"O flashing muzzles, pause, and let them see
The coming dawn that streaks the sky afar;
Then let your mighty chorus witness be
To them, and Caesar, that we still make war."

In the weeks immediately following her visit to the Mill, Helen Ward met the demands of her world apparently as usual. If any one noticed that she failed to enter into the affairs of her associates with the same lively interest which had made her a leader among those who do nothing strenuously, they attributed it to her father's ill health. And in this they were partially right. Ever since the day when she half revealed her fears to the Interpreter, the young woman's feeling that her father's ill health and the unhappiness of her home were the result of some hidden thing, had gamed in strength. Since her meeting with Captain Charlie there had been in her heart a deepening conviction that, but for this same hidden thing, she would have known in all its fullness a happiness of which she could now only dream.

More frequently than ever before, she went now to sit with the Interpreter on the balcony porch of that little hut on the cliff. But Bobby and Maggie wished in vain for their princess lady to come and take them again into the land of trees and birds and flowers and sunshiny hills and clean blue sky. Often, now, she went to meet her brother when his day's work was done, and, sending Tom home with her big car, she would go with John in his roadster. And always while he told her of the Mill and led her deeper into the meaning of the industry and its relation to the life of the people, she listened with eager interest. But she did not go again to the Martin cottage or visit the old house.

Once at the foot of the Interpreter's zigzag stairway she met Captain Martin and greeted him in passing. Two or three times she caught a glimpse of him among the men coming from the Mill as she waited for John in front of the office. That was all. But always she was conscious of him. When from the Interpreter's hut she watched the twisting columns of smoke rising from the tall stacks, her thoughts were with the workman who somewhere under that cloud was doing his full share in the industrial army of his people. When John talked to her of the Mill and its meaning, her heart was glad for her brother's loyal comradeship with this man who had been his captain over there. The very sound of the deep-toned whistle that carried to Adam Ward the proud realization of his material possessions carried to his daughter thoughts of what, but for those same material possessions, might have been.

For relief she turned to McIver. There was a rocklike quality in the factory owner that had always appealed to her. His convictions were so unwavering--his judgments so final. McIver never doubted McIver. He never, in his own mind, questioned what he did by the standards of right and justice. The only question he ever asked himself was, Would McIver win or lose? Any suggestion of a difference of opinion on the part of another was taken as a personal insult that was not to be tolerated. Therefore, because the man was what he was, his class convictions were deeply grounded, fixed and certain. In the turmoil of her warring thoughts and disturbed emotions Helen felt her own balance so shaken that she instinctively reached out to steady herself by him. The man, feeling her turn to him, pressed his suit with all the ardor she would permit, for he saw in his success not only possession of the woman he wanted, but the overthrow of John's opposition to his business plans and the consequent triumph of his personal material interests and the interests of his class. But, in spite of the relief she gained from the strength of McIver's convictions, some strange influence within herself prevented her from yielding. She probably would yield at last, she told herself drearily--because there seemed to be nothing else for her to do.

* * * * *

Meanwhile, from his hut on the cliff, the Interpreter watched the approach of the industrial storm.

The cloud that had appeared on the Millsburgh horizon with the coming of Jake Vodell had steadily assumed more threatening proportions until now it hung dark with gloomy menace above the work and the homes of the people. To the man in the wheel chair, looking out upon the scene that lay with all its varied human interests before him, there was no bit of life anywhere that was not in the shadow of the gathering storm. The mills and factories along the river, the stores and banks and interests of the business section, the farms in the valley, the wretched Flats, the cottage homes of the workmen and the homes on the hillside, were all alike in the path of the swiftly approaching danger.

The people with anxious eyes watched for the storm to break and made such hurried preparations as they could. They heard the dull, muttering sound of its heavy voice and looked at one another in silent dread or talked, neighbor to neighbor, in low tones. A strange hush was over this community of American citizens. In their work, in their pleasures, in their home life, in their love and happiness, in their very sorrows, they felt the deadening presence of this dread thing that was sweeping upon them from somewhere beyond the borders of their native land. And against this death that filled the air they seemingly knew not how to defend themselves.

This, to the Interpreter, was the almost unbelievable tragedy--that the people should not know what to do; that they should not have given more thought to making the structure of their citizenship stormproof.

"The great trouble is that the people don't line up right," said Captain Charlie to John and the Interpreter one evening as the workman and the general manager were sitting with the old basket maker on the balcony porch.

"Just what do you mean by that, Charlie?" asked John. The man in the wheel chair was nodding his assent to the union man's remark.

"I mean," Charlie explained, "that the people consider only capital and labor, or workmen and business men. They put loyal American workmen and imperialist workmen all together on one side and loyal American business men and imperialist business men all together on the other. They line up _all_ employees against _all_ employers. For example, as the people see it, you and I are enemies and the Mill is our battle ground. The fact is that the imperialist manual workman is as much my enemy as he is yours. The imperialist business man is as much your enemy as he is mine."

"You are exactly right, Charlie," said the Interpreter. "And that is the first thing that the Big Idea applied to our industries will do--it will line up the great body of loyal American workmen that you represent with the great body of loyal American business men that John represents against the McIvers of capital and the Jake Vodells of labor. And that new line-up alone would practically insure victory. Nine tenths of our industrial troubles are due to the fact that employers and employees alike fail to recognize their real enemies and so fight their friends as often as they fight their foes.

"The people must learn to call an industrial slacker a slacker, whether he loafs on a park bench or loafs on the veranda of the country club house. They have to recognize that a traitor to the industries is a traitor to the nation and that he is a traitor whether he works at a bench or runs a bank. ............