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Chapter 11

Philip was always welcome at his uncle's house in Rivervale. It was, of course, his home during his college life, and since then he was always expected for his yearly holiday. The women of the house made much of him, waited on him, deferred to him, petted him, with a flattering mingling of tenderness to a little boy and the respect due to a man who had gone into the world. Even Mr. Maitland condescended to a sort of equality in engaging Philip in conversation about the state of the country and the prospects of business in New York.

It was July. When Philip went to sleep at night--he was in the front chamber reserved for guests--the loud murmur of the Deerfield was in his ears, like a current bearing him away into sweet sleep and dreams in a land of pleasant adventures. Only in youth come such dreams. Later on the sophisticated mind, left to its own guidance in the night, wanders amid the complexities of life, calling up in confusion scenes long forgotten or repented of, images only registered by a sub-conscious process, dreams to perplex, irritate, and excite.

In the morning the same continuous murmur seemed to awake him into a peaceful world. Through the open window came in the scents of summer, the freshness of a new day. How sweet and light was the air! It was indeed the height of summer. The corn, not yet tasseled, stood in green flexible ranks, moved by the early breeze. In the river-meadows haying had just begun. Fields of timothy and clover, yellowing to ripeness, took on a fresh bloom from the dew, and there was an odor of new-mown grass from the sections where the scythes had been. He heard the call of the crow from the hill, the melody of the bobolink along the meadow-brook; indeed, the birds of all sorts were astir, skimming along the ground or rising to the sky, keeping watch especially over the garden and the fruit-trees, carrying food to their nests, or teaching their young broods to fly and to chirp the songs of summer. And from the woodshed the shrill note of the scythe under the action of the grindstone. No such vivid realization of summer as that.

Philip stole out the unused front door without disturbing the family. Whither? Where would a boy be likely to go the first thing? To the barn, the great cavernous barn, its huge doors now wide open, the stalls vacant, the mows empty, the sunlight sifting in through the high shadowy spaces. How much his life had been in that barn! How he had stifled and scrambled mowing hay in those lofts! On the floor he had hulled heaps of corn, thrashed oats with a flail--a noble occupation--and many a rainy day had played there with girls and boys who could not now exactly describe the games or well recall what exciting fun they were. There were the racks where he put the fodder for cattle and horses, and there was the cutting-machine for the hay and straw and for slicing the frozen turnips on cold winter mornings.

In the barn-yard were the hens, just as usual, walking with measured step, scratching and picking in the muck, darting suddenly to one side with an elevated wing, clucking, chattering, jabbering endlessly about nothing. They did not seem to mind him as he stood in the open door. But the rooster, in his oriental iridescent plumage, jumped upon a fence-post and crowed defiantly, in warning that this was his preserve. They seemed like the same hens, yet Philip knew they were all strangers; all the hens and flaunting roosters he knew had long ago gone to Thanksgiving. The hen is, or should be, an annual. It is never made a pet. It forms no attachments. Man is no better acquainted with the hen, as a being, than he was when the first chicken was hatched. Its business is to live a brief chicken life, lay, and be eaten. And this reminded Philip that his real occupation was hunting hens' eggs. And this he did, in the mows, in the stalls, under the floor-planks, in every hidden nook. The hen's instinct is to be orderly, and have a secluded nest of her own, and bring up a family. But in such a communistic body it is a wise hen who knows her own chicken. Nobody denies to the hen maternal instincts or domestic proclivities, but what an ill example is a hen community!

And then Philip climbed up the hill, through the old grass-plot and the orchard, to the rocks and the forest edge, and the great view. It had more meaning to him than when he was a boy, and it was more beautiful. In a certain peaceful charm, he had seen nothing anywhere in the world like it. Partly this was because his boyish impressions, the first fresh impressions of the visible world, came back to him; but surely it was very beautiful. More experienced travelers than Philip felt its unique charm.

When he descended, Alice was waiting to breakfast with him. Mrs. Maitland declared, with an approving smile on her placid, aging face, that he was the same good-for-nothing boy. But Alice said, as she sat down to the little table with Philip, "It is different, mother, with us city folks." They were in the middle room, and the windows opened to the west upon the river-meadows and the wooded hills beyond, and through one a tall rose-bush was trying to thrust its fragrant bloom.

What a dainty breakfast! Alice flushed with pleasure. It was so good of him to come to them. Had he slept well? Did it seem like home at all? Philip's face showed that it was home without the need of saying so. Such coffee-yes, a real aroma of the berry! Just a little more, would he have? And as Alice raised the silver pitcher, there was a deep dimple in her sweet cheek. How happy she was! And then the butter, so fresh and cool, and the delicious eggs--by the way, he had left a hatful in the kitchen as he came in. Alice explained that she did not make the eggs. And then there was the journey, the heat in the city, the grateful sight of the Deerfield, the splendid morning, the old barn, the watering-trough, the view from the hill everything just as it used to be.

"Dear Phil, it is so nice to have you here," and there were tears in Alice's eyes, she was so happy.

After breakfast Philip strolled down the country road through the village. How familiar was every step of the way!--the old houses jutting out at the turns in the road; the glimpse of the river beyond the little meadow where Captain Rice was killed; the spring under the ledge over which the snap-dragon grew; the dilapidated ranks of fence smothered in vines and fireweeds; the cottages, with flower-pots in front; the stores, with low verandas ornamented with boxes and barrels; the academy in its green on the hill; the old bridge over which the circus elephant dared not walk; the new and the old churches, with rival steeples; and, not familiar, the new inn.

And he knew everybody, young and old, at doorways, in the fields or gardens, and had for every one a hail and a greeting. How he enjoyed it all, and his self-consciousness added to his pleasure, as he swung along in his well-fitting city clothes, broad-shouldered and erect--it is astonishing how much a tailor can do for a man who responds to his efforts. It is a pleasure to come across such a hero as this in real life, and not have to invent him, as the saying is, out of the whole cloth. Philip enjoyed the world, and he enjoyed himself, because it was not quite his old self, the farmer's boy going on an errand. There must be knowledge all along the street that he was in the great law office of Hunt, Sharp & Tweedle. And, besides, Philip's name must be known to all the readers of magazines in the town as a writer, a name in more than one list of "contributors." That was fame. Translated, however, into country comprehension it was something like this, if he could have heard the comments after he had passed by:

"Yes, that's Phil Burnett, sure enough; but I'd hardly know him; spruced up mightily. I wonder what he's at?"

"I heard he was down in New York trying to law it. I heard he's been writin' some for newspapers. Accordin' to his looks, must pay a durn sight better'n farmin'."

"Well, I always said that boy wa'n't no skeezics."

Almost the first question Philip asked Alice on his return was about the new inn, the Peacock Inn.

"There seemed a good deal of stir about it as I passed."

"Why, I forgot to tell you about it. It's the great excitement. Rivervale is getting known. The Mavicks are there. I hear they've taken pretty much the whole of it."

"The Mavicks?

"Yes, the New York Mavicks, that you wrote us about, that were in the paper."

"How long have they been there?"

"A week. There is Mrs. Mavick and her daughter, and the governess, and two maids, and a young fellow in uniform--yes, livery--and a coachman in the same, and a stableful of horses and carriages. It upset the village like a circus. And they say there's a French chef in white cap and apron, who comes to the side-door and jabbers to the small boys like fireworks."

"How did it come about?"

"Naturally, I guess; a city family wanting a quiet place for summer in the country. But you will laugh. Patience first discovered it. One day, sitting at the window, she saw a two-horse buggy driven by the landlord of the Peacock, and a gentleman by his side. 'Well, I wonder who that is-city man certainly. And wherever is he going? May be a railroad man. But there is nothing the matter with the railroad. Shouldn't wonder if he is going to see the tunnel. If it was just that, the landlord wouldn't drive him; he'd send a man. And they keep stopping and pointing and looking round. No, it isn't the railroad, it's scenery. And what can a man like that want with scenery?

"He does look like a railroad man. It may be tunnel, but it isn't all tunnel. When the team came back in the afternoon, Patience was again at the window; she had heard meantime from Jabez that a city man was stopping at the Peacock. There he goes, and looking round more than ever. They've stopped by the bridge and the landlord is pointing out. It's not tunnel, it's scenery. I tell you, he is a city boarder. Not that he cares about scenery; it's for his family. City famili............

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