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Chapter 17 In The Raphael Gallery

It was nearly three o'clock, and in the Biological Laboratory the lamps were all alight. The class was busy with razors cutting sections of the root of a fern to examine it microscopically. A certain silent frog-like boy, a private student who plays no further part in this story, was working intently, looking more like a frog than usual--his expression modest with a touch of effort. Behind Miss Heydinger, jaded and untidy in her early manner again, was a vacant seat, an abandoned microscope and scattered pencils and note-books.

On the door of the class-room was a list of those who had passed the Christmas examination. At the head of it was the name of the aforesaid frog-like boy; next to him came Smithers and one of the girls bracketed together. Lewisham ingloriously headed the second class, and Miss Heydinger's name did not appear--there was, the list asserted, "one failure." So the student pays for the finer emotions.

And in the spacious solitude of the museum gallery devoted to the Raphael cartoons sat Lewisham, plunged in gloomy meditation. A negligent hand pulled thoughtfully at the indisputable moustache, with particular attention to such portions as were long enough to gnaw.

He was trying to see the situation clearly. As he was just smarting acutely under his defeat, this speaks little for the clearness of his mind. The shadow of that defeat lay across everything, blotted out the light of his pride, shaded his honour, threw everything into a new perspective. The rich prettiness of his love-making had fled to some remote quarter of his being. Against the frog-like youngster he felt a savage animosity. And Smithers had betrayed him. He was angry, bitterly angry, with "swats" and "muggers" who spent their whole time grinding for these foolish chancy examinations. Nor had the practical examination been altogether fair, and one of the questions in the written portion was quite outside the lectures. Biver, Professor Biver, was an indiscriminating ass, he felt assured, and so too was Weeks, the demonstrator. But these obstacles could not blind his intelligence to the manifest cause of his overthrow, the waste of more than half his available evening, the best time for study in the twenty-four hours, day after day. And that was going on steadily, a perpetual leakage of time. To-night he would go to meet her again, and begin to accumulate to himself ignominy in the second part of the course, the botanical section, also. And so, reluctantly rejecting one cloudy excuse after another, he clearly focussed the antagonism between his relations to Ethel and his immediate ambitions.

Things had come so easily to him for the last two years that he had taken his steady upward progress in life as assured. It had never occurred to him, when he went to intercept Ethel after that _seance_, that he went into any peril of that sort. Now he had had a sharp reminder. He began to shape a picture of the frog-like boy at home--he was a private student of the upper middle class--sitting in a convenient study with a writing-table, book-shelves, and a shaded lamp--Lewisham worked at his chest of drawers, with his greatcoat on, and his feet in the lowest drawer wrapped in all his available linen--and in the midst of incredible conveniences the frog-like boy was working, working, working. Meanwhile Lewisham toiled through the foggy streets, Chelsea-ward, or, after he had left her, tramped homeward--full of foolish imaginings.

He began to think with bloodless lucidity of his entire relationship to Ethel. His softer emotions were in abeyance, but he told himself no lies. He cared for her, he loved to be with her and to talk to her and please her, but that was not all his desire. He thought of the bitter words of an orator at ............

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