from it terrifying ideas of deadly treachery, of secret atrocities, of frightful refinements of torture, which no uninitiated eye had ever beheld, and no human resolution had ever been powerful enough to resist.
But the impressions thus received were not produced only by what was seen in and around this strange vault, but by what was heard there besides. The wind penetrated the cavity at some distance, and through some opening that could not be beheld, and was apparently intercepted in its passage, for it whistled upwards towards the entrance in shrill, winding notes, sometimes producing another and nearer sound, resembling the clashing of many small metallic substances violently shaken together. The noise of the wind, as well as the bubbling of the current of the Tiber, seemed to proceed from a greater distance than appeared compatible with the narrow extent of the back part of the temple, and the proximity of the river to its low foundation walls.
It was evident that the vault only reached its outlet after it had wound backwards, underneath the building, in some strange complication of passages or labyrinth of artificial caverns, which might have been built long since as dungeons for the living, or as sepulchres for the dead.
‘The place of the sacrifice — aha! the place of the sacrifice!’ cried the Pagan exultingly, as he drew Numerian to the entrance of the cavity, and solemnly pointed into the darkness beneath.
The father gazed steadily into the chasm, never turning now to look on Antonina, never moving to renew the struggle for freedom. Earthly loves and earthly hopes began to fade away from his heart — he was praying. The solemn words of Christian supplication fell in low, murmuring sounds from his lips, in the place of idolatry and bloodshed, and mingled with the incoherent ejaculations of the madman who kept him captive, and who now bent his glaring eyes on the darkness of the vault, half forgetful, in the gloomy fascination which it exercised even over him, of the prisoners whom he held at its mouth.
The single ray of light, admitted from the circular aperture of the wall, fell wild and fantastic over the widely-differing figures of the three, as they stood so strangely united together before the abyss that opened beneath them. The shadows were above and the shadows were around; there was no light in the ill-omened place but the one vivid ray that streamed over the gaunt figure of Ulpius, as he still pointed into the darkness; over the rigid features of Numerian, praying in the bitterness of expected death; and over the frail youthful form of Antonina as she nestled trembling at her father’s side. It was an unearthly and a solemn scene!
Meanwhile the shadow which the girl had observed on the pavement before the doorway of the temple now appeared there again, but not to retire as before; for, the instant after, Goisvintha stealthily entered the outer apartment of the building left vacant by its first occupants. She passed softly around the pile of idols, looked into the inner recess of the temple, and saw the three figures standing together in the ray of light, gloomy and motionless, before the mouth of the cavity. Her first glance fixed on the Pagan, whom she instinctively doubted and dreaded, whose purpose in keeping captive the father and daughter she could not divine; her next was directed on Antonina.
The girl’s position was a guarded one; still holding her father’s hand, she was partly protected by his body; and stood unconsciously beneath the arm of Ulpius, as it was raised while he grasped Numerian’s shoulder. Marking this, and remembering that Antonina had twice escaped her already, Goisvintha hesitated for a moment, and then, with cautious step and lowering brow, began to retire again towards the doorway of the building. ‘Not yet — not yet the time!’ she muttered, as she resumed her former lurking-place; ‘they stand where the light is over them — the girl is watched and shielded — the two men are still on either side of her! Not yet the moment of the blow; the stroke of the knife must be sure and safe! Sure, for this time she must die by my hand! Safe, for I have other vengeance to wreak besides the vengeance on her! I, who have been patient and cunning since the night when I escaped from Aquileia, will be patient and cunning still! If she passes the door, I slay her as she goes out; if she remains in the temple — ’
At the last word, Goisvintha paused and gazed upward; the setting sun threw its fiery glow over her haggard face; her eye brightened fiercely in the full light as she looked. ‘The darkness is at hand!’ she continued; ‘the night will be thick and black in the dim halls of the temple; I shall see her when she shall not see me! — the darkness is coming; the vengeance is sure!’
She closed her lips, and with fatal perseverance continued to watch and wait, as she had resolutely watched and waited already. The Roman and the Goth; the opposite in sex, nation, and fate; the madman who dreamed of the sanguinary superstitions of Paganism before the temple altar, and the assassin who brooded over the chances of bloodshed beneath the temple portico, were now united in a mysterious identity of expectation, uncommunicated and unsuspected by either — the hour when the sun vanished from the heaven was the hour of the sacrifice for both!
There is now a momentary pause in the progress of events. Occurrences to be hereafter related render it necessary to take advantage of this interval to inform the reader of the real nature and use of the vault in the temple wall, the external appearance of which we have already described.
The marking peculiarity in the construction of the Pagan religion may be most aptly compared to the marking peculiarity in the construction of the pagan temples. Both were designed to attract the general eye by the outward effect only, which was in both the false delusive reflection of the inward substance.
In the temple, the people, as they worshipped beneath the long colonnades, or beheld the lofty porticoes from the street, were left to imagine the corresponding majesty and symmetry of the interior of the structure, and were not admitted to discover how grievously it disappointed the brilliant expectations which the exterior was so well calculated to inspire; how little the dark, narrow halls of the idols, the secret vaults and gloomy recesses within, fulfilled the promise of the long flights of steps, the broad extent of pavement, the massive sun-brightened pillars without. So in the religion, the votary was allured by the splendour of processions; by the pomp of auguries; by the poetry of the superstition which peopled his native woods with the sportive Dryads, and the fountains from which he drank with their guardian Naiads; which gave to mountain and lake, to sun and moon and stars, to all things around and above him, their fantastic allegory, or their gracious legend of beauty and love: but beyond this, his first acquaintance with his worship was not permitted to extend, here his initiation concluded. He was kept in ignorance of the dark and dangerous depths which lurked beneath this smooth and attractive surface; he was left to imagine that what was displayed was but the prelude to the future discovery of what was hidden of beauty in the rites of Paganism; he was not admitted to behold the wretched impostures, the loathsome orgies, the hideous incantations, the bloody human sacrifices perpetrated in secret, which made the foul, real substance of the fair exterior form. His first sight of the temple was not less successful in deceiving his eye than his first impression of the religion in deluding his mind.
With these hidden and guilty mysteries of the Pagan worship, the vault before which Ulpius now stood with his captives was intimately connected.
The human sacrifices offered among the Romans were of two kinds; those publicly and those privately performed. The first were of annual recurrence in the early years of the Republic; were prohibited at a later date; were revived by Augustus, who sacrificed his prisoners of war at the altar of Julius Caesar; and were afterwards — though occasionally renewed for particular purposes under some subsequent reigns — wholly abandoned as part of the ceremonies of Paganism during the later periods of the empire.
The sacrifices perpetrated in private were much longer practised. They were connected with the most secret mysteries of the mythology; were concealed............