Eight o'clock in the evening. They have dined at the cider mill, all the players except the vicar, under the patronage¹ of Itchoua; they have lounged for a long time afterward², languid in the smoke of smuggled³ cigarettes and listening to the marvellous improvisations of the two Iragola brothers, of the Mendiazpi mountain—while outside, on the street, the girls in small groups holding one another's arms, looked at the windows, found pleasure in observing on the smoky panes⁴ the round shadows of the heads of the men covered with similar caps—
 
Now, on the square, the brass⁵ band plays the first measures of the fandango, and the young men, the young girls, all those of the village and several also of the mountain who have remained to dance, arrive in impatient groups. There are some dancing already on the road, not to lose anything.
 
And soon the fandango turns, turns, in the light of the new moon the horns of which seem to pose, lithe⁶ and light, on the enormous and heavy mountain. In the couples that dance without ever touching⁷ each other, there is never a separation; before one another always and at an equal distance, the boy and the girl make evolutions with a rhythmic⁸ grace, as if they were tied together by some invisible magnet.
 
It has gone into hiding, the crescent of the moon, fallen, one would think, in the black mountain; then lanterns are brought and hooked to the trunks of the plane-trees and the young men can see better their partners who, opposite them swing with an air of fleeing continually, but without increasing their distance ever: almost all pretty, their hair elegantly dressed, a kerchief on the neck, and wearing with ease gowns in the fashion of to-day. The men, somewhat grave always, accompany the music with snaps of their fingers in the air: shaven and sunburnt faces to which labor⁹ in the fields, in smuggling¹⁰ or at sea, has given a special thinness, almost ascetic¹¹; still, by the ampleness of their brown necks, by the width of their shoulders, one divines their great strength, the strength of that old, sober and religious race.
 
The fandango turns and oscillates, to the tune¹² of an ancient waltz. All the arms, extended and raised, agitate¹³ themselves in the air, rise or fall with pretty, cadenced¹⁵ motions following the oscillations of bodies. The rope soled sandals make this dance silent and infinitely¹⁶ light; one hears only the frou-frou of gowns, and ever the snap of fingers imitating the noise of castanets. With a Spanish grace, the girls, whose wide sleeves expand like wings, swing their tightened¹⁷ waists above their vigorous and supple¹⁸ hips¹⁹—
 
Facing one another, Ramuntcho and Gracieuse said nothing at first, captivated by the childish joy of moving quickly in cadence¹⁴, to the sound of music. It is very chaste²⁰, that manner of dancing without the slightest touch of bodies.
 
But there were also, in the course of the evening, waltzes and quadrilles, and even walks arm-in-arm during which the lovers could touch each other and talk.
 
“Then, my Ramuntcho,” said Gracieuse, “it is of that game that you expect to make your future, is it not?”
 
They were walking now arm-in-arm, under the plane-trees shedding their leaves in the night of November, lukewarm as a night of May, during an interval²¹ of silence when the musicians were resting.
 
“Yes,” replied Ramuntcho, “in our country it is a trade, like any other, where one may earn a living, as long as strength lasts—and one may go from time to time to South America, you know, as Irun and Gorosteguy have done, and bring back twenty, thirty thousand francs for a season, earned honestly at Buenos Ayres.”
 
“Oh, the Americas—” exclaimed Gracieuse in a joyful²² enthusiasm—“the Americas, what happiness! It was always my wish to go across the sea to those countries!—And we would look for your uncle Ignacio, then go to my cousin, Bidegaina, who has a farm on the Uruguay, in the prairies—”
 
She ceased talking, the little girl who had never gone out of that
village which the mountains enclose; she stopped to think of these
far-off lands which haunted her young head because she had, like most
Basques, nomadic²³ ancestors—folks who are called here Americans or
Indians, who pass their adventurous²⁴ lives on the other side of the ocean
and return to the cherished village only very late, to die. And, while
she dreamed, her nose in the air, her eyes in the black of the clouds
and of the summits, Ramuntcho felt his blood running faster, his
heart beating quicker in the intense joy of what she had just said so
spontaneously. And, inclining his head toward her, he asked, as if to
jest, in a voice infinitely soft and childish:
 
 “We would go? Is that what you said: we would go, you with me? This
signifies therefore that you would consent, a little later, when we
become of age, to marry me?”
 
He perceived through the darkness the gentle black light of Gracieuse's eyes, which rose toward him with an expression of astonishment²⁵ and of reproach.
 
“Then—you did not know?”
 
“I wanted to make you say it, you see—You had never said it to me, do you know?—”
 
He held tighter the arm of his little betrothed²⁶ and their walk became slower. It is true that they had never said it, not only because it seemed to them that it was not necessary to say, but especially because they were stopped at the moment of speaking by a sort of terror—the terror of being mistaken about each other's sentiment—and now they knew, they were sure. Then they had the consciousness of having passed together the grave and solemn threshold of life. And, leaning on one another, they faltered²⁷, almost, in their slackened promenade²⁸, like two children intoxicated²⁹ by youthfulness, joy and hope.
 
“But do you think your mother will consent?” said Ramuntcho timidly, after the long, delightful³⁰ silence—
 
“Ah, that is the trouble,” replied the little girl with a sigh of anxiety—“Arrochkoa, my brother, will be for us, it is probable. But mother?—Will mother consent?—But, it will not happen soon, in any case—You have to serve in the army.”
 
“No, if you do not want me to! No, I need not serve! I am a Guipuzcoan, like my mother; I shall be enrolled³¹ only if I wish to be—Whatever you say, I'll do—”
 
“My Ramuntcho, I would like better to wait for you longer and that you become naturalized, and that you become a soldier like the others. I tell you this, since you ask—”
 
“Truly, is it what you wish? Well, so much the better. Oh, to be a Frenchman or a Spaniard is indifferent to me. I shall do as you wish. I like as well one as the other: I am a Basque like you, like all of us; I care not for the rest! But as for being a soldier somewhere, on this side of the frontier or on the other, yes, I prefer it. In the first place, one who goes away looks as if he were running away; and then, it would please me to be a soldier, frankly³².”
 
“Well, my Ramuntcho, since it is all the same to you, serve as a soldier in France, to please me.”
 
“It is understood, Gatchutcha!—You will see me wearing red trousers. I shall call on you in the dress of a soldier, like Bidegarray, like Joachim. As soon as I have served my three years, we will marry, if your mother consents!”
 
After a moment of silence Gracieuse said, in a low, solemn voice:
 
“Listen, my Ramuntcho—I am like you: I am afraid of her—of my mother—But listen—if she refuses, we shall do together anything, anything that you wish, for this is the only thing in the world in which I shall not obey her—”
 
Then, silence returned between them, now that they were engaged, the incomparable silence of young joys, of joys new and not yet tried, which need to hush³³, which need to meditate³⁴ in order to understand themselves better in their profoundness. They walked in short steps and at random³⁵ toward the church, in the soft obscurity which the lanterns troubled no longer, intoxicated by their innocent contact and by feeling that they were walking together in the path where no one had followed them—
 
But the noise of the brass instruments suddenly arose anew, in a sort of slow waltz, oddly rhythmic. And the two children, at the fandango's appeal, without having consulted each other, and as if it was a compulsory³⁶ thing which may not be disputed, ran, not to lose a moment, toward the place where the couples were dancing. Quickly, quickly placing themselves opposite each other, they began again to swing in measure, without talking to each other, with the same pretty gestures of their arms, the same supple motions of their hips. From time to time, without loss of step or distance, both ran, in a direct line like arrows. But this was only an habitual³⁷ variation of the dance,—and, ever in measure, quickly, as if they were gliding³⁸, they returned to their starting point.
 
Gracieuse had in dancing the same passionate³⁹ ardor⁴⁰ as in praying at the white chapels,—the same ardor which later doubtless, she would have in embracing Ramuntcho when caresses⁴¹ between them would not be forbidden. And at moments, at every fifth or sixth measure, at the same time as her light and strong partner, she turned round completely, the bust⁴² bent⁴³ with Spanish grace, the head thrown backward, the lips half open on the whiteness of the teeth, a distinguished⁴⁴ and proud grace disengaging itself from her little personality, still so mysterious, which to Ramuntcho only revealed itself a little.
 
During all this beautiful evening of November, they danced before each other, mute and charming, with intervals⁴⁵ of promenade in which they hardly talked—intoxicated in silence by the delicious thought with which their minds were filled.
 
And, until the curfew rang in the church, this dance under the branches of autumn, these little lanterns, this little festival in this corner closed to the world, threw a little light and joyful noise into the vast night which the mountains, standing⁴⁶ everywhere like giants of shadow, made more dumb and more black.