The Maxwells were, in fact, effectively stirring up the ambitions of their flock, routing the older members out of a too easy-going acceptance of things-as-they-are, and giving to the younger ones vistas of a life imbued with more color and variety than had hitherto entered their consciousness. And yet it happened at Durford, on occasion, that this awakening of new talents and individuality produced unlocked for complications.
"Oh yes," Hepsey remarked one day to Mrs. Betty, when the subject of conversation had turned to Mrs. Burke's son and heir, "Nickey means to be a good boy, but he's as restless as a kitten on a hot Johnny-cake. He isn't a bit vicious, but he do run his heels down at the corners, and he's awful wearin' on his pants-bottoms and keeps me patchin' and mendin' most of the time--'contributing to the end in view,' as Abraham Lincoln said. But, woman-like, I guess he finds the warmest spot in my heart when I'm doin' some sort of repairin' on him or his clothes. It would be easier if his intentions wasn't so good, 'cause I could spank him with a clear conscience if he was vicious. But after all, Nickey seems to have a winnin' way about him. He knows every farmer within three miles; he'll stop any team he meets, climb into the wagon seat, take the reins, and enjoy himself to his heart's content. All the men seem to like him and give in to him; more's the pity! And he seems to just naturally lead the other kids in their games and mischief."
"Oh well, I wouldn't give a cent for a boy who didn't get into mischief sometimes," consoled Mrs. Betty.
At which valuation Nickey was then in process of putting himself and his young friends at a premium. For, about this time, in their efforts to amuse themselves, Nickey and some of his friends constructed a circus ring back of the barn: After organizing a stock company and conducting several rehearsals, the rest of the boys in the neighborhood were invited to form an audience, and take seats which had been reserved for them without extra charge on an adjoining lumber pile. Besides the regular artists there were a number of specialists or "freaks," who added much to the interest and excitement of the show.
For example, Sam Cooley, attired in one of Mrs. Burke's discarded underskirts, filched from the ragbag, with some dried cornstalk gummed on his face, impersonated the famous Bearded Lady from Hoboken.
Billy Burns, wearing a very hot and stuffy pillow buttoned under his coat and thrust down into his trousers, represented the world-renowned Fat Man from Spoonville. His was rather a difficult role to fill gracefully, because the squashy pillow would persist in bulging out between his trousers and his coat in a most indecent manner; and it kept him busy most of the time tucking it in.
Dimple Perkins took the part of the Snake Charmer from Brooklyn, and at intervals wrestled fearlessly with a short piece of garden hose which was labeled on the bills as an "Anna Condy." This he wound around his neck in the most reckless manner possible; it was quite enough to make one's blood run cold to watch him.
The King of the Cannibal Islands was draped in a buffalo robe, with a gilt paper crown adorning his head, and a very suggestive mutton-bone in his hand.
Poor little Herman Amdursky was selected for the Living Skeleton, because of the spindle-like character of his nethermost limbs. He had to remove his trousers and his coat, and submit to having his ribs wound with yards of torn sheeting, in order that what little flesh he had might be compressed to the smallest possible compass. The result was astonishingly satisfactory.
The Wild Man from Borneo wore his clothes wrong side out, as it is well known wild men from Borneo always do; and he ate grass with avidity. Wry-mouthed and squint-eyed, he was the incarnation of the cubist ideal.
When all this splendid array of talent issued from the dressing-room and marched triumphantly around the ring, it was indeed a proud moment in the annals of Durford, and the applause from the lumber pile could be heard at least two blocks.
After the procession, the entertainment proper consisted of some high and lofty tumbling, the various "turns" of the respective stars, and then, last of all, as a grand finale, Charley, the old raw-boned farm horse who had been retired on a pension for at least a year, was led triumphantly into the ring, with Nickey Burke standing on his back!
Charley, whose melancholy aspect was a trifle more abject than usual, and steps more halting, meekly followed the procession of actors around the ring, led by Dimple, the Snake Charmer. Nickey's entree created a most profound sensation, and was greeted with tumultuous applause--a tribute both to his equestrian feat and to his costume.
Nickey had once attended a circus at which he had been greatly impressed by the artistic decorations on the skin of a tattooed man, and by the skill of the bareback rider who had turned somersaults while the horse was in motion. It occurred to him that perhaps he might present somewhat of both these attractions, in one character.
Maxwell had innocently stimulated this taste by lending him a book illustrated with lurid color-plates of Indians in full war paint, according to tribe.
So Nickey removed his clothes, attired himself in abbreviated red swimming trunks, and submitted to the artistic efforts of Dimple, who painted most intricate, elaborate, and beautiful designs on Nickey's person, with a thick solution of indigo purloined from the laundry.
Nickey's breast was adorned with a picture of a ship under full sail. On his back was a large heart pierced with two arrows. A vine of full blown roses twined around each arm, while his legs were powdered with stars, periods, dashes, and exclamation points in rich profusion. A triangle was painted on each cheek, and dabs of indigo were added to the end of his nose and to the lobe of each ear by way of finishing touches.
When the work was complete, Nickey surveyed himself in a piece of broken mirror in the dressing-room, and to tell the truth, was somewhat appalled at his appearance; but Dimple Perkins hastened to assure him, saying that a dip in the river would easily remove the indigo; and that he was the living spit and image of a tattooed man, and that his appearance, posed on the back of Charley, would certainly bring the house down.
Dimple proved to be quite justified in his statement, so far as the effect on the audience was concerned; for, as Nickey entered the ring, after one moment of breathless astonishment, the entire crowd arose as one man and cheered itself hoarse, in a frenzy of frantic delight. Now whether Charley was enthused by the applause, or whether the situation reminded him of some festive horseplay of his youth, one cannot tell. At any rate, what little life was left in Charley's blood asserted itself. Quickly jerking the rope of the halter from the astonished hand of Dimple Perkins, Charley turned briskly round, and trotted out of the yard and into the road, while Nickey, who had found himself suddenly astride Charley's back, made frantic efforts to stop him.
As Charley emerged from the gate, the freaks, the regular artists, the gymnasts, and the entire audience followed, trailing along behind the mounted tattooed man, and shouting themselves ............