JUNE again at Hanaford--and Cicely's birthday. The anniversary was to coincide, this year, with the opening of the old house at Hopewood, as a kind of pleasure-palace--gymnasium, concert-hall and museum--for the recreation of the mill-hands.
The idea had first come to Amherst on the winter afternoon when Bessy Westmore had confessed her love for him under the snow-laden trees of Hopewood. Even then the sense that his personal happiness was enlarged and secured by its promise of happiness to others had made him wish that the scene associated with the opening of his new life should be made to commemorate a corresponding change in the fortunes of Westmore. But when the control of the mills passed into his hands other and more necessary improvements pressed upon him; and it was not till now that the financial condition of the company had permitted the execution of his plan.
Justine, on her return to Hanaford, had found the work already in progress, and had been told by her husband that he was carrying out a projected scheme of Bessy's. She had felt a certain surprise, but had concluded that the plan in question dated back to the early days of his first marriage, when, in his wife's eyes, his connection with the mills still invested them with interest.
Since Justine had come back to her husband, both had tacitly avoided all allusions to the past, and the recreation-house at Hopewood being, as she divined, in some sort an expiatory offering to Bessy's plaintive shade, she had purposely refrained from questioning Amherst about its progress, and had simply approved the plans he submitted to her.
Fourteen months had passed since her return, and now, as she sat beside her husband in the carriage which was conveying them to Hopewood, she said to herself that her life had at last fallen into what promised to be its final shape--that as things now were they would probably be to the end. And outwardly at least they were what she and Amherst had always dreamed of their being. Westmore prospered under the new rule. The seeds of life they had sown there were springing up in a promising growth of bodily health and mental activity, and above all in a dawning social consciousness. The mill-hands were beginning to understand the meaning of their work, in its relation to their own lives and to the larger economy. And outwardly, also, the new growth was showing itself in the humanized aspect of the place. Amherst's young maples were tall enough now to cast a shade on the grass-bordered streets; and the well-kept turf, the bright cottage gardens, the new central group of library, hospital and club-house, gave to the mill-village the hopeful air of a "rising" residential suburb.
In the bright June light, behind their fresh green mantle of trees and creepers, even the factory buildings looked less stern and prison-like than formerly; and the turfing and planting of the adjoining river-banks had transformed a waste of foul mud and refuse into a little park where the operatives might refresh themselves at midday.
Yes--Westmore was alive at last: the dead city of which Justine had once spoken had risen from its grave, and its blank face had taken on a meaning. As Justine glanced at her husband she saw that the same thought was in his mind. However achieved, at whatever cost of personal misery and error, the work of awakening and freeing Westmore was done, and that work had justified itself.
She looked from Amherst to Cicely, who sat opposite, eager and rosy in her mourning frock--for Mr. Langhope had died some two months previously--and as intent as her step-parents on the scene before her. Cicely was old enough now to regard her connection with Westmore as something more than a nursery game. She was beginning to learn a great deal about the mills, and to understand, in simple, friendly ways, something of her own relation to them. The work and play of the children, the interests and relaxations provided for their elders, had been gradually explained to her by Justine, and she knew that this shining tenth birthday of hers was to throw its light as far as the clouds of factory-smoke extended.
As they mounted the slope to Hopewood, the spacious white building, with its enfolding colonnades, its broad terraces and tennis-courts, shone through the trees like some bright country-house adorned for its master's home-coming; and Amherst and his wife might have been driving up to the house which had been built to shelter their wedded happiness. The thought flashed across Justine as their carriage climbed the hill. She was as much absorbed as Amherst in the welfare of Westmore, it had become more and more, to both, the refuge in which their lives still met and mingled; but for a moment, as they paused before the flower-decked porch, and he turned to help her from the carriage, it occurred to her to wonder what her sensations would have been if he had been bringing her home--to a real home of their own--instead of accompanying her to another philanthropic celebration. But what need had they of a real home, when they no longer had any real life of their own? Nothing was left of that secret inner union which had so enriched and beautified their outward lives. Since Justine's return to Hanaford they had entered, tacitly, almost unconsciously, into a new relation to each other: a relation in which their personalities were more and more merged in their common work, so that, as it were, they met only by avoiding each other.
From the first, Justine had accepted this as inevitable; just as she had understood, when Amherst had sought her out in New York, that his remaining at Westmore, which had once been contingent on her leaving him, now depended on her willingness to return and take up their former life.
She accepted the last condition as she had accepted the other, pledged to the perpetual expiation of an act for which, in the abstract, she still refused to hold herself to blame. But life is not a matter of abstract principles, but a succession of pitiful compromises with fate, of concessions to old tradition, old beliefs, old charities and frailties. That was what her act had taught her--that was the word of the gods to the mortal who had laid a hand on their bolts. And she had humbled herself to accept the lesson, seeing human relations at last as a tangled and deep-rooted growth, a dark forest through which the idealist cannot cut his straight path without hearing at each stroke the cry of the severed branch: "_Why woundest thou me?_"
* * * * *
The lawns leading up to the house were already sprinkled with holiday-makers, while along the avenue came the rolling of wheels, the throb of motor-cars; and Justine, with Cicely beside her, stood in the wide hall to receive the incoming throng, in which Hanaford society was indiscriminately mingled with the operatives in their Sunday best.
While his wife welcomed the new arrivals, Amherst, supported by some young Westmore cousins, was guiding them into the concert-hall, where he was to say a word on the uses of the building before declaring it open for inspection. And presently Justine and Cicely, summoned by Westy Gaines, made their way through the rows of seats to a corner near the platform. Her husband was there already, with Halford Gaines and a group of Hanaford dignitaries, and just below them sat Mrs. Gaines and her daughters, the Harry Dressels, and Amherst's radiant mother.
As Justine passed between them, she wondered how much they knew of the events which had wrought so profound and permanent change in her life. She had never known how Hanaford explained her absence or what comments it had made on her return. But she saw to-day more clearly than ever that Amherst had become a power among his townsmen, and that if they were still blind to the inner meaning of his work, its practical results were beginning to impress them profoundly. Hanaford's sociological creed was largely based on commercial considerations, and Amherst had won Hanaford's esteem by the novel feat of defying its economic principles and snatching success out of his defiance.
And now he had advanced a step or two in front of the "representative" semi-circle on the platform, and was beginning to speak.
Justine did not hear his first words. She was looking up at him, trying to see him with the eyes of the crowd, and wondering what manner of man he would have seemed to her if she had known as little as they did of his inner history.
He held himself straight, the heavy locks thrown back from his forehead, one hand resting on the table beside him, the other grasping a folded blue-print which the architect of the building had just advanced to give him. As he stood there, Justine recalled her first sight of him in the Hope Hospital, five years earlier--was it only five years? They had dealt deep strokes to his face, hollowing the eye-sockets, accentuating the strong modelling of nose and chin, fixing the lines between the brows; but every touch had a meaning--it was not the languid hand of time which had remade his features, but the sharp chisel of thought and action.
She roused herself suddenly to the consciousness of what he was saying.
"For the idea of this building--of a building dedicated to the recreation of Westmore--is not new in my mind; but while it remained there as a mere idea, it had already, without my knowledge, taken definite shape in the thoughts of the owner of Westmore."
There was a slight drop in his voice as he designated Bessy, and he waited a moment before continuing: "It was not till after the death of my first wife that I learned o............