There was once an editor of a paper in the Far West who was sitting at his desk, musing pleasantly of life, when a bullet crashed through the window and embedded itself in the wall at the back of his head. A happy smile lit up the editor's face. "Ah," he said complacently, "I knew that Personal column of ours was going to be a success!"

What the bullet was to the Far West editor, the visit of Mr. Francis Parker to the offices of _Cosy Moments_ was to Billy Windsor.

It occurred in the third week of the new _régime_ of the paper. _Cosy Moments_, under its new management, had bounded ahead like a motor-car when the throttle is opened. Incessant work had been the order of the day. Billy Windsor's hair had become more dishevelled than ever, and even Psmith had at moments lost a certain amount of his dignified calm. Sandwiched in between the painful case of Kid Brady and the matter of the tenements, which formed the star items of the paper's contents, was a mass of bright reading dealing with the events of the day. Billy Windsor's newspaper friends had turned in some fine, snappy stuff in their best Yellow Journal manner, relating to the more stirring happenings in the city. Psmith, who had constituted himself guardian of the literary and dramatic interests of the paper, had employed his gift of general invective to considerable effect, as was shown by a conversation between Master Maloney and a visitor one morning, heard through the open door.

"I wish to see the editor of this paper," said the visitor.

"Editor not in," said Master Maloney, untruthfully.

"Ha! Then when he returns I wish you to give him a message."

"Sure."

"I am Aubrey Bodkin, of the National Theatre. Give him my compliments, and tell him that Mr. Bodkin does not lightly forget."

An unsolicited testimonial which caused Psmith the keenest satisfaction.

The section of the paper devoted to Kid Brady was attractive to all those with sporting blood in them. Each week there appeared in the same place on the same page a portrait of the Kid, looking moody and important, in an attitude of self-defence, and under the portrait the legend, "Jimmy Garvin must meet this boy." Jimmy was the present holder of the light-weight title. He had won it a year before, and since then had confined himself to smoking cigars as long as walking-sticks and appearing nightly as the star in a music-hall sketch entitled "A Fight for Honour." His reminiscences were appearing weekly in a Sunday paper. It was this that gave Psmith the idea of publishing Kid Brady's autobiography in _Cosy Moments_, an idea which made the Kid his devoted adherent from then on. Like most pugilists, the Kid had a passion for bursting into print, and his life had been saddened up to the present by the refusal of the press to publish his reminiscences. To appear in print is the fighter's accolade. It signifies that he has arrived. Psmith extended the hospitality of page four of _Cosy Moments_ to Kid Brady, and the latter leaped at the chance. He was grateful to Psmith for not editing his contributions. Other pugilists, contributing to other papers, groaned under the supervision of a member of the staff who cut out their best passages and altered the rest into Addisonian English. The readers of _Cosy Moments_ got Kid Brady raw.

"Comrade Brady," said Psmith to Billy, "has a singularly pure and pleasing style. It is bound to appeal powerfully to the many-headed. Listen to this bit. Our hero is fighting Battling Jack Benson in that eminent artist's native town of Louisville, and the citizens have given their native son the Approving Hand, while receiving Comrade Brady with chilly silence. Here is the Kid on the subject: 'I looked around that house, and I seen I hadn't a friend in it. And then the gong goes, and I says to myself how I has one friend, my poor old mother way out in Wyoming, and I goes in and mixes it, and then I seen Benson losing his goat, so I ups with an awful half-scissor hook to the plexus, and in the next round I seen Benson has a chunk of yellow, and I gets in with a hay-maker and I picks up another sleep-producer from the floor and hands it him, and he takes the count all right.' . . Crisp, lucid, and to the point. That is what the public wants. If this does not bring Comrade Garvin up to the scratch, nothing will."

But the feature of the paper was the "Tenement" series. It was late summer now, and there was nothing much going on in New York. The public was consequently free to take notice. The sale of _Cosy Moments_ proceeded briskly. As Psmith had predicted, the change of policy had the effect of improving the sales to a marked extent. Letters of complaint from old subscribers poured into the office daily. But, as Billy Windsor complacently remarked, they had paid their subscriptions, so that the money was safe whether they read the paper or not. And, meanwhile, a large new public had sprung up and was growing every week. Advertisements came trooping in. _Cosy Moments_, in short, was passing through an era of prosperity undreamed of in its history.

"Young blood," said Psmith nonchalantly, "young blood. That is the secret. A paper must keep up to date, or it falls behind its competitors in the race. Comrade Wilberfloss's methods were possibly sound, but too limited and archaic. They lacked ginger. We of the younger generation have our fingers more firmly on the public pulse. We read off the public's unspoken wishes as if by intuition. We know the game from A to Z."

At this moment Master Maloney entered, bearing in his hand a card.

"'Francis Parker'?" said Billy, taking it. "Don't know him."

"Nor I," said Psmith. "We make new friends daily."

"He's a guy with a tall-shaped hat," volunteered Master Maloney, "an' he's wearin' a dude suit an' shiny shoes."

"Comrade Parker," said Psmith approvingly, "has evidently not been blind to the importance of a visit to _Cosy Moments_. He has dressed himself in his best. He has felt, rightly, that this is no occasion for the old straw hat and the baggy flannels. I would not have it otherwise. It is the right spirit. Shall we give him audience, Comrade Windsor?"

"I wonder what he wants."

"That," said Psmith, "we shall ascertain more clearly after a personal interview. Comrade Maloney, show the gentleman in. We can give him three and a quarter minutes."

Pugsy withdrew.

Mr. Francis Parker proved to be a man who might have been any age between twenty-five and thirty-five. He had a smooth, clean-shaven face, and a cat-like way of moving. As Pugsy had stated in effect, he wore a tail-coat, trousers with a crease which brought a smile of kindly approval to Psmith's face, and patent-leather boots of pronounced shininess. Gloves and a tall hat, which he carried, completed an impressive picture.

He moved softly into the room.

"I wished to see the editor."

Psmith waved a hand towards Billy.

"The treat has not been denied you," he said. "Before you is Comrade Windsor, the Wyoming cracker-jack. He is our editor. I myself--I am Psmith--though but a subordinate, may also claim the title in a measure. Technically, I am but a sub-editor; but such is the mutual esteem in which Comrade Windsor and I hold each other that we may practically be said to be inseparable. We have no secrets from each other. You may address us both impartially. Will you sit for a space?"

He pushed a chair towards the visitor, who seated himself with the care inspired by a perfect trouser-crease. There was a momentary silence while he selected a spot on the table on which to place his hat.

"The style of the paper has changed greatly, has it not, during the past few weeks?" he said. "I have never been, shall I say, a constant reader of _Cosy Moments_, and I may be wrong. But is not its interest in current affairs a recent development?"

"You are very right," responded Psmith. "Comrade Windsor, a man of alert and restless temperament, felt that a change was essential if _Cosy Moments_ was to lead public thought. Comrade Wilberfloss's methods were good in their way. I have no quarrel with Comrade Wilberfloss. But he did not lead public thought. He catered exclusively for children with water on the brain, and men and women with solid ivory skulls. Comrade Windsor, with a broader view, feels that there are other and larger publics. He refuses to content himself with ladling out a weekly dole of mental predigested breakfast food. He provides meat. He--"

"Then--excuse me--" said Mr. Parker, turning to Billy, "You, I take it, are responsible for this very vigorous attack on the tenement-house owners?"

"You can take it I am," said Billy.

Psmith interposed.

"We are both responsible, Comrade Parker. If any husky guy, as I fancy Master Maloney would phrase it, is anxious to aim a swift kick at the man behind those articles, he must distribute it evenly between Comrade Windsor and myself."

"I see." Mr. Parker paused. "They are--er--very outspoken articles," he added.

"Warm stuff," agreed Psmith. "Distinctly warm stuff."

"May I speak frankly?" said Mr. Parker.

"Assuredly, Comrade Parker. There must be no secrets, no restraint between us. We would ............