MY DEAREST BARBARA ALEXIEVNA—Away with melancholy¹! Really, beloved, you ought to be ashamed of yourself! How can you allow such thoughts to enter your head? Really and truly you are quite well; really and truly you are, my darling. Why, you are blooming—simply blooming. True, I see a certain touch of pallor in your face, but still you are blooming. A fig² for dreams and visions! Yes, for shame, dearest! Drive away those fancies; try to despise them. Why do I sleep so well? Why am I never ailing³? Look at ME, beloved. I live well, I sleep peacefully, I retain my health, I can ruffle⁴ it with my juniors. In fact, it is a pleasure to see me. Come, come, then, sweetheart! Let us have no more of this. I know that that little head of yours is capable of any fancy—that all too easily you take to dreaming and repining; but for my sake, cease to do so.  
Are you to go to these people, you ask me? Never! No, no, again no! How could you think of doing such a thing as taking a journey? I will not allow it—I intend to combat your intention with all my might. I will sell my frockcoat, and walk the streets in my shirt sleeves, rather than let you be in want. But no, Barbara. I know you, I know you. This is merely a trick, merely a trick. And probably Thedora alone is to blame for it. She appears to be a foolish old woman, and to be able to persuade you to do anything. Do not believe her, my dearest. I am sure that you know what is what, as well as SHE does. Eh, sweetheart? She is a stupid, quarrelsome, rubbish-talking old woman who brought her late husband to the grave. Probably she has been plaguing you as much as she did him. No, no, dearest; you must not take this step. What should I do then? What would there be left for ME to do? Pray put the idea out of your head. What is it you lack here? I cannot feel sufficiently⁵ overjoyed to be near you, while, for your part, you love me well, and can live your life here as quietly as you wish. Read or sew, whichever you like—or read and do not sew. Only, do not desert me. Try, yourself, to imagine how things would seem after you had gone. Here am I sending you books, and later we will go for a walk. Come, come, then, my Barbara! Summon to your aid your reason, and cease to babble⁶ of trifles.
 
As soon as I can I will come and see you, and then you shall tell me the whole story. This will not do, sweetheart; this certainly will not do. Of course, I know that I am not an educated man, and have received but a sorry schooling⁷, and have had no inclination⁸ for it, and think too much of Rataziaev, if you will; but he is my friend, and therefore, I must put in a word or two for him. Yes, he is a splendid writer. Again and again I assert that he writes magnificently. I do not agree with you about his works, and never shall. He writes too ornately, too laconically⁹, with too great a wealth of imagery and imagination. Perhaps you have read him without insight, Barbara? Or perhaps you were out of spirits at the time, or angry with Thedora about something, or worried about some mischance? Ah, but you should read him sympathetically, and, best of all, at a time when you are feeling happy and contented¹⁰ and pleasantly disposed—for instance, when you have a bonbon¹¹ or two in your mouth. Yes, that is the way to read Rataziaev. I do not dispute (indeed, who would do so?) that better writers than he exist—even far better; but they are good, and he is good too—they write well, and he writes well. It is chiefly for his own sake that he writes, and he is to be approved for so doing.
 
Now goodbye, dearest. More I cannot write, for I must hurry away to business. Be of good cheer, and the Lord God w............