One warm damp June night the Denver Express was speeding westward1 across the earthy-smelling plains of Iowa. The lights in the day-coach were turned low and the ventilators were open, admitting showers of soot2 and dust upon the occupants of the narrow green plush chairs which were tilted3 at various angles of discomfort4. In each of these chairs some uncomfortable human being lay drawn5 up, or stretched out, or writhing6 from one position to another. There were tired men in rumpled7 shirts, their necks bare and their suspenders down; old women with their heads tied up in black handkerchiefs; bedraggled young women who went to sleep while they were nursing their babies and forgot to button up their dresses; dirty boys who added to the general discomfort by taking off their boots. The brakeman, when he came through at midnight, sniffed8 the heavy air disdainfully and looked up at the ventilators. As he glanced down the double rows of contorted figures, he saw one pair of eyes that were wide open and bright, a yellow head that was not overcome by the stupefying heat and smell in the car. “There’s a girl for you,” he thought as he stopped by Thea’s chair.
“Like to have the window up a little?” he asked.
Thea smiled up at him, not misunderstanding his friendliness9. “The girl behind me is sick; she can’t stand a draft. What time is it, please?”
He took out his open-faced watch and held it before her eyes with a knowing look. “In a hurry?” he asked. “I’ll leave the end door open and air you out. Catch a wink10; the time’ll go faster.”
Thea nodded good-night to him and settled her head back on her pillow, looking up at the oil lamps. She was going back to Moonstone for her summer vacation, and she was sitting up all night in a day-coach because that seemed such an easy way to save money. At her age discomfort was a small matter, when one made five dollars a day by it. She had confidently expected to sleep after the car got quiet, but in the two chairs behind her were a sick girl and her mother, and the girl had been coughing steadily11 since ten o’clock. They had come from somewhere in Pennsylvania, and this was their second night on the road. The mother said they were going to Colorado “for her daughter’s lungs.” The daughter was a little older than Thea, perhaps nineteen, with patient dark eyes and curly brown hair. She was pretty in spite of being so sooty and travel-stained. She had put on an ugly figured satine kimono over her loosened clothes. Thea, when she boarded the train in Chicago, happened to stop and plant her heavy telescope on this seat. She had not intended to remain there, but the sick girl had looked up at her with an eager smile and said, “Do sit there, miss. I’d so much rather not have a gentleman in front of me.”
After the girl began to cough there were no empty seats left, and if there had been Thea could scarcely have changed without hurting her feelings. The mother turned on her side and went to sleep; she was used to the cough. But the girl lay wide awake, her eyes fixed12 on the roof of the car, as Thea’s were. The two girls must have seen very different things there.
Thea fell to going over her winter in Chicago. It was only under unusual or uncomfortable conditions like these that she could keep her mind fixed upon herself or her own affairs for any length of time. The rapid motion and the vibration13 of the wheels under her seemed to give her thoughts rapidity and clearness. She had taken twenty very expensive lessons from Madison Bowers14, but she did not yet know what he thought of her or of her ability. He was different from any man with whom she had ever had to do. With her other teachers she had felt a personal relation; but with him she did not. Bowers was a cold, bitter, avaricious15 man, but he knew a great deal about voices. He worked with a voice as if he were in a laboratory, conducting a series of experiments. He was conscientious16 and industrious17, even capable of a certain cold fury when he was working with an interesting voice, but Harsanyi declared that he had the soul of a shrimp18, and could no more make an artist than a throat specialist could. Thea realized that he had taught her a great deal in twenty lessons.
Although she cared so much less for Bowers than for Harsanyi, Thea was, on the whole, happier since she had been studying with him than she had been before. She had always told herself that she studied piano to fit herself to be a music teacher. But she never asked herself why she was studying voice. Her voice, more than any other part of her, had to do with that confidence, that sense of wholeness and inner well-being19 that she had felt at moments ever since she could remember.
Of this feeling Thea had never spoken to any human being until that day when she told Harsanyi that “there had always been—something.” Hitherto she had felt but one obligation toward it—secrecy; to protect it even from herself. She had always believed that by doing all that was required of her by her family, her teachers, her pupils, she kept that part of herself from being caught up in the meshes21 of common things. She took it for granted that some day, when she was older, she would know a great deal more about it. It was as if she had an appointment to meet the rest of herself sometime, somewhere. It was moving to meet her and she was moving to meet it. That meeting awaited her, just as surely as, for the poor girl in the seat behind her, there awaited a hole in the earth, already dug.
For Thea, so much had begun with a hole in the earth. Yes, she reflected, this new part of her life had all begun that morning when she sat on the clay bank beside Ray Kennedy, under the flickering22 shade of the cottonwood tree. She remembered the way Ray had looked at her that morning. Why had he cared so much? And Wunsch, and Dr. Archie, and Spanish Johnny, why had they? It was something that had to do with her that made them care, but it was not she. It was something they believed in, but it was not she. Perhaps each of them concealed23 another person in himself, just as she did. Why was it that they seemed to feel and to hunt for a second person in her and not in each other? Thea frowned up at the dull lamp in the roof of the car. What if one’s second self could somehow speak to all these second selves? What if one could bring them out, as whiskey did Spanish Johnny’s? How deep they lay, these second persons, and how little one knew about them, except to guard them fiercely. It was to music, more than to anything else, that these hidden things in people responded. Her mother—even her mother had something of that sort which replied to music.
Thea found herself lis............