The morning was so brilliantly fine; the populace popped to and fro in so active and cheery a manner; and everybody appeared to be so absolutely in the pink, that a casual observer of the city of New York would have said that it was one of those happy days. Yet Archie Moffam, as he turned out of the sun-bathed street into the ramshackle building on the third floor of which was the studio belonging to his artist friend, James B. Wheeler, was faintly oppressed with a sort of a kind of feeling that something was wrong. He would not have gone so far as to say that he had the pip--it was more a vague sense of discomfort. And, searching for first causes as he made his way upstairs, he came to the conclusion that the person responsible for this nebulous depression was his wife, Lucille. It seemed to Archie that at breakfast that morning Lucille's manner had been subtly rummy. Nothing you could put your finger on, still--rummy.

Musing thus, he reached the studio, and found the door open and the room empty. It had the air of a room whose owner has dashed in to fetch his golf-clubs and biffed off, after the casual fashion of the artist temperament, without bothering to close up behind him. And such, indeed, was the case. The studio had seen the last of J. B. Wheeler for that day: but Archie, not realising this and feeling that a chat with Mr. Wheeler, who was a light-hearted bird, was what he needed this morning, sat down to wait. After a few moments, his gaze, straying over the room, encountered a handsomely framed picture, and he went across to take a look at it.

J. B. Wheeler was an artist who made a large annual income as an illustrator for the magazines, and it was a surprise to Archie to find that he also went in for this kind of thing. For the picture, dashingly painted in oils, represented a comfortably plump young woman who, from her rather weak-minded simper and the fact that she wore absolutely nothing except a small dove on her left shoulder, was plainly intended to be the goddess Venus. Archie was not much of a lad around the picture-galleries, but he knew enough about Art to recognise Venus when he saw her; though once or twice, it is true, artists had double-crossed him by ringing in some such title as "Day Dreams," or "When the Heart is Young."

He inspected this picture for awhile, then, returning to his seat, lit a cigarette and began to meditate on Lucille once more. "Yes, the dear girl had been rummy at breakfast. She had not exactly said anything or done anything out of the ordinary; but--well, you know how it is. We husbands, we lads of the for-better-or-for-worse brigade, we learn to pierce the mask. There had been in Lucille's manner that curious, strained sweetness which comes to women whose husbands have failed to match the piece of silk or forgotten to post an important letter. If his conscience had not been as clear as crystal, Archie would have said that that was what must have been the matter. But, when Lucille wrote letters, she just stepped out of the suite and dropped them in the mail-chute attached to the elevator. It couldn't be that. And he couldn't have forgotten anything else, because--"

"Oh my sainted aunt!"

Archie's cigarette smouldered, neglected, between his fingers. His jaw had fallen and his eyes were staring glassily before him. He was appalled. His memory was weak, he knew; but never before had it let him down, so scurvily as this. This was a record. It stood in a class by itself, printed in red ink and marked with a star, as the bloomer of a lifetime. For a man may forget many things: he may forget his name, his umbrella, his nationality, his spats, and the friends of his youth: but there is one thing which your married man, your in-sickness-and-in-health lizard must not forget: and that is the anniversary of his wedding-day.

Remorse swept over Archie like a wave. His heart bled for Lucille. No wonder the poor girl had been rummy at breakfast. What girl wouldn't be rummy at breakfast, tied for life to a ghastly outsider like himself? He groaned hollowly, and sagged forlornly in his chair: and, as he did so, the Venus caught his eye. For it was an eye-catching picture. You might like it or dislike it, but you could not ignore it.

As a strong swimmer shoots to the surface after a high dive, Archie's soul rose suddenly from the depths to which it had descended. He did not often get inspirations, but he got one now. Hope dawned with a jerk. The one way out had presented itself to him. A rich present! That was the wheeze. If he returned to her bearing a rich present, he might, with the help of Heaven and a face of brass, succeed in making her believe that he had merely pretended to forget the vital date in order to enhance the surprise.

It was a scheme. Like some great general forming his plan of campaign on the eve of battle, Archie had the whole binge neatly worked out inside a minute. He scribbled a note to Mr. Wheeler, explaining the situation and promising reasonable payment on the instalment system; then, placing the note in a conspicuous position on the easel, he leaped to the telephone: and presently found himself connected with Lucille's room at the Cosmopolis.

"Hullo, darling," he cooed.

There was a slight pause at the other end of the wire.

"Oh, hullo, Archie!"

Lucille's voice was dull and listless, and Archie's experienced ear could detect that she had been crying. He raised his right foot, and kicked himself indignantly on the left ankle.

"Many happy returns of the day, old thing!"

A muffled sob floated over the wire.

"Have you only just remembered?" said Lucille in a small voice.

Archie, bracing himself up, cackled gleefully into the receiver.

"Did I take you in, light of my home? Do you mean to say you really thought I had forgotten? For Heaven's sake!"

"You didn't say a word at breakfast."

"Ah, but that was all part of the devilish cunning. I hadn't got a present for you then. At least, I didn't know whether it was ready."

"Oh, Archie, you darling!" Lucille's voice had lost its crushed melancholy. She trilled like a thrush, or a linnet, or any bird that goes in largely for trilling. "Have you really got me a present?"

"It's here now. The dickens of a fruity picture. One of J. B. Wheeler's things. You'll like it."

"Oh, I know I shall. I love his work. You are an angel. We'll hang it over the piano."

"I'll be round with it in something under three ticks, star of my soul. I'll take a taxi."

"Yes, do hurry! I want to hug you!"

"Right-o!" said Archie. "I'll take two taxis."

It is not far from Washington Square to the Hotel Cosmopolis, and Archie made the journey without mishap. There was a little unpleasantness with the cabman before starting--he, on the prudish plea that he was a married man with a local reputation to keep up, declining at first to be seen in company with the masterpiece. But, on Archie giving a promise to keep the front of the picture away from the public gaze, he consented to take the job on; and, some ten minutes later, having made his way blushfully through the hotel lobby and endured the frank curiosity of the boy who worked the elevator, Archie entered his suite, the picture under his arm.

He placed it carefully against the wall in order to leave himself more scope for embracing Lucille, and when the joyful reunion--or the sacred scene, if you prefer so to call it, was concluded, he stepped forward to turn it round and exhibit it.

"Why, it's enormous," said Lucille. "I didn't know Mr. Wheeler ever painted pictures that size. When you said it was one of his, I thought it must be the original of a magazine drawing or something like--Oh!"

Archie had moved back and given her an uninterrupted view of the work of art, and she had started as if some unkindly disposed person had driven a bradawl into her.

"Pretty ripe, what?" said Archie enthusiastically.

Lucille did not speak for a moment. It may have been sudden joy that kept her silent. Or, on the other hand, it may not. She stood looking at the picture with wide eyes and parted lips.

"A bird, eh?" said Archie.

"Y--yes," said Lucille.

"I knew you'd like it," proceeded Archie with animation, "You see? you're by way of being a picture-hound--know all about the things, and what not--inherit it from the dear old dad, I shouldn't wonder. Personally, I can't tell one picture from another as a rule, but I'm bound to say, the moment I set eyes on this, I said to myself 'What ho!' or words to that effect, I rather think this will add a touch of distinction to the home, yes, no? I'll hang it up, shall I? 'Phone down to the office, light of my soul, and tell them to send up a nail, a bit of string, and the hotel hammer."

"One moment, darling. I'm not quite sure."

"Eh?"

"Where it ought to hang, I mean. You see--"

"Over the piano, you said. The jolly old piano."

"Yes, but I hadn't seen it then."

A monstrous suspicion flitted for an instant into Archie's mind.

"I say, you do like it, don't you?" he said anxiously.

"Oh, Archie, darling! Of course I do!-And it was so sweet of you to give it to me. But, what I was trying to say was that this picture is so--so striking that I feel that we ought to wait a little while and decide where it would have the best effect. The light over the piano is rather strong."

"You think it ought to hang in a dimmish light, what?"

"Yes, yes. The dimmer the--I mean, yes, in a dim light. Suppose we leave it in the corner for the moment--over there--behind the sofa, and--and I'll think it over. It wants a lot ............