Whilst he breakfasted, Victorine who, showing an active bravery amidst her despair, had not been to bed at all, told him of what had taken place in the house during the night and early morning. Donna Serafina, prude that she was, had again made an attempt to have the bodies separated; but this had proved an impossibility, as /rigor mortis/ had set in, and to part the lovers it would have been necessary to break their limbs. Moreover, the Cardinal, who had interposed once before, almost quarrelled with his sister on the subject, unwilling as he was that any one should disturb the lovers' last slumber, their union of eternity. Beneath his priestly garb there coursed the blood of his race, a pride in the passions of former times; and he remarked that if the family counted two popes among its forerunners, it had also been rendered illustrious by great captains and ardent lovers. Never would he allow any one to touch those two children, whose dolorous lives had been so pure and whom the grave alone had united. He was the master in his house, and they should be sewn together in the same shroud, and nailed together in the same coffin. Then too the religious service should take place at the neighbouring church of San Carlo, of which he was Cardinal-priest and where again he was the master. And if needful he would address himself to the Pope. And such being his sovereign will, so authoritatively expressed, everybody in the house had to bow submissively.

 

Donna Serafina at once occupied herself with the laying-out. According to the Roman custom the servants were present, and Victorine as the oldest and most appreciated of them, assisted the relatives. All that could be done in the first instance was to envelop both corpses in Benedetta's unbound hair, thick and odorous hair, which spread out into a royal mantle; and they were then laid together in one shroud of white silk, fastened about their necks in such wise that they formed but one being in death. And again the Cardinal imperatively ordered that they should be brought into his apartments and placed on a state bed in the centre of the throne-room, so that a supreme homage might be rendered to them as to the last scions of the name, the two tragic lovers with whom the once resounding glory of the Boccaneras was about to return to earth. The story which had been arranged was already circulating through Rome; folks related how Dario had been carried off in a few hours by infectious fever, and how Benedetta, maddened by grief, had expired whilst clasping him in her arms to bid him a last farewell; and there was talk too of the royal honours which the bodies were to receive, the superb funeral nuptials which were to be accorded them as they lay clasped on their bed of eternal rest. All Rome, quite overcome by this tragic story of love and death, would talk of nothing else for several weeks.

 

Pierre would have started for France that same night, eager as he was to quit the city of disaster where he had lost the last shreds of his faith, but he desired to attend the obsequies, and therefore postponed his departure until the following evening. And thus he would spend one more day in that old crumbling palace, near the corpse of that unhappy young woman to whom he had been so much attached and for whom he would try to find some prayers in the depths of his empty and lacerated heart.

 

When he reached the threshold of the Cardinal's reception-rooms, he suddenly remembered his first visit to them. They still presented the same aspect of ancient princely pomp falling into decay and dust. The doors of the three large ante-rooms were wide open, and the rooms themselves were at that early hour still empty. In the first one, the servants' anteroom, there was nobody but Giacomo who stood motionless in his black livery in front of the old red hat hanging under the /baldacchino/ where spiders spun their webs between the crumbling tassels. In the second room, which the secretary formerly had occupied, Abbe Paparelli, the train-bearer, was softly walking up and down whilst waiting for visitors; and with his conquering humility, his all-powerful obsequiousness, he had never before so closely resembled an old maid, whitened and wrinkled by excess of devout observances. Finally, in the third ante-room, the /anticamera nobile/, where the red cap lay on a credence facing the large imperious portrait of the Cardinal in ceremonial costume, there was Don Vigilio who had left his little work-table to station himself at the door of the throne-room and there bow to those who crossed the threshold. And on that gloomy winter morning the rooms appeared more mournful and dilapidated than ever, the hangings frayed and ragged, the few articles of furniture covered with dust, the old wood-work crumbling beneath the continuous onslaught of worms, and the ceilings alone retaining their pompous show of gilding and painting.

 

However, Pierre, to whom Abbe Paparelli addressed a profound bow, in which one divined the irony of a sort of dismissal given to one who was vanquished, felt more impressed by the mournful grandeur which those three dilapidated rooms presented that day, conducting as they did to the old throne-room, now a chamber of death, where the two last children of the house slept their last sleep. What a superb and sorrowful /gala/ of death! Every door wide open and all the emptiness of those over-spacious rooms, void of the throngs of ancient days and leading to the supreme affliction--the end of a race! The Cardinal had shut himself up in his little work-room where he received the relatives and intimates who desired to present their condolences to him, whilst Donna Serafina had chosen an adjoining apartment to await her lady friends who would come in procession until evening. And Pierre, informed of the ceremonial by Victorine, had in the first place to enter the throne-room, greeted as he passed by a deep bow from Don Vigilio who, pale and silent, did not seem to recognise him.

 

A surprise awaited the young priest. He had expected such a lying-in-state as is seen in France and elsewhere, all windows closed so as to steep the room in night, and hundreds of candles burning round a /catafalco/, whilst from ceiling to floor the walls were hung with black drapery. He had been told that the bodies would lie in the throne-room because the antique chapel on the ground floor of the palazzo had been shut up for half a century and was in no condition to be used, whilst the Cardinal's little private chapel was altogether too small for any such ceremony. And thus it had been necessary to improvise an altar in the throne-room, an altar at which masses had been said ever since dawn. Masses and other religious services were moreover to be celebrated all day long in the private chapel; and two additional altars had even been set up, one in a small room adjoining the /anticamera nobile/ and the other in a sort of alcove communicating with the second anteroom: and in this wise priests, Franciscans, and members of other Orders bound by the vow of poverty, would simultaneously and without intermission celebrate the divine sacrifice on those four altars. The Cardinal, indeed, had desired that the Divine Blood should flow without pause under his roof for the redemption of those two dear souls which had flown away together. And thus in that mourning mansion, through those funeral halls the bells scarcely stopped tinkling for the elevation of the host, whilst the quivering murmur of Latin words ever continued, and consecrated wafers were continually broken and chalices drained, in such wise that the Divine Presence could not for a moment quit the heavy atmosphere all redolent of death.

 

On the other hand, however, Pierre, to his great astonishment, found the throne-room much as it had been on the day of his first visit. The curtains of the four large windows had not even been drawn, and the grey, cold, subdued light of the gloomy winter morning freely entered. Under the ceiling of carved and gilded wood-work there were the customary red wall-hangings of /brocatelle/, worn away by long usage; and there was the old throne with the arm-chair turned to the wall, uselessly waiting for a visit from the Pope which would never more come. The principal changes in the aspect of the room were that its seats and tables had been removed, and that, in addition to the improvised altar arranged beside the throne, it now contained the state bed on which lay the bodies of Benedetta and Dario, amidst a profusion of flowers. The bed stood in the centre of the room on a low platform, and at its head were two lighted candles, one on either side. There was nothing else, nothing but that wealth of flowers, such a harvest of white roses that one wondered in what fairy garden they had been culled, sheaves of them on the bed, sheaves of them toppling from the bed, sheaves of them covering the step of the platform, and falling from that step on to the magnificent marble paving of the room.

 

Pierre drew near to the bed, his heart faint with emotion. Those tapers whose little yellow flamelets scarcely showed in the pale daylight, that continuous low murmur of the mass being said at the altar, that penetrating perfume of roses which rendered the atmosphere so heavy, filled the antiquated, dusty room with a spirit of infinite woe, a lamentation of boundless mourning. And there was not a gesture, not a word spoken, save by the priest officiating at the altar, nothing but an occasional faint sound of stifled sobbing among the few persons present. Servants of the house constantly relieved one another, four always standing erect and motionless at the head of the bed, like faithful, familiar guards. From time to time Consistorial-Advocate Morano who, since early morning had been attending to everything, crossed the room with a silent step and the air of a man in a hurry. And at the edge of the platform all who entered, knelt, prayed, and wept. Pierre perceived three ladies there, their faces hidden by their handkerchiefs; and there was also an old priest who trembled with grief and hung his head in such wise that his face could not be distinguished. However, the young man was most moved by the sight of a poorly clad girl, whom he took for a servant, and whom sorrow had utterly prostrated on the marble slabs.

 

Then in his turn he knelt down, and with the professional murmur of the lips sought to repeat the Latin prayers which, as a priest, he had so often said at the bedside of the departed. But his growing emotion confused his memory, and he became wrapt in contemplation of the lovers whom his eyes were unable to quit. Under the wealth of flowers which covered them the clasped bodies could scarcely be distinguished, but the two heads emerged from the silken shroud, and lying there on the same cushion, with their hair mingling, they were still beautiful, beautiful as with satisfied passion. Benedetta had kept her divinely gay, loving, and faithful face for eternity, transported with rapture at having rendered up her last breath in a kiss of love; whilst Dario retained a more dolorous expression amidst his final joy. And their eyes were still wide open, gazing at one another with a persistent and caressing sweetness which nothing would ever more disturb.

 

Oh! God, was it true that yonder lay that Benedetta whom he, Pierre, had loved with such pure, brotherly affection? He was stirred to the very depths of his soul by the recollection of the delightful hours which he had spent with her. She had been so beautiful, so sensible, yet so full of passion! And he had indulged in so beautiful a dream, that of animating with his own liberating fraternal feelings that admirable creature with soul of fire and indolent air, in whom he had pictured all ancient Rome, and whom he would have liked to awaken and win over to the Italy of to-morrow. He had dreamt of enlarging her brain and heart by filling her with love for the lowly and the poor, with all present-day compassion for things and beings. How he would now have smiled at such a dream had not his tears been flowing! Yet how charming she had shown herself in striving to content him despite the invincible obstacles of race, education, and environment. She had been a docile pupil, but was incapable of any real progress. One day she had certainly seemed to draw nearer to him, as though her own sufferings had opened her soul to every charity; but the illusion of happiness had come back, and then she had lost all understanding of the woes of others, and had gone off in the egotism of her own hope and joy. Did that mean then that this Roman race must finish in that fashion, beautiful as it still often is, and fondly adored but so closed to all love for others, to those laws of charity and justice which, by regulating labour, can henceforth alone save this world of ours?

 

Then there came another great sorrow to Pierre which left him stammering, unable to speak any precise prayer. He thought of the overwhelming reassertion of Nature's powers which had attended the death of those two poor children. Was it not awful? To have taken that vow to the Virgin, to have endured torment throughout life, and to end by plunging into death, on the loved one's neck, distracted by vain regret and eager for self-bestowal! The brutal fact of impending separation had sufficed for Benedetta to realise how she had duped herself, and to revert to the universal instinct of love. And therein, again once more, was the Church vanquished; therein again appeared the great god Pan, mating the sexes and scattering life around! If in the days of the Renascence the Church did not fall beneath the assault of the Venuses and Hercules then exhumed from the old soil of Rome, the struggle at all events continued as bitterly as ever; and at each and every hour new nations, overflowing with sap, hungering for life, and warring against a religion which was nothing more than an appetite for death, threatened to sweep away that old Holy Apostolic Roman and Catholic edifice whose walls were already tottering on all sides.

 

And at that moment Pierre felt that the death of that adorable Benedetta was for him the supreme disaster. He was still looking at her and tears were scorching his eyes. She was carrying off his chimera. This time 'twas really the end. Rome the Catholic and the Princely was dead, lying there like marble on that funeral bed. She had been unable to go to the humble, the suffering ones of the world, and had just expired amidst the impotent cry of her egotistical passion when it was too late either to love or to create. Never more would children be born of her, the old Roman house was henceforth empty, sterile, beyond possibility of awakening. Pierre whose soul mourned such a splendid dream, was so grieved at seeing her thus motionless and frigid, that he felt himself fainting. He feared lest he might fall upon the step beside the bed, and so struggled to his feet and drew aside.

 

Then, as he sought refuge in a window recess in order that he might try to recover self-possession, he was astonished to perceive Victorine seated there on a bench which the hangings half concealed. She had come thither by Donna Serafina's orders, and sat watching her two dear children as she called them, whilst keeping an eye upon all who came in and went out. And, on seeing the young priest so pale and nearly swooning, she at once made room for him to sit down beside her. "Ah!" he murmured after drawing a long breath, "may they at least have the joy of being together elsewhere, of living a new life in another world."

 

Victorine, however, shrugged her shoulders, and in an equally low voice responded, "Oh! live again, Monsieur l'Abbe, why? When one's dead the best is to remain so and to sleep. Those poor children had enough torments on earth, one mustn't wish that they should begin again elsewhere."

 

This naive yet deep remark on the part of an ignorant unbelieving woman sent a shudder through Pierre's very bones. To think that his own teeth had chattered with fear at night time at the sudden thought of annihilation. He deemed her heroic at remaining so undisturbed by any ideas of eternity and the infinite. And she, as she felt he was quivering, went on: "What can you suppose there should be after death? We've deserved a right to sleep, and nothing to my thinking can be more desirable and consoling."

 

"But those two did not live," murmured Pierre, "so why not allow oneself the joy of believing that they now live elsewhere, recompensed for all their torments?"

 

Victorine, however, again shook her head; "No, no," she replied. "Ah! I was quite right in saying that my poor Benedetta did wrong in torturing herself with all those superstitious ideas of hers when she was really so fond of her lover. Yes, happiness is rarely found, and how one regrets having missed it when it's too late to turn back! That's the whole story of those poor little ones. It's too late for them, they are dead." Then in her turn she broke down and began to sob. "Poor little ones! poor little ones! Look how white they are, and think what they will be when only the bones of their heads lie side by side on the cushion, and only the bones of their arms still clasp one another. Ah! may they sleep, may they sleep; at least they know nothing and feel nothing now."

 

A long interval of silence followed. Pierre, amidst the quiver of his own doubts, the anxious desire which in common with most men he felt for a new life beyond the grave, gazed at this woman who did not find priests to her fancy, and who retained all her Beauceronne frankness of speech, with the tranquil, contented air of one who has ever done her duty in her humble station as a servant, lost though she had been for five and twenty years in a land of wolves, whose language she had not even been able to learn. Ah! yes, tortured as the young man was by his doubts, he would have liked to be as she was, a well-balanced, healthy, ignorant creature who was quite content with what the world offered, and who, when she had accomplished her daily task, went fully satisfied to bed, careless as to whether she might never wake again!

 

However, as Pierre's eyes once more sought the state bed, he suddenly recognised the old priest, who was kneeling on the step of the platform, and whose features he had hitherto been unable to distinguish. "Isn't that Abbe Pisoni, the priest of Santa Brigida, where I sometimes said mass?" he inquired. "The poor old man, how he weeps!"

 

In her quiet yet desolate voice Victorine replied, "He has good reason to weep. He did a fine thing when he took it into his head to marry my poor Benedetta to Count Prada. All those abominations would never have happened if the poor child had been given her Dario at once. But in this idiotic city they are all mad with their politics; and that old priest, who is none the less a very worthy man, thought he had accomplished a real miracle and saved the world by marrying the Pope and the King as he said with a soft laugh, poor old /savant/ that he is, who for his part has never been in love with anything but old stones--you know, all that antiquated rubbish of theirs of a hundred thousand years ago. And now, you see, he can't keep from weeping. The other one too came not twenty minutes ago, Father Lorenza, the Jesuit who became the Contessina's confessor after Abbe Pisoni, and who undid what the other had done. Yes, a handsome man he is, but a fine bungler all the same, a perfect killjoy with all the crafty hindrances which he brought into that divorce affair. I wish you had been here to see what a big sign of the cross he made after he had knelt down. He didn't cry, he didn't: he seemed to be saying that as things had ended so badly it was evident that God had withdrawn from all share in the business. So much the worse for the dead!"

 

Victorine spoke gently and without a pause, as it relieved her, to empty her heart after the terrible hours of bustle and suffocation which she had spent since the previous day. "And that one yonder," she resumed in a lower voice, "don't you recognise her?"

 

She glanced towards the poorly clad girl whom Pierre had taken for a servant, and whom intensity of grief had prostrated beside the bed. With a gesture of awful suffering this girl had just thrown back her head, a head of extraordinary beauty, enveloped by superb black hair.

 

"La Pierina!" said Pierre. "Ah! poor girl."

 

Victorine made a gesture of compassion and tolerance.

 

"What would you have?" said she, "I let her come up. I don't know how she heard of the trouble, but it's true that she is always prowling round the house. She sent and asked me to come down to her, and you should have heard her sob and entreat me to let her see her Prince once more! Well, she does no harm to anybody there on the floor, looking at them both with her beautiful loving eyes full of tears. She's been there for half an hour already, and I had made up my mind to turn her out if she didn't behave properly. But since she's so quiet and doesn't even move, she may well stop and fill her heart with the sight of them for her whole life long."

 

It was really sublime to see that ignorant, passionate, beautiful Pierina thus overwhelmed below the nuptial couch on which the lovers slept for all eternity. She had sunk down on her heels, her arms hanging heavily beside her, and her hands open. And with raised face, motionless as in an ecstasy of suffering, she did not take her eyes from that adorable and tragic pair. Never had human face displayed such beauty, such a dazzling splendour of suffering and love; never had there been such a portrayal of ancient Grief, not however cold like marble but quivering with life. What was she thinking of, what were her sufferings, as she thus fixedly gazed at her Prince now and for ever locked in her rival's arms? Was it some jealousy which could have no end that chilled the blood of her veins? Or was it mere suffering at having lost him, at realising that she was looking at him for the last time, without thought of hatred for that other woman who vainly sought to warm him with her arms as icy cold as his own? There was still a soft gleam in the poor girl's blurred eyes, and her lips were still lips of love though curved in bitterness by grief. She found the lovers so pure and beautiful as they lay there amidst that profusion of flowers! And beautiful herself, beautiful like a queen, ignorant of her own charms, she remained there breathless, a humble servant, a loving slave as it were, whose heart had been wrenched away and carried off by her dying master.

 

People were now constantly entering the room, slowly approaching with mournful faces, then kneeling and praying for a few minutes, and afterwards retiring with the same mute, desolate mien. A pang came to Pierre's heart when he saw Dario's mother, the ever beautiful Flavia, enter, accompanied by her husband, the handsome Jules Laporte, that ex-sergeant of the Swiss Guard whom she had turned into a Marquis Montefiori. Warned of the tragedy directly it had happened, she had already come to the mansion on the previous evening; but now she returned in grand ceremony and full mourning, looking superb in her black garments which were well suited to her massive, Juno-like style of beauty. When she had approached the bed with a queenly step, she remained for a moment standing with two tears at the edges of her eyelids, tears which did not fall. Then, at the moment of kneeling, she made sure that Jules was beside her, and glanced at him as if to order him to kneel as well. They both sank down beside the platform and remained in prayer for the proper interval, she very dignified in her grief and he even surpassing her, with the perfect sorrow-stricken bearing of a man who knew how to conduct himself in every circumstance of life, even the gravest. And afterwards they rose together, and slowly betook themselves to the entrance of the private apartments where the Cardinal and Donna Serafina were receiving their relatives and friends.

 

Five ladies then came in one after the other, while two Capuchins and the Spanish ambassador to the Holy See went off. And Victorine, who for a few minutes had remained silent, suddenly resumed. "Ah! there's the little Princess, she's much afflicted too, and, no wonder, she was so fond of our Benedetta."

 

Pierre himself had just noticed Celia coming in. She also had attired herself in full mourning for this abominable visit of farewell. Behind her was a maid, who carried on either arm a huge sheaf of white roses.

 

"The dear girl!" murmured Victorine, "she wanted her wedding with her Attilio to take place on the same day as that of the poor lovers who lie there. And they, alas! have forestalled her, their wedding's over; there they sleep in their bridal bed."

 

Celia had at once crossed herself and knelt down beside the bed, but it was evident that she was not praying. She was indeed looking at the lovers with desolate stupefaction at finding them so white and cold with a beauty as of marble. What! had a few hours sufficed, had life departed, would those lips never more exchange a kiss! She could again see them at the ball of that other night, so resplendent and triumphant with their living love. And a feeling of furious protest rose from her young heart, so open to life, so eager for joy and sunlight, so angry with the hateful idiocy of death. And her anger and affright and grief, as she thus found herself face to face with the annihilation which chills every passion, could be read on her ingenuous, candid, lily-like face. She herself stood on the threshold of a life of passion of which she yet knew nothing, and behold! on that very threshold she encountered the corpses of those dearly loved ones, the loss of whom racked her soul with grief.

 

She gently closed her eyes and tried to pray, whilst big tears fell from under her lowered eyelids. Some time went by amidst the quivering silence, which only the murmur of the mass near by disturbed. At last she rose and took the sheaves of flowers from her maid; and standing on the platform she hesitated for a moment, then placed the roses to the right and left of the cushion on which the lovers' heads were resting, as if she wished to crown them with those blossoms, perfume their young brows with that sweet and powerful aroma. Then, though her hands remained empty she did not retire, but remained there leaning over the dead ones, trembling and seeking what she might yet say to them, what she might leave them of herself for ever more. An inspiration came to her, and she stooped forward, and with her whole, deep, loving soul set a long, long kiss on the brow of either spouse.

 

"Ah! the dear girl!" said Victorine, whose tears were again flowing. "You saw that she kissed them, and nobody had yet thought of that, not even the poor young Prince's mother. Ah! the dear little heart, she surely thought of her Attilio."

 

However, as Celia turned to descend from the platform she perceived La Pierina, whose figure was still thrown back in an attitude of mute and dolorous adoration. And she recognised the girl and melted with pity on seeing such a fit of sobbing come over her that her whole body, her goddess-like hips and bosom, shook as with frightful anguish. That agony of love quite upset the little Princess, and she could be heard murmuring in a tone of infinite compassion, "Calm yourself, my dear, calm yourself. Be reasonable, my dear, I beg you."

 

Then as La Pierina, thunderstruck at thus being pitied and succoured, began to sob yet more loudly so as to create quite a stir in the room, Celia raised her and held her up with both arms, for fear lest she should fall again. And she led her away in a sisterly clasp, like a sister of affection and despair, lavishing the most gentle, consoling words upon her as they went.

 

"Follow them, go and see what becomes of them," Victorine said to Pierre. "I do not want to stir from here, it quiets me to watch over my two poor children."

 

A Capuchin was just beginning a fresh mass at the improvised altar, and the low Latin psalmody went on again, while in the adjoining ante-chamber, where another mass was being celebrated, a bell was heard tinkling for the elevation of the host. The perfume of the flowers was becoming more violent and oppressive amidst the motionless and mournful atmosphere of the spacious throne-room. The four servants standing at the head of the bed, as for a /gala/ reception, did not stir, and the procession of visitors ever continued, men and women entering in silence, suffocating there for a moment, and then withdrawing, carrying away with them the never-to-be-forgotten vision of the two tragic lovers sleeping their eternal sleep.

 

Pierre joined Celia and La Pierina in the /anticamera nobile/, where stood Don Vigilio. The few seats belonging to the throne-room had there been placed in a corner, and the little Princess had just compelled the work-girl to sit down in an arm-chair, in order that she might recover self-possession. Celia was in ecstasy before her, enraptured at finding her so beautiful, more beautiful than any other, as she said. Then she spoke of the two dead ones, who also had seemed to her very beautiful, endowed with an extraordinary beauty, at once superb and sweet; and despite all her tears, she still remained in a transport of admiration. On speaking with La Pierina, Pierre learnt that her brother Tito was at the hospital in great danger from the effects of a terrible knife thrust dealt him in the side; and since the beginning of the winter, said the girl, the misery in the district of the castle fields had become frightful. It was a source of great suffering to every one, and those whom death carried off had reason to rejoice.

 

Celia, however, with a gesture of invincible hopefulness, brushed all idea of suffering, even of death, aside. "No, no, we must live," she said. "And beauty is sufficient for life. Come, my dear, do not remain here, do not weep any more; live for the delight of being beautiful."

 

Then she led La Pierina away, and Pierre remained seated in one of the arm-chairs, overcome by such sorrow and weariness that he would have liked to remain there for ever. Don Vigilio was still bowing to each fresh visitor that arrived. A severe attack of fever had come on him during the night, and he was shivering from it, with his face very yellow, and his eyes ablaze and haggard. He constantly glanced at Pierre, as if anxious to speak to him, but his dread lest he should be seen by Abbe Paparelli, who stood in the next ante-room, the door of which was wide open, doubtless restrained him, for he did not cease to watch the train-bearer. At last the latter was compelled to absent himself for a moment, and the secretary thereupon approache............