Before I finish writing of the confused memories I have of the commencement of my life I wish to speak of another ray of sunshine—a sad ray this time,—that has left an ineffaceable impression upon me, and the meaning of which will never be clear to me.  
Upon a Sunday, after we had returned from church, the ray appeared to me. It came through a half-open window and fell into the stairway, and as it lengthened¹ itself upon the whiteness of the wall it took on a peculiar², weird³ shape.
 
I had returned from church with my mother and as I mounted the stairs I took her hand. The house was filled with a humming silence peculiar to the noontime of very hot summer days (it was August or September). Following the habit of our country the shutters⁴ were half closed making indoors, during the heated period of the day, a sort of twilight⁵.
 
As I entered the house there came to me an appreciation⁶ of the stillness of Sunday that in the country and in peaceful byways of little towns is like the peace of death. But when I saw the ray of sunlight fall obliquely⁷ through the staircase window, I had a feeling more poignant⁹ than ordinary sorrow; I had a feeling altogether incomprehensible and absolutely new in which there seemed infused a conception of the brevity of life's summers, their rapid flight and the incomputable ages of the sun. But other elements still more mysterious, that it would be impossible for me to explain even vaguely¹⁰, entered therein.
 
I wish to add to the history of this ray of sunshine the sequel that is intimately connected with it. Years passed; I became a man, and after having been among many people and experienced many adventures I lived for an autumn and winter in an isolated¹¹ house in an unfrequented part of Stamboul. It was there that every evening at approximately the same hour, a ray of sunlight came in through the window and fell obliquely on the wall and lit up the niche¹² (hollowed out of the stone wall) in which I had placed an Athenian vase. And I never saw that ray of sunlight without thinking of the one I had seen upon that Sunday of long ago; nor without having the same, precisely¹³ the same sad emotion, scarcely diminished by time, and always full of the same mystery. And when I had to leave Turkey, when I was obliged to quit my dangerous but adored lodgings¹⁴ in Stamboul, with all my busy and hurried preparations for departure there was mingled¹⁵ this strange regret: never more should I see the oblique⁸ ray of sunshine come into the stairway window and fall upon the niche in the wall where the Greek vase stood.
 
Perhaps under all of this there may have been, if not recollections of a previous personal experience, at least the reflected inchoate¹⁶ thoughts of ancestors which I am unable in any clearer way to bring out of darkness. But enough! I must say no more, for I again find myself in the land of vague fancy, gliding¹⁷ phantoms¹⁸ and illusive¹⁹ nothings.
 
For this almost unintelligible²⁰ chapter there is no excuse that I can offer, save that I have written it with the greatest frankness and sincerity²¹.