In a drawing-room hung with portraits of high-nosed personages in perukes and orders, a circle of ladies and gentlemen, looking not unlike every-day versions of the official figures above their heads, sat examining with friendly interest a little boy in mourning.
The boy was slim, fair and shy, and his small black figure, islanded in the middle of the wide lustrous floor, looked curiously lonely and remote. This effect of remoteness seemed to strike his mother as something intentional, and almost naughty, for after having launched him from the door, and waited to judge of the impression he produced, she came forward and, giving him a slight push, said impatiently: "Paul! Why don't you go and kiss your new granny?"
The boy, without turning to her, or moving, sent his blue glance gravely about the circle. "Does she want me to?" he asked, in a tone of evident apprehension; and on his mother's answering: "Of course, you silly!" he added earnestly: "How many more do you think there'll be?"
Undine blushed to the ripples of her brilliant hair. "I never knew such a child! They've turned him into a perfect little savage!"
Raymond de Chelles advanced from behind his mother's chair.
"He won't be a savage long with me," he said, stooping down so that his fatigued finely-drawn face was close to Paul's. Their eyes met and the boy smiled. "Come along, old chap," Chelles continued in English, drawing the little boy after him.
"Il est bien beau," the Marquise de Chelles observed, her eyes turning from Paul's grave face to her daughter-in-law's vivid countenance.
"Do be nice, darling! Say, 'bonjour, Madame,'" Undine urged.
An odd mingling of emotions stirred in her while she stood watching Paul make the round of the family group under her husband's guidance. It was "lovely" to have the child back, and to find him, after their three years' separation, grown into so endearing a figure: her first glimpse of him when, in Mrs. Heeny's arms, he had emerged that morning from the steamer train, had shown what an acquisition he would be. If she had had any lingering doubts on the point, the impression produced on her husband would have dispelled them. Chelles had been instantly charmed, and Paul, in a shy confused way, was already responding to his advances. The Count and Countess Raymond had returned but a few weeks before from their protracted wedding journey, and were staying--as they were apparently to do whenever they came to Paris--with the old Marquis, Raymond's father, who had amicably proposed that little Paul Marvell should also share the hospitality of the Hotel de Chelles. Undine, at first, was somewhat dismayed to find that she was expected to fit the boy and his nurse into a corner of her contracted entresol. But the possibility of a mother's not finding room for her son, however cramped her own quarters, seemed not to have occurred to her new relations, and the preparing of her dressing-room and boudoir for Paul's occupancy was carried on by the household with a zeal which obliged her to dissemble her lukewarmness.
Undine had supposed that on her marriage one of the great suites of the Hotel de Chelles would be emptied of its tenants and put at her husband's disposal; but she had since learned that, even had such a plan occurred to her parents-in-law, considerations of economy would have hindered it. The old Marquis and his wife, who were content, when they came up from Burgundy in the spring, with a modest set of rooms looking out on the court of their ancestral residence, expected their son and his wife to fit themselves into the still smaller apartment which had served as Raymond's bachelor lodging. The rest of the fine old mouldering house--the tall-windowed premier on the garden, and the whole of the floor above--had been let for years to old fashioned tenants who would have been more surprised than their landlord had he suddenly proposed to dispossess them. Undine, at first, had regarded these arrangements as merely provisional. She was persuaded that, under her influence, Raymond would soon convert his parents to more modern ideas, and meanwhile she was still in the flush of a completer well-being than she had ever known, and disposed, for the moment, to make light of any inconveniences connected with it. The three months since her marriage had been more nearly like what she had dreamed of than any of her previous experiments in happiness. At last she had what she wanted, and for the first time the glow of triumph was warmed by a deeper feeling. Her husband was really charming (it was odd how he reminded her of Ralph!), and after her bitter two years of loneliness and humiliation it was delicious to find herself once more adored and protected.
The very fact that Raymond was more jealous of her than Ralph had ever been--or at any rate less reluctant to show it--gave her a keener sense of recovered power. None of the men who had been in love with her before had been so frankly possessive, or so eager for reciprocal assurances of constancy. She knew that Ralph had suffered deeply from her intimacy with Van Degen, but he had betrayed his feeling only by a more studied detachment; and Van Degen, from the first, had been contemptuously indifferent to what she did or felt when she was out of his sight. As to her earlier experiences, she had frankly forgotten them: her sentimental memories went back no farther than the beginning of her New York career.
Raymond seemed to attach more importance to love, in all its manifestations, than was usual or convenient in a husband; and she gradually began to be aware that her domination over him involved a corresponding loss of independence. Since their return to Paris she had found that she was expected to give a circumstantial report of every hour she spent away from him. She had nothing to hide, and no designs against his peace of mind except those connected with her frequent and costly sessions at the dress-makers'; but she had never before been called upon to account to any one for the use of her time, and after the first amused surprise at Raymond's always wanting to know where she had been and whom she had seen she began to be oppressed by so exacting a devotion. Her parents, from her tenderest youth, had tacitly recognized her inalienable right to "go round," and Ralph--though from motives which she divined to be different--had shown the same respect for her freedom. It was therefore disconcerting to find that Raymond expected her to choose her friends, and even her acquaintances, in conformity not only with his personal tastes but with a definite and complicated code of family prejudices and traditions; and she was especially surprised to discover that he viewed with disapproval her intimacy with the Princess Estradina.
"My cousin's extremely amusing, of course, but utterly mad and very mal entouree. Most of the people she has about her ought to be in prison or Bedlam: especially that unspeakable Madame Adelschein, who's a candidate for both. My aunt's an angel, but she's been weak enough to let Lili turn the Hotel de Dordogne into an annex of Montmartre. Of course you'll have to show yourself there now and then: in these days families like ours must hold together. But go to the reunions de famille rather than to Lili's intimate parties; go with me, or with my mother; don't let yourself be seen there alone. You're too young and good-looking to be mixed up with that crew. A woman's classed--or rather unclassed--by being known as one of Lili's set."
Agreeable as it was to Undine that an appeal to her discretion should be based on the ground of her youth and good-looks, she was dismayed to find herself cut off from the very circle she had meant them to establish her in. Before she had become Raymond's wife there had been a moment of sharp tension in her relations with the Princess Estradina and the old Duchess. They had done their best to prevent her marrying their cousin, and had gone so far as openly to accuse her of being the cause of a breach between themselves and his parents. But Ralph Marvell's death had brought about a sudden change in her situation. She was now no longer a divorced woman struggling to obtain ecclesiastical sanction for her remarriage, but a widow whose conspicuous beauty and independent situation made her the object of lawful aspirations. The first person to seize on this distinction and make the most of it was her old enemy the Marquise de Trezac. The latter, who had been loudly charged by the house of Chelles with furthering her beautiful compatriot's designs, had instantly seen a chance of vindicating herself by taking the widowed Mrs. Marvell under her wing and favouring the attentions of other suitors. These were not lacking, and the expected result had followed. Raymond de Chell............