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Chapter 21

The time for the annual Firemen's Ball was now at hand. At this period the Firemen's Ball was an institution of the first social importance. As has been shown, the various organizations were voluntary associations, and in their ranks birds of a feather flocked together. On the common meeting ground of the big annual function all elements met, even--if they did not mingle as freely as they might.

In any case, the affair was very elaborate and very gorgeous. Preparations were in the hands of special committees months in advance. One company had charge of the refreshments, another of the music, a third of the floor arrangements, and so on. There was much jealous anxiety that each should do its part thoroughly and lavishly, for the honour of its organization. The members of each committee were distinguished by coloured ribbons, which they wore importantly everywhere. An air of preoccupied business was the proper thing for days before the event.

It was held this year in one of the armouries. The decoration committee had done its most desperate. Flags of all nations and strips of coloured bunting draped the rafters; greens from the Sausalito Hills framed the windows and doors; huge oiled Chinese lanterns swayed from the roofs. The floor shone like glass. At either end bowers of green half concealed the orchestras--two of them, that the music might never cease. The side rooms were set for refreshments. Many chairs lined the walls. Hundreds of lamps and reflectors had been nailed up in every conceivable place. It took a negro over an hour to light them all. Near the door stood a wide, flat table piled high with programs for the dancers. These were elaborate affairs, and had cost a mint of money--vellum folders, emblazoned in colour outside, with a sort of fireman heraldry and the motto: "We strive to save." Gilded pencils on short silken tasselled cords dangled from their corners.

At eight o'clock the lights were all blazing, the orchestras were tuning, and the floor fluttered with anxious labelled committeemen dashing to and fro. There was nothing for them to do, but they were nervous. By half-past eight the first arrivals could be seen hesitating at the outer door, as though reluctant to make a plunge; herded finally to the right and left of men's and women's dressing-rooms. After a long, chattering interval, encouraged by the slow accumulation of numbers, a little group debouched on the main, floor. Its members all talked and laughed feverishly, and tried with varying success to assume an accustomed ease they did not feel. Most of the women, somehow, seemed all white gloves and dancing slippers, and bore themselves rather like affable, slightly scared rabbits. The men suddenly became very facetious, swapping jokes in loud tones.

The orchestra at the far end immediately struck up, but nobody ventured on the huge and empty floor. Masters of ceremonies, much bebadged, rather conscious of white gloves, strove earnestly with hurried, ingratiating smiles to induce the younger members to break the ice. Ben Sansome, remarkable among them for his social ease and the unobtrusive correctness of his appointments, responsible head of the reception committee, masterfully seized a blushing, protesting damsel and whirled her away. This, however, was merely an informal sort of opening. The real bail could start only with the grand march; and the grand march was a pompous and intricate affair, possible only after the arrival of the city's elite. Partners for the grand march had been bespoken months before.

The Keiths arrived about half-past nine. Nan was looking particularly well in her girlish fashion. Her usual delicate colour was heightened by anticipation, for she intended ardently to "have a good time." For this occasion, too, she had put on the best of her new Eastern clothes, and was confident of the sensation they would create in the feminine breast. The gown was of silk the colour of pomegranate blossoms, light and filmy, with the wide skirts of the day, the short sleeves, the low neck. Over bodice and skirt had been gracefully trailed long sprays of blossoms. Similar flowers wreathed her head, on which the hair was done low and smooth, with a golden arrow securing it. A fine golden chain spanned her waist. From it dangled smaller chains at the ends of which depended little golden hands. These held up the front of the skirt artistically, at just the right height for dancing and to show flounces and ravishing petticoats beneath. It was an innovation of the sort the feminine heart delights in, a brand-new thing straight from Paris. Nan's gloves were of half length, the backs of the hands embroidered and displaying each several small sparkling jewels. The broad golden bracelets had been clasped outside the gloves. Around her little finger was a ring from which depended, on the end of a chain, a larger ring, and through this larger ring hung her dainty lace handkerchief. This was innovation number two. The men all stared at her proud, delicate, flowerlike effect of fresh beauty; but every woman present, and Nan knew it, noted first, the cut of her gown, second, the dangling little golden hands, and third, the handkerchief ring. She knew that not later than to-morrow at least a half-dozen urgent orders would be booked at Palmerston's; but she knew, also, that at least six months must elapse before those orders could be filled. As for the rest, her stockings were white, her slippers ribboned with cross-ties up the ankles, she carried a stiff and formal bouquet, as big around as a plate, composed of wired flowers ornamented with a "cape" of lace paper; but those things were common.

Altogether, Nan looked extraordinarily well, made a sensation. Keith was pleased and proud of her. He picked one of the blazoned vellum cards from the table and scrawled his initials opposite half a dozen dances.

"I'm going to hold you to those, you know," he said.

They proceeded, leisurely across the floor, and Keith established her in one of the chairs.

"I'll go get some of the men I want you to meet," said he. When he returned with Bernard Black he found Nan already surrounded, Ben Sansome was there, and Calhoun Bennett, and a half-dozen others, either acquaintances made on some of the Sundays, or young men brought up by Sansome in his capacity of Master of Ceremonies. She was having a good time laughing, her colour high, Keith looked about him with the intention of filling his own card.

Mrs, Morrell, surrounded by a hilarious group of the younger fry, was just entering the room. She was dressed in flame colour, and her gown was cut very low, plainly to reveal the swell of her ample bosom. Her evening gloves and slippers were golden, as was a broad metallic woven band around her waist. Altogether, striking, rather a conspicuous effort than an artistic success, any woman would have said; but there could be no doubt that she had provided a glittering bait for the attentions of the men.

Keith immediately made his way across to her.

"You are ravishing this evening," he said, reaching for her card. It was full. Keith was chopfallen.

"Take me to Mrs. Keith," asked Mrs. Morrell, taking the card again, "She looks charming to-night; that simple style just suits her wide-eyed innocence."

She placed her fingers lightly on Keith's arm and moved away, nodding over her shoulder at the rather nonplussed young men who had come in with her. Thus rid of them, she turned again to Keith.

"You didn't think I'd forget you!" she said, as though, reproachfully. "See, I kept you four dances. I put down those initials myself. Now don't you think I'm a pretty good sort?"

"Indeed I do! Which ones are they?" asked Keith, opening his own card.

"The third, seventh, ninth, and eleventh."

Keith hesitated for an appreciable instant. The seventh and eleventh he had put down for Nan. But somehow in the face of this smiling, cynical-looking, vivid creature, he rather shrank from saying that he had them with his wife. He swiftly reflected that, after all, he had four others with Nan, that she was so surrounded with admirers that she could not go partnerless, and that he would explain.

"Delightful!" he cried, pencilling his program.

Mrs. Morrell fluttered down alongside Mrs. Keith with much small talk. After a moment the music started for the grand march. Everybody took the floor.

"Where can Charley be!" cried Mrs. Morrell in apparent distress. "Don't wait here with me. I assure you I do not in the least mind sitting alone."

But she said it in a fashion that made it impossible, and in this manner Nan lost her first engagement with her husband. Not that it mattered particularly, she told herself, grand marches were rather silly things, and yet she could not avoid a feeling of thwarted pique at being so tied to the wall.

At the close of the march, and after the couples had pretty well resumed their seats, Mrs. Sherwood entered, unattended and very leisurely. She made, in her quieter manner, a greater sensation than had Mrs. Morrell. Quite self-possessed, carrying herself with her customary poise, dressed unobtrusively in black and gold, but with the distinction of an indubitable Parisian model, moving without self-consciousness in contrast to many of the other women, her small head high, her direct gaze a-smoulder with lazy amusement, she glided across the middle of the floor. The eyes of every woman in the ballroom were upon her. The "respectable" element stared shamelessly, making comments aside. Those a little _declasse_, on the fringe of society, or the "faster" women like Mrs. Morrell--who might in a way be considered her rivals--were apparently quite unaware of her. She made her unhasting way to a vacant chair, sat down, and looked calmly about her.

Immediately she was surrounded by a swarm of the unattached men. The attached men became very attentive to their partners.

"Hullo," remarked Keith cheerfully. "There's Mrs. Sherwood. I must go over and say good-evening to her."

On sudden impulse Nan rose with him. She instinctively disliked her present company and the situation; and a sudden pang of conscience had told her that not once since she had left the Bella Union had she laid eyes on the woman who had received her with so much kindness.

"Take me with you," she said to Keith.

"My dear!" cried Mrs. Morrell. "You wouldn't! Take my advice--you're young and innocent!"

She sought one of those exclusive, private-joke glances at Keith, but failed to catch his eye.

"She was very kind to me when I arrived," said Nan serenely. Keith, hesitated; then his impulsive, warm-hearted loyalty spoke.

"Good for you, Nan!" he cried.

They moved away, leaving Mrs. Morrell alone, biting her lip and planning revenges.

The group around Mrs. Sherwood fell away at their approach. Nan sat down next her, leaning forward with a pretty and girlish, impulsiveness.

"It's ages since I have seen you, and I have no excuse to offer," she said. "The days slip by."

"I know," said Mrs. Sherwood. "New house, new Chinaman, even new dog-- enough to drive the most important thoughts out of one's head. But you've come out to-night like a flower, my dear. Your gown is charming, and it suits you so well!"

She chatted on, speaking of the floor, the music, the decorations, the crowd.

"I love this sort of thing," she remarked. "People in the mass amuse me. Jack couldn't get away until midnight, but I wouldn't wait for him. I told him it didn't worry me a bit to come without an escort," smoothing away what little embarrassment might linger. The music started up again. The Keiths arose and made their adieux. Mrs, Sherwood looked after them, her bright eyes tender. Mrs. Keith was the only woman who had yet spoken to her.

"Isn't she simply stunning?" cried Keith. "She has something about her that makes most of these others look cheap."

"She's really wonderfully attractive and distinguished looking," agreed Nan.

"If she were only a little less practical--a little softer; more feminine-- she'd be a sure-enough man killer. As it is, she needs a little more--you know what I mean--"

"More after Mrs. Morrell's fashion," suggested Nan a trifle wickedly. It popped out on the impulse, and the next instant Nan would have given anything if the words had not been said. Keith was arrested in mid- enthusiasm as though by cold water. He checked himself, looked at her sharply, then accepted the pseudo-challenge.

"Well, Mrs. Morrell, for all her little vulgarities, impresses you as being a very human sort of person."

He felt a sudden and unreasoning anger, possibly because the shot had hit a tender place.

"Shall we dance?" he suggested formally.

"I'm sorry," replied Nan, "I have this with Mr. Sansome; there he comes."

For the first time Keith felt a little irritated at the ubiquitous Sansome; but his sense of justice, while it could not smooth his ruffled feelings, nevertheless made itself heard.

"What I need is a drink," he told himself.

At the buffet he found a crowd of the non-dancing men, or those who had failed to get the early numbers. Here were many of his acquaintances; among them, to his surprise, he recognized the grim features of Malcolm Neil. All were drinking champagne. Keith joined them. They chaffed him unmercifully about his purchases of clouded titles in water lots, and he answered them in kind, aware of Neil's sardonically humorous eye fixed on him. But at the first bars of the next dance he bolted in search of Mrs. Morrell, with whom, he remembered, he had this number.

Mrs. Morrell danced smoothly and lightly for a woman of her size, but was inclined to snuggle up too close, to permit undistracted guidance to her partner. It was almost impossible to avoid collisions with other couples, unless one possessed a Spartan mind and an iron will. In spite of himself, Keith became increasingly aware of her breast pressing against his chest; her smooth arm against his shoulder; the occasional passing contact of her, scarcely veiled from the sense of touch by the thin flame-coloured silk; the perfume she affected; the faint odour of her bright blond hair. In an attempt to break the spell he made some banal remark, but she shook her head impatiently. She danced with her eyes half closed. When the music stopped she drew a deep sighing breath.

"You dance--oh, divinely!" she cried. "I might have known it."

She moved away, and Keith followed her, a trifle intoxicated.

"Let me see your card," she demanded abruptly. "Why, you haven't done your duty; this is hardly a third filled!"

"I hadn't started to fill it--and then you came in," breathed Keith.

They were opposite the door leading into one of the numerous small rooms off the main floor of the armoury.

"Let's sit here--and you can get me a punch," she suggested.

He brought the punch, and she drank it slowly, leaning back in an easy chair. The place was dimly lighted, and her blond, full beauty was more effective than in the more brilliantly lighted ballroom. Mrs. Morrell exerted all her fascination. The next dance was half over before either Keith or--apparently--Mrs. Morrell became aware of the fact.

"Oh, you must run!" she cried, apparently greatly exercised. "Don't mind me; go and find your partner."

Keith replied, that he had this dance free, a fact of which her inspection of his card had perfectly informed her. In answer to his return solicitation as to her own partner, she shrugged her shoulders.

"Oh, he'll find me," she said indifferently. "This is very cozy here."

They resumed what had become an ardent flirtation. Toward the end of the dance Mrs. Morrell's partner came in, looking very flurried. Before he could say a word, Mrs. Morrell began reproachfully to chide him with lack of diligence.

"I've been waiting just _roote............

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