Ethne did not turn towards Durrance or move at all from her attitude. She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately1. For it helped her to believe that Harry2 Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance. She almost forgot that Durrance was even in the room. She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.
"It was on the night before I started eastward3 into the desert—for the last time," said Durrance, and the deep longing4 and regret with which he dwelt upon that "last time" for once left Ethne quite untouched.
"Yes," she said. "That was in February. The middle of the month, wasn't it? Do you remember the day? I should like to know the exact day if you can tell me."
"The fifteenth," said Durrance; and Ethne repeated the date meditatively5.
"I was at Glenalla all February," she said. "What was I doing on the fifteenth? It does not matter."
She had felt a queer sort of surprise all the time while Willoughby was telling his story that morning, that she had not known, by some instinct, of these incidents at the actual moment of their occurrence. The surprise returned to her now. It was strange that she should have had to wait for this August night and this summer garden of moonlight and closed flowers before she learned of the meeting between Feversham and Durrance on February 15 and heard the message. And remorse6 came to her because of that delay. "It was my own fault," she said to herself. "If I had kept my faith in him I should have known at once. I am well punished." It did not at all occur to her that the message could convey any but the best of news. It would carry on the good tidings which she had already heard. It would enlarge and complete, so that this day might be rounded to perfection. Of this she was quite sure.
"Well?" she said. "Go on!"
"I had been busy all that day in my office finishing up my work. I turned the key in the door at ten o'clock, thinking with relief that for six weeks I should not open it, and I strolled northward7 out of Wadi Halfa along the Nile bank into the little town of Tewfikieh. As I entered the main street I saw a small crowd—Arabs, negroes, a Greek or two, and some Egyptian soldiers, standing8 outside the café, and lit up by a glare of light from within. As I came nearer I heard the sound of a violin and a zither, both most vilely9 played, jingling10 out a waltz. I stood at the back of the crowd and looked over the shoulders of the men in front of me into the room. It was a place of four bare whitewashed11 walls; a bar stood in one corner, a wooden bench or two were ranged against the walls, and a single unshaded paraffin lamp swung and glared from the ceiling. A troupe12 of itinerant13 musicians were playing to that crowd of negroes and Arabs and Egyptians for a night's lodging14 and the price of a meal. There were four of them, and, so far as I could see, all four were Greeks. Two were evidently man and wife. They were both old, both slatternly and almost in rags; the man a thin, sallow-faced fellow, with grey hair and a black moustache; the woman fat, coarse of face, unwieldy of body. Of the other two, one it seemed must be their daughter, a girl of seventeen, not good-looking really, but dressed and turned out with a scrupulous15 care, which in those sordid16 and mean surroundings lent her good looks. The care, indeed, with which she was dressed assured me she was their daughter, and to tell the truth, I was rather touched by the thought that the father and mother would go in rags so that she at all costs might be trim. A clean ribbon bound back her hair, an untorn frock of some white stuff clothed her tidily; even her shoes were neat. The fourth was a young man; he was seated in the window, with his back towards me, bending over his zither. But I could see that he wore a beard. When I came up the old man was playing the violin, though playing is not indeed the word. The noise he made was more like the squeaking17 of a pencil on a slate18; it set one's teeth on edge; the violin itself seemed to squeal19 with pain. And while he fiddled20, and the young man hammered at his zither, the old woman and girl slowly revolved22 in a waltz. It may sound comic to hear about, but if you could have seen! ... It fairly plucked at one's heart. I do not think that I have ever in my life witnessed anything quite so sad. The little crowd outside, negroes, mind you, laughing at the troupe, passing from one to the other any sort of low jest at their expense, and inside the four white people—the old woman, clumsy, heavy-footed, shining with heat, lumbering23 round slowly, panting with her exertions24; the girl, lissom25 and young; the two men with their discordant26, torturing music; and just above you the great planets and stars of an African sky, and just about you the great silent and spacious28 dignity of the moonlit desert. Imagine it! The very ineptness30 of the entertainment actually hurt one."
He paused for a moment, while Ethne pictured to herself the scene which he had described. She saw Harry Feversham bending over his zither, and at once she asked herself, "What was he doing with that troupe?" It was intelligible31 enough that he would not care to return to England. It was certain that he would not come back to her, unless she sent for him. And she knew from what Captain Willoughby had said that he expected no message from her. He had not left with Willoughby the name of any place where a letter could reach him. But what was he doing at Wadi Halfa, masquerading with this itinerant troupe? He had money; so much Willoughby had told her.
"You spoke32 to him?" she asked suddenly.
"To whom? Oh, to Harry?" returned Durrance. "Yes, afterwards, when I found out it was he who was playing the zither."
"Yes, how did you find out?" Ethne asked.
"The waltz came to an end. The old woman sank exhausted33 upon the bench against the whitewashed wall; the young man raised his head from his zither; the old man scraped a new chord upon his violin, and the girl stood forward to sing. Her voice had youth and freshness, but no other quality of music. Her singing was as inept29 as the rest of the entertainment. Yet the old man smiled, the mother beat time with her heavy foot, and nodded at her husband with pride in their daughter's accomplishment35. And again in the throng36 the ill-conditioned talk, the untranslatable jests of the Arabs and the negroes went their round. It was horrible, don't you think?"
"Yes," answered Ethne, but slowly, in an absent voice. As she had felt no sympathy for Durrance when he began to speak, so she had none to spare for these three outcasts of fortune. She was too absorbed in the mystery of Harry Feversham's presence at Wadi Halfa. She was listening too closely for the message which he sent to her. Through the open window the moon threw a broad panel of silver light upon the floor of the room close to her feet. She sat gazing into it as she listened, as though it was itself a window through which, if she looked but hard enough, she might see, very small and far away, that lighted café blazing upon the street of the little town of Tewfikieh on the frontier of the Soudan.
"Well?" she asked. "And after the song was ended?"
"The young man with his back towards me," Durrance resumed, "began to fumble38 out a solo upon the zither. He struck so many false notes, no tune37 was to be apprehended39 at the first. The laughter and noise grew amongst the crowd, and I was just turning away, rather sick at heart, when some notes, a succession of notes played correctly by chance, suddenly arrested me. I listened again, and a sort of haunting melody began to emerge—a weak thin thing with no soul in it, a ghost of a melody, and yet familiar. I stood listening in the street of sand, between the hovels fringed by a row of stunted40 trees, and I was carried away out of the East to Ramelton and to a summer night beneath a melting sky of Donegal, when you sat by the open window as you sit now and played the Musoline Overture41, which you have played again to-night."
"It was a melody from this overture?" she exclaimed.
"Yes, and it was Harry Feversham who played the melody. I did not guess it at once. I was not very quick in those days."
"But you are now," said Ethne.
"Quicker, at all events. I should have guessed it now. Then, however, I was only curious. I wondered how it was that an itinerant Greek came to pick up the tune. At all events, I determined42 to reward him for his diligence. I thought that you would like me to."
"Yes," said Ethne, in a whisper.
"So, when he came out from the café, and with his hat in his hand passed through the jeering43 crowd, I threw a sovereign into the hat. He turned to me with a start of surprise. In spite of his beard I knew him. Besides, before he could check himself, he cried out 'Jack44!'"
"You can have made no mistake, then," said Ethne, in a wondering voice. "No, the man who strummed upon the zither was—" the Christian45 name was upon her lips, but she had the wit to catch it back unuttered—"was Mr. Feversham. But he knew no music I remember very well." She laughed with a momentary46 recollection of Feversham's utter inability to appreciate any music except that which she herself evoked47 from her violin. "He had no ear. You couldn't invent a discord27 harsh enough even to attract his attention. He could never have remembered any melody from the Musoline Overture."
"Yet it was Harry Feversham," he answered. "Somehow he had remembered. I can understand it. He would have so little he cared to remember, and that little he would have striven with all his might to bring clearly back to mind. So............