SOME FIRST IMPRESSIONS I
There with as much verisimilitude as I can give it, is how the Folkestone mermaid¹ really came to land. There can be no doubt that the whole affair was a deliberately² planned intrusion upon her part. She never had cramp³, she couldn’t have cramp, and as for drowning, nobody was near drowning for a moment except Mr. Bunting, whose valuable life she very nearly sacrificed at the outset of her adventure. And her next proceeding⁴ was to demand an interview with Mrs. Bunting and to presume upon her youthful and glowing appearance to gain the support, sympathy and assistance of that good-hearted[31] lady (who as a matter of fact was a thing of yesterday, a mere⁵ chicken in comparison with her own immemorial years) in her extraordinary raid upon Humanity.
 
Her treatment of Mrs. Bunting would be incredible if we did not know that, in spite of many disadvantages, the Sea Lady was an extremely well read person. She admitted as much in several later conversations with my cousin Melville. For a time there was a friendly intimacy—so Melville always preferred to present it—between these two, and my cousin, who has a fairly considerable amount of curiosity, learnt many very interesting details about the life “out there” or “down there”—for the Sea Lady used either expression. At first the Sea Lady was exceedingly reticent⁶ under the gentle insistence⁷ of his curiosity, but after a time, I gather, she gave way to bursts of cheerful[32] confidence. “It is clear,” says my cousin, “that the old ideas of the submarine life as a sort of perpetual game of ‘who-hoop’ through groves⁸ of coral, diversified⁹ by moonlight hair-combings on rocky strands¹⁰, need very extensive modification¹².” In this matter of literature, for example, they have practically all that we have, and unlimited¹³ leisure to read it in. Melville is very insistent¹⁴ upon and rather envious¹⁵ of that unlimited leisure. A picture of a mermaid swinging in a hammock of woven seaweed, with what bishops¹⁶ call a “latter-day” novel in one hand and a sixteen candle-power phosphorescent fish in the other, may jar upon one’s preconceptions, but it is certainly far more in accordance with the picture of the abyss she printed on his mind. Everywhere Change works her will on things. Everywhere, and even among the immortals¹⁸, Modernity spreads. Even on Olympus I suppose[33] there is a Progressive party and a new Phaeton agitating¹⁹ to supersede²⁰ the horses of his father by some solar motor of his own. I suggested as much to Melville and he said “Horrible! Horrible!” and stared hard at my study fire. Dear old Melville! She gave him no end of facts about Deep Sea Reading.
 
Of course they do not print books “out there,” for the printer’s ink under water would not so much run as fly—she made that very plain; but in one way or another nearly the whole of terrestrial literature, says Melville, has come to them. “We know,” she said. They form indeed a distinct reading public, and additions to their vast submerged library that circulates forever with the tides, are now pretty systematically²¹ sought. The sources are various and in some cases a little odd. Many books have been found in sunken ships. “Indeed!” said Melville. There is always[34] a dropping and blowing overboard of novels and magazines from most passenger-carrying vessels—sometimes, but these are not as a rule valuable additions—a deliberate shying overboard. But sometimes books of an exceptional sort are thrown over when they are quite finished. (Melville is a dainty irritable²³ reader and no doubt he understood that.) From the sea beaches of holiday resorts, moreover, the lighter²⁴ sorts of literature are occasionally getting blown out to sea. And so soon as the Booms of our great Popular Novelists are over, Melville assured me, the libraries find it convenient to cast such surplus copies of their current works as the hospitals and prisons cannot take, below high-water mark.
 
“That’s not generally known,” said I.
 
“They know it,” said Melville.
 
In other ways the beaches yield. Young couples who “begin to sit heapy,”[35] the Sea Lady told my cousin, as often as not will leave excellent modern fiction behind them, when at last they return to their proper place. There is a particularly fine collection of English work, it seems, in the deep water of the English Channel; practically the whole of the Tauchnitz Library is there, thrown overboard at the last moment by conscientious²⁵ or timid travellers returning from the continent, and there was for a time a similar source of supply of American reprints in the Mersey, but that has fallen off in recent years. And the Deep Sea Mission for Fishermen has now for some years been raining down tracts²⁶ and giving a particularly elevated tone of thought to the extensive shallows of the North Sea. The Sea Lady was very precise on these points.
 
When one considers the conditions of its accumulation, one is not surprised to hear that the element of fiction is as[36] dominant²⁷ in this Deep Sea Library as it is upon the counters of Messrs. Mudie; but my cousin learnt that the various illustrated²⁸ magazines, and particularly the fashion papers, are valued even more highly than novels, are looked for far more eagerly and perused²⁹ with envious emotion. Indeed on that point my cousin got a sudden glimpse of one of the motives³⁰ that had brought this daring young lady into the air. He made some sort of suggestion. “We should have taken to dressing³¹ long ago,” she said, and added, with a vague quality of laughter in her tone, “it isn’t that we’re unfeminine, Mr. Melville. Only—as I was explaining to Mrs. Bunting, one must consider one’s circumstances—how can one hope to keep anything nice under water? Imagine lace!”
 
“Soaked!” said my cousin Melville.
 
“Drenched!” said the Sea Lady.
 
“Ruined!” said my cousin Melville.[37]
 
“And then you know,” said the Sea Lady very gravely, “one’s hair!”
 
“Of course,” said Melville. “Why!—you can never get it dry!”
 
“That’s precisely³² it,” said she.
 
My cousin Melville had a new light on an old topic. “And that’s why—in the old time——?”
 
“Exactly!” she cried, “exactly! Before there were so many Excursionists and sailors and Low People about, one came out, one sat and brushed it in the sun. And then of course it really was possible to do it up. But now——”
 
She made a petulant³³ gesture and looked gravely at Melville, biting her lip the while. My cousin made a sympathetic noise. “The horrid³⁴ modern spirit,” he said—almost automatically.…
 
But though fiction and fashion appear to be so regrettably dominant in the nourishment³⁵ of the mer-mind, it must not be[38] supposed that the most serious side of our reading never reaches the bottom of the sea. There was, for example, a case quite recently, the Sea Lady said, of the captain of a sailing ship whose mind had become unhinged by the huckstering uproar³⁶ of the Times and Daily Mail, and who had not only bought a second-hand³⁷ copy of the Times reprint of the Encyclopædia Britannica, but also that dense³⁸ collection of literary snacks and samples, that All-Literature Sausage which has been compressed under the weighty editing of Doctor Richard Garnett. It has long been notorious that even the greatest minds of the past were far too copious³⁹ and confusing in their—as the word goes—lubrications. Doctor Garnett, it is alleged⁴⁰, has seized the gist⁴¹ and presented it so compactly that almost any business man now may take hold of it without hindrance⁴² to his more serious occupations.[39] The unfortunate and misguided seaman⁴³ seems to have carried the entire collection aboard with him, with the pretty evident intention of coming to land in Sydney the wisest man alive—a Hindoo-minded thing to do. The result might have been anticipated. The mass shifted in the night, threw the whole weight of the science of the middle nineteenth century and the literature of all time, in a virulently⁴⁴ concentrated state, on one side of his little vessel²² and capsized it instantly.…
 
The ship, the Sea Lady said, dropped into the abyss as if it were loaded with lead, and its crew and other movables did not follow it down until much later in the day. The captain was the first to arrive, said the Sea Lady, and it is a curious fact, due probably to some preliminary dippings into his purchase, that he came head first, instead of feet down and limbs expanded in the customary way.…[40]
 
However, such exceptional windfalls avail little against the rain of light literature that is constantly going on. The novel and the newspaper remain the world’s reading even at the bottom of the sea. As subsequent events would seem to show, it must have been from the common latter-day novel and the newspaper that the Sea Lady derived⁴⁵ her ideas of human life and sentiment and the inspiration of her visit. And if at times she seemed to underestimate the nobler tendencies of the human spirit, if at times she seemed disposed to treat Adeline Glendower and many of the deeper things of life with a certain sceptical levity⁴⁶, if she did at last indisputably subordinate reason and right feeling to passion, it is only just to her, and to those deeper issues, that we should ascribe her aberrations⁴⁷ to their proper cause.…[41]
 
II
My cousin Melville, I was saying, did at one time or another get a vague, a very vague conception of what that deep-sea world was like. But whether his conception has any quality of truth in it is more than I dare say. He gives me an impression of a very strange world indeed, a green luminous⁴⁸ fluidity in which these beings float, a world lit by great shining monsters that drift athwart it, and by waving forests of nebulous luminosity amidst which the little fishes drift like netted stars. It is a world with neither sitting, nor standing⁴⁹, nor going, nor coming, through which its inhabitants float and drift as one floats and drifts in dreams. And the way they live there! “My dear man!” said Melville, “it must be like a painted ceiling!…”
 
I do not even feel certain that it is in[42] the sea particularly that this world of the Sea Lady is to be found. But about those saturated⁵⁰ books and drowned scraps⁵¹ of paper, you say? Things are not always what they seem, and she told him all of that, we must reflect, one laughing afternoon.
 
She could appear, at times, he says, as real as you or I, and again came mystery all about her. There were times when it seemed to him you might have hurt her or killed her as you can hurt and kill anyone—with a penknife for example—and there were times when it seemed to him you could have destroyed the whole material universe and left her smiling still. But of this ambiguous element in the lady, more is to be told later. There are wider seas than ever keel sailed upon, and deeps that no lead of human casting will ever plumb⁵². When it is all summed up, I have to admit, I do not know, I cannot[43] tell. I fall back upon Melville and my poor array of collected facts. At first there was amazingly little strangeness about her for any who had to deal with her. There she was, palpably solid and material, a lady out of the sea.
 
This modern world is a world where the wonderful is utterly⁵³ commonplace. We are bred to show a quiet freedom from amazement⁵⁴, and why should we boggle at material Mermaids⁵⁵, with Dewars solidifying⁵⁶ all sorts of impalpable things and Marconi waves spreading everywhere? To the Buntings she was as matter of fact, as much a matter of authentic⁵⁷ and reasonable motives and of sound solid sentimentality, as everything else in the Bunting world. So she was for them in the beginning, and so up to this day with them her memory remains⁵⁸.[44]
 
III
The way in which the Sea Lady talked to Mrs. Bunting on that memorable⁵⁹ morning, when she lay all wet and still visibly fishy⁶⁰ on the couch in Mrs. Bunting’s dressing-room, I am also able to give with some little fulness, because Mrs. Bunting repeated it all several times, acting⁶¹ the more dramatic speeches in it, to my cousin Melville in several of those good long talks that both of them in those happy days—and particularly Mrs. Bunting—always enjoyed so much. And with her very first speech, it seems, the Sea Lady took her line straight to Mrs. Bunting’s generous managing heart. She sat up on the couch, drew the antimacassar modestly over her deformity, and sometimes looking sweetly down and sometimes openly and trustfully into Mrs. Bunting’s face, and speaking in a soft clear grammatical[45] manner that stamped her at once as no mere mermaid but a finished fine Sea Lady, she “made a clean breast of it,” as Mrs. Bunting said, and “fully and frankly” placed herself in Mrs. Bunting’s hands.
 
“Mrs. Bunting,” said Mrs. Bunting to my cousin Melville, in a dramatic rendering⁶² of the Sea Lady’s manner, “do permit me to apologise for this intrusion, for I know it is an intrusion. But indeed it has almost been forced upon me, and if you will only listen to my story, Mrs. Bunting, I think you will find—well, if not a complete excuse for me—for I can understand how exacting⁶³ your standards must be—at any rate some excuse for what I have done—for what I must call, Mrs. Bunting, my deceitful conduct towards you. Deceitful it was, Mrs. Bunting, for I never had cramp— But then, Mrs. Bunting”—and here Mrs. Bunting would[46] insert a long impressive pause—“I never had a mother!”
 
“And then and there,” said Mrs. Bunting, when she told the story to my cousin Melville, “the poor child burst into tears and confessed she had been born ages and ages ago in some dreadful miraculous⁶⁴ way in some terrible place near Cyprus, and had no more right to a surname— Well, there—!” said Mrs. Bunting, telling the story to my cousin Melville and making the characteristic gesture with which she always passed over and disowned any indelicacy to which her thoughts might have tended. “And all the while speaking with such a nice accent and moving in such a ladylike way!”
 
“Of course,” said my cousin Melville, “there are classes of people in whom one excuses— One must weigh——”
 
“Precisely,” said Mrs. Bunting. “And you see it seems she deliberately chose[47] me as the very sort of person she had always wanted to appeal to. It wasn’t as if she came to us haphazard—she picked us out. She had been swimming round the coast watching people day after day, she said, for quite a long time, and she said when she saw my face, watching the girls bathe—you know how funny girls are,” said Mrs. Bunting, with a little deprecatory laugh, and all the while with a moisture of emotion in her kindly⁶⁵ eyes. “She took quite a violent fancy to me from the very first.”
 
“I can quite believe that, at any rate,” said my cousin Melville with unction. I know he did, although he always leaves it out of the story when he tells it to me. But then he forgets that I have had the occasional privilege of making a third party in these good long talks.
 
“You know it’s most extraordinary[48] and exactly like the German story,” said Mrs. Bunting. “Oom—what is it?”
 
“Undine?”
 
“Exactly—yes. And it really seems these poor creatures are Immortal¹⁷, Mr. Melville—at least within limits—creatures born of the elements and resolved into the elements again—and just as it is in the story—there’s always a something—they have no Souls! No Souls at all! Nothing! And the poor child feels it. She feels it dreadfully. But in order to get souls, Mr. Melville, you know they have to come into the world of men. At least so they believe down there. And so she has come to Folkestone. To get a soul. Of course that’s her great object, Mr. Melville, but she’s not at all fanatical or silly about it. Any more than we are. Of course we—people who feel deeply——”
 
“Of course,” said my cousin Melville,[49] with, I know, a momentary⁶⁶ expression of profound gravity, drooping⁶⁷ eyelids⁶⁸ and a hushed voice. For my cousin does a good deal with his soul, one way and anoth............