So Brian wrote his book that winter.

When the days were fair, he worked with his ax on the mountain-side. But his notebook was ever at hand, and many a thought that went down on the pages of his manuscript was born while he wrought with his hands in the wholesome labor which gave strength to his body and clearness to his brain. In the evenings, he wrote in the little log house by the river, with Auntie Sue sitting in her chair beside the table,--the lamp-light on her silvery hair, and her sewing-basket within reach of her hand,--engaged with some bit of needlework, a book, or perhaps with one of her famous letters to some other pupil, far away. The stormy days gave him many hours with his pen, and so the book grew.

And always as the man endeavored to shape his thoughts for the printed pages that would carry his message to the doubting, disconsolate, and fearful world that he knew so well, he heard in his heart the voices of the river. From the hillside where he worked in the timber he could see the stream winding through the snowy hills like a dark line carelessly drawn with many a crook and curve and break on the sheet of white. From the porch he saw the quiet Bend a belt of shining ice and snow, save for a narrow line in the centre, which marked the course of the strongest currents; while the waters of the rapids crashed black and dreadful against the Elbow Rock cliff, which stood gaunt and grim amid the surrounding whiteness; and in the deathlike hush of the winter twilight, the roar of the turmoil sounded with persistent menace. And all that the river said to him he put down,--so far as it was given him to do.

And that which Brian Kent wrote was good. He knew it--in his deepest, truest self he knew. And Auntie Sue knew it; for, of course, he read to her from his manuscript as the book grew under his hand. Even Judy caught much of his story's meaning, and marvelled at herself because she, too, could understand.

So the spring came, and the first writing of the book was nearly finished.

And now the question arose: What would they do about the final preparation of the manuscript for the printers? Brian explained that he should have a typewritten copy of his script, which he would work over, correct, and revise, and from which perfected copy the final manuscript would be typewritten. But neither Auntie Sue nor Brian would consider his finishing the book anywhere but in the little log house by the river; even if there had been no other reason why Brian should not go to the city, if it could be avoided.

"There is only one thing to do,"--said Auntie Sue, at last, when the matter had been discussed several times,--"we must send for Betty Jo. She has been studying stenography in a business college in Cincinnati, and, in her latest letter to me, she wrote that she would finish in April. I'll just write her to come right here, and bring her typewriter along. She will need a vacation, and she can have it and do your work at the same time. Besides, I need to see Betty Jo. She hasn't been to visit me since before Judy came."

Brian thought that Auntie Sue seemed a little nervous and excited as she spoke, but he attributed it to her combined interest in the book and in the proposed typist. The man could not know the real cause of his gentle old companion's agitation, nor with what anxiety she had considered the matter for many days before she announced her plan. The fact was that Auntie Sue was taking a big chance, and she realized it fully. But she could find no other way to secure the services of a c............