They walked for hours in silence, following the winding stone road downwards. Richard was still in pain; he was limping, and experiencing a strange mental and physical turmoil: feelings of defeat and betrayal roiled within him, which, combined with the near loss of his life to Lamia, the damage inflicted by Mr. Vandemar, and his experiences on the plank far above, left him utterly wrecked. Yet, he was certain that his experiences of the last day paled into something small and insignificant when placed beside whatever the marquis had experienced. So he said nothing.
    The marquis kept silent, as every word he uttered hurt his throat. He was content to let it heal, and to concentrate on Hunter. He knew that, should he let his attention flag for even a moment, she would know it, and she would be away, or she would turn on them. So he said nothing.
    Hunter walked a little ahead of them. She, also, said nothing.
    After some hours, they reached the bottom of Down Street. The street ended in a vast Cyclopean gateway--built of enormous rough stone blocks. _Giants built that gate,_ thought Richard, half-remembered tales of long-dead kings of mythical London churning in his head, tales of King Bran and of the giants Gog and Magog, with hands the size of oak trees, and severed heads as big as hills. The portal itself had long since rusted and crumbled away. Fragments of it could be seen in the mud beneath their feet, dangling uselessly from a rusted hinge on the side of the gate. The hinge was taller than Richard.
    The marquis gestured for Hunter to stop. He moistened his lips, and said, "This gate marks the end of Down Street, and the beginning of the labyrinth. And beyond the labyrinth waits the Angel Islington. And in the labyrinth is the Beast."
    "I still don't understand," said Richard. "Islington. I actually met him. It. Him. He's an angel. I mean, a real angel."
    The marquis smiled, without humor. "When angels go bad, Richard, they go worse than anyone. Remember, Lucifer used to be an angel."
    Hunter watched Richard with nut brown eyes. "The place you visited is Islington's citadel, and also its prison," she said. It was the first thing she had said in hours. "It cannot leave."
    The marquis addressed her directly. "I assume that the labyrinth and the Beast are there to discourage visitors."
    She inclined her head. "So I would assume also."
    Richard turned on the marquis, all his anger and impotence and frustration spewing out of him in one angry blast. "Why are you even talking to her? Why is she still with us? She was a traitor--she tried to make us think that you were the traitor."
    "And I saved your life, Richard Mayhew," said Hunter, quietly. "Many times. On the bridge. At the gap. On the board up there." She looked into his eyes, and it was Richard who looked away.
    Something echoed through the tunnels: a bellow, or a roar. The hairs on the back of Richard's neck prickled. It was far away, but that was the only thing about it in which he could take any comfort. He knew that sound: he had heard it in his dreams, but now it sounded neither like a bull nor like a boar; it sounded like a lion; it sounded like a dragon.
    "The labyrinth is one of the oldest places in London Below," said the marquis. "Before King Lud founded the village on the Thames marshes, there was a labyrinth here."
    "No Beast, though," said Richard.
    "Not then."
    Richard hesitated. The distant roaring began again. "I . . . I think I've had dreams about the Beast," he said.
    The marquis raised an eyebrow. "What kind of dreams?"
    "Bad ones," said Richard.
    The marquis thought about this, eyes flickering. And then he said, "Look, Richard. I'm taking Hunter. But if you want to wait here, well, no one could accuse you of cowardice."
    Richard shook his head. Sometimes there is nothing you can do. "I'm not turning back. Not now. They've got Door."
    "Right," said the marquis. "Well then. Shall we go?"
    Hunter's perfect caramel lips twisted into a sneer. "You'd have to be mad to go in there," she said. "Without the angel's token you could never find your way. Never get past the boar."
    The marquis reached his hand under his poncho blanket and produced the little obsidian statue he had taken from Door's father's study. "One of these, you mean?" he asked. The marquis felt, then, that much of what he had gone through in the previous week was made up for by the expression on Hunter's face. They went through the gate, into the labyrinth.

    Door's arms were bound behind her back, and Mr. Vandemar walked behind her, one huge beringed hand resting on her shoulder, pushing her along. Mr. Croup scuttled on ahead of them, holding the talisman he had taken from her on high, and peering edgily from side to side, like a particularly pompous weasel on its way to raid the henhouse.
    The labyrinth itself was a place of pure madness. It was built of lost fragments of London Above: alleys and roads and corridors and sewers that had fallen through the cracks over the millennia, and entered the world of the lost and the forgotten. The two men and the girl walked over cobbles, and through mud, and through dung of various kinds, and over rotting wooden boards. They walked through daylight and night, through gaslit streets, and sodium-lit streets, and streets lit with burning rushes and links. It was an ever-changing place: and each path divided and circled and doubled back on itself.
    Mr. Croup felt the tug of the talisman, and let it take him where it wanted to go. They walked down a tiny alleyway, which had once been part of a Victorian "rookery"--a slum comprised in equal parts of theft and penny gin, of twopenny-halfpenny squalor and threepenny sex--and they heard it, snuffling and snorting somewhere nearby. And then it bellowed, deep and dark. Mr. Croup hesitated, before hurrying forward, up a short wooden staircase; and then, at the end of the alley, he stopped, squinting about him, before he led them down some steps into a long stone tunnel that had once run across the Fleet Marshes, in the Templars' time. Door said, "You're afraid, aren't you?" Croup glared at her. "Hush your tongue." She smiled, although she did not feel like smiling. "You're scared that your safe-conduct token won't get you past the Beast. What are you planning now? To kidnap Islington? Sell both of us to the highest bidder?"
    "Quiet," said Mr. Vandemar. But Mr. Croup simply chuckled; and Door knew then that the Angel Islington was not her friend.
    She began to shout. "Hey! Beast! Here!" Mr. Vandemar cuffed her head and knocked her against the wall. "Said to be quiet," he told her, calmly. She tasted blood in her mouth and spat scarlet on the mud. Then she parted her lips to begin shouting once more. Mr. Vandemar, anticipating this, had taken a handkerchief from his pocket, and he forced it into her mouth. She tried to bite his thumb as he did so, but it made no appreciable impression on him.
    "Now you'll be quiet," he told her. Mr. Vandemar was very proud of his handkerchief, which was spattered with green and brown and black and had originally belonged to an overweight snuff dealer in the 1820s, who had died of apoplexy and been buried with his handkerchief in his pocket. Mr. Vandemar still occasionally found fragments of snuff merchant in it, but it was, he felt, a fine handkerchief for all that. They continued in silence.

    Richard made another entry in his mental diary. _Today,_ he thought, _I've survived walking the plank, the kiss of death, and a lecture on inflicting pain. Right now, I'm on my way through a labyrinth with a mad bastard who came back from the dead and a bodyguard who turned out to be a . . . whatever the opposite of a bodyguard is. I am so far out of my depth that . . . _ Metaphors failed him, then. He had gone beyond the world of metaphor and simile into the place of things that _are,_ and it was changing him.
    They were wading through a narrow passage of wet, marshy ground, between dark stone walls. The marquis held both the token and the crossbow, and he took care to walk, at all times, about ten feet behind Hunter. Richard, in the lead, was carrying Hunter's Beast spear and a yellow flare the marquis had produced from beneath his blanket, which illuminated the stone walls and the mud, and he walked well in front of Hunter. The marshland stank, and huge mosquitoes had begun to settle upon Richard's arms and legs and face, biting him painfully and raising huge, itching welts. Neither Hunter nor the marquis so much as mentioned the mosquitoes.
    Richard was beginning to suspect that they were quite lost. It did not help his mood any that there were a large number of dead people in the marsh: leathery preserved bodies, discolored skeletal bones, and pallid, water-swollen corpses. He wondered how long the corpses had been there, and whether they had been killed by the Beast or by the mosquitoes. He said nothing as they walked on for another five minutes and eleven mosquito bites, and then he called out, "I think we're lost. We've been through this way before."
    The marquis held up the token. "No. We're fine," he said. "The token is leading us straight. Clever little thing."
    "Yeah," said Richard, who was not impressed. "Very clever."
    It was then that the marquis stepped, barefoot, on the shattered rib cage of a half-buried corpse, puncturing his heel, and causing him to stumble. The little black statue went flying through the air and tumbled into the black marsh with the satisfied plop of a leaping fish returning to the water. The marquis righted himself and pointed the crossbow at Hunter's back.
    "Richard," he called. "I dropped it. Can you come back here?" Richard walked back, holding the flare high, hoping for the glint of flame on obsidian, seeing nothing but wet mud. "Get down into the mud and look," said the marquis.
    Richard groaned.
    "You've dreamed of the Beast, Richard," said the marquis. "Do you really want to encounter it?"
    Richard thought about this for not very long, then he pushed the haft of the bronze spear into the surface of the marsh and stood the flare up into the mud beside it, illuminating the surface of the marsh with a fitful amber light. He got down on his hands and knees in the bog, searching for the statue. He ran his hands over the surface of the marsh, hoping not to encounter any dead faces or hands. "It's hopeless. It could be anywhere."
    "Keep looking," said the marquis.
    Richard tried to remember how he usually found things. First he let his mind go as blank as he could, then he let his gaze wander over the surface of the marsh, purposelessly, idly. Something glittered on the boggy surface, five feet to his left. It was the Beast statue. "I can see it," called Richard.
    He floundered toward it through the mud. The little glassy beast was head-down in a puddle of dark water. Perhaps the mud was disturbed by Richard's approach; more likely, as Richard was convinced forever after, it was just the sheer cussedness of the material world. Whatever the cause, he was almost next to the little statue when the marsh made a noise that sounded like a giant stomach rumbling, and a large bubble of gas floated up and popped noxiously and obscenely beside the talisman, which vanished beneath the water.
    Richard reached the place where the talisman had been and pushed his arms deep into the mud, searching for it wildly, not caring what else his fingers might encounter. It was no use. It was gone forever. "What do we do now?" asked Richard.
    The marquis sighed. "Get back over here, and we'll figure out something."
    Richard said, quietly, "Too late."
    It was coming toward them so slowly, so ponderously that he thought for a fragment of a second that it was old, sick, even dying. That was his first thought. And then he realized how much ground it was covering as it approached, mud and foul water splashing up from its hooves as it ran, and he realized how wrong he had been in thinking it slow. Thirty feet away from them the Beast slowed, and stopped, with a grunt. Its flanks were steaming. It bellowed, in triumph, and in challenge. There were broken spears, and shattered swords, and rusted knives, bristling from its sides and back. The yellow flare light ............