And now without in the twilight behold Mr. Hoopdriver, his cheeks hot, his eye bright! His brain is in a tumult. The nervous, obsequious Hoopdriver, to whom I introduced you some days since, has undergone a wonderful change. Ever since he lost that 'spoor' in Chichester, he has been tormented by the most horrible visions of the shameful insults that may be happening. The strangeness of new surroundings has been working to strip off the habitual servile from him. Here was moonlight rising over the memory of a red sunset, dark shadows and glowing orange lamps, beauty somewhere mysteriously rapt away from him, tangible wrong in a brown suit and an unpleasant face, flouting him. Mr. Hoopdriver for the time, was in the world of Romance and Knight-errantry, divinely forgetful of his social position or hers; forgetting, too, for the time any of the wretched timidities that had tied him long since behind the counter in his proper place. He was angry and adventurous. It was all about him, this vivid drama he had fallen into, and it was eluding him. He was far too grimly in earnest to pick up that lost thread and make a play of it now. The man was living. He did not pose when he alighted at the cof ee tavern even, nor when he made his hasty meal.

As Bechamel crossed from the Vicuna towards the esplanade, Hoopdriver, disappointed and exasperated, came hurrying round the corner from the Temperance Hotel. At the sight of Bechamel, his heart jumped, and the tension of his angry suspense exploded into, rather than gave place to, an excited activity of mind. They were at the Vicuna, and she was there now alone. It was the occasion he sought. But he would give Chance no chance against him. He went back round the corner, sat down on the seat, and watched Bechamel recede into the dimness up the esplanade, before he got up and walked into the hotel entrance. "A lady cyclist in grey," he asked for, and followed boldly on the waiter's heels. The door of the dining-room was opening before he felt a qualm. And then suddenly he was nearly minded to turn and run for it, and his features seemed to him to be convulsed.

She turned with a start, and looked at him with something between terror and hope in her eyes.

"Can I--have a few words--with you, alone?" said Mr. Hoopdriver, controlling his breath with difficulty. She hesitated, and then motioned the waiter to withdraw.

Mr. Hoopdriver watched the door shut. He had intended to step out into the middle of the room, fold his arms and say, "You are in trouble. I am a Friend. Trust me." Instead of which he stood panting and then spoke with sudden familiarity, hastily, guiltily: "Look here. I don't know what the juice is up, but I think there's something wrong. Excuse my intruding--if it isn't so. I'll do anything you like to help you out of the scrape--if you're in one. That's my meaning, I believe. What can I do? I would do anything to help you."

Her brow puckered, as she watched him make, with infinite emotion, this remarkable speech. "YOU!" she said. She was tumultuously weighing possibilities in her mind, and he had scarcely ceased when she had made her resolve.

She stepped a pace forward. "You are a gentleman," she said.

"Yes," said Mr. Hoopdriver.

"Can I trust you?"

She did not wait for his assurance. "I must leave this hotel at once. Come here."

She took his arm and led him to the window.

"You can just see the gate. It is still open. Through that are our bicycles. Go down, get them out, and I will come down to you. Dare you?

"Get your bicycle out in the road?"

"Both. Mine alone is no good. At once. Dare you?"

"Which way?"

"Go out by the front door and round. I will follow in one minute."

"Right!" said Mr. Hoopdriver, and went.

He ha............