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Chapter 41

The incident left Undine with the baffled feeling of not being able to count on any of her old weapons of aggression. In all her struggles for authority her sense of the rightfulness of her cause had been measured by her power of making people do as she pleased. Raymond's firmness shook her faith in her own claims, and a blind desire to wound and destroy replaced her usual business-like intentness on gaining her end. But her ironies were as ineffectual as her arguments, and his imperviousness was the more exasperating because she divined that some of the things she said would have hurt him if any one else had said them: it was the fact of their coming from her that made them innocuous. Even when, at the close of their talk, she had burst out: "If you grudge me everything I care about we'd better separate," he had merely answered with a shrug: "It's one of the things we don't do--" and the answer had been like the slamming of an iron door in her face.

An interval of silent brooding had resulted in a reaction of rebellion. She dared not carry out her threat of joining her compatriots at the Nouveau Luxe: she had too clear a memory of the results of her former revolt. But neither could she submit to her present fate without attempting to make Raymond understand his selfish folly. She had failed to prove it by argument, but she had an inherited faith in the value of practical demonstration. If he could be made to see how easily he could give her what she wanted perhaps he might come round to her view.

With this idea in mind, she had gone up to Paris for twenty-four hours, on the pretext of finding a new nurse for Paul; and the steps then taken had enabled her, on the first occasion, to set her plan in motion. The occasion was furnished by Raymond's next trip to Beaune. He went off early one morning, leaving word that he should not be back till night; and on the afternoon of the same day she stood at her usual post in the gallery, scanning the long perspective of the poplar avenue.

She had not stood there long before a black speck at the end of the avenue expanded into a motor that was presently throbbing at the entrance. Undine, at its approach, turned from the window, and as she moved down the gallery her glance rested on the great tapestries, with their ineffable minglings of blue and rose, as complacently as though they had been mirrors reflecting her own image.

She was still looking at them when the door opened and a servant ushered in a small swarthy man who, in spite of his conspicuously London-made clothes, had an odd exotic air, as if he had worn rings in his ears or left a bale of spices at the door.

He bowed to Undine, cast a rapid eye up and down the room, and then, with his back to the windows, stood intensely contemplating the wall that faced them.

Undine's heart was beating excitedly. She knew the old Marquise was taking her afternoon nap in her room, yet each sound in the silent house seemed to be that of her heels on the stairs.

"Ah--" said the visitor.

He had begun to pace slowly down the gallery, keeping his face to the tapestries, like an actor playing to the footlights.

"AH--" he said again.

To ease the tension of her nerves Undine began: "They were given by Louis the Fifteenth to the Marquis de Chelles who--"

"Their history has been published," the visitor briefly interposed; and she coloured at her blunder.

The swarthy stranger, fitting a pair of eye-glasses to a nose that was like an instrument of precision, had begun a closer and more detailed inspection of the tapestries. He seemed totally unmindful of her presence, and his air of lofty indifference was beginning to make her wish she had not sent for him. His manner in Paris had been so different!

Suddenly he turned and took off the glasses, which sprang back into a fold of his clothing like retracted feelers.

"Yes." He stood and looked at her without seeing her. "Very well. I have brought down a gentleman."

"A gentleman--?"

"The greatest American collector--he buys only the best. He will not be long in Paris, and it was his only chance of coming down."

Undine drew herself up. "I don't understand--I never said the tapestries were for sale."

"Precisely. But this gentleman buys only this that are not for sale."

It sounded dazzling and she wavered. "I don't know--you were only to put a price on them--"

"Let me see him look at them first; then I'll put a price on them," he chuckled; and without waiting for her answer he went to the door and opened it. The gesture revealed the fur-coated back of a gentleman who stood at the opposite end of the hall examining the bust of a seventeenth century field-marshal.

The dealer addressed the back respectfully. "Mr. Moffatt!"

Moffatt, who appeared to be interested in the bust, glanced over his shoulder without moving. "See here--"

His glance took in Undine, widened to astonishment and passed into apostrophe. "Well, if this ain't the damnedest--!" He came forward and took her by both hands. "Why, what on earth are you doing down here?"

She laughed and blushed, in a tremor at the odd turn of the adventure. "I live here. Didn't you know?"

"Not a word--never thought of asking the party's name." He turned jovially to the bowing dealer. "Say--I told you those tapestries'd have to be out and outers to make up for the trip; but now I see I was mistaken."

Undine looked at him curiously. His physical appearance was unchanged: he was as compact and ruddy as ever, with the same astute eyes under the same guileless brow; but his self-confidence had become less aggressive, and she had never seen him so gallantly at ease.

"I didn't know you'd become a great collector."

"The greatest! Didn't he tell you so? I thought that was why I was allowed to come."

She hesitated. "Of course, you know, the tapestries are not for sale--"

"That so? I thought that was only his dodge to get me down. Well, I'm glad they ain't: it'll give us more time to talk."

Watch in hand, the dealer intervened. "If, nevertheless, you would first take a glance. Our train--"

"It ain't mine!" Moffatt interrupted; "at least not if there's a later one."

Undine's presence of mind had returned. "Of course there is," she said gaily. She led the way back into the gallery, half hoping the dealer would allege a pressing reason for departure. She was excited and amused at Moffatt's unexpected appearance, but humiliated that he should suspect her of being in financial straits. She never wanted to see Moffatt except when she was happy and triumphant.

The dealer had followed the other two into the gallery, and there was a moment's pause while they all stood silently before the tapestries. "By George!" Moffatt finally brought out.

"They're historical, you know: the King gave them to Raymond's great-great-grandfather. The other day when I was in Paris," Undine hurried on, "I asked Mr. Fleischhauer to come down some time and tell us what they're worth ... and he seems to have misunderstood ... to have thought we meant to sell them." She addressed herself more pointedly to the dealer. "I'm sorry you've had the trip for nothing."

Mr. Fleischhauer inclined himself eloquently. "It is not nothing to have seen such beauty."

Moffatt gave him a humorous look. "I'd hate to see Mr. Fleischhauer miss his train--"

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