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HOME > Classical Novels > Kilmeny of the Orchard > CHAPTER XI. A LOVER AND HIS LASS
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CHAPTER XI. A LOVER AND HIS LASS
 Kilmeny was in the when Eric reached it, and he lingered for a moment in the shadow of the spruce wood to dream over her beauty.  
The orchard had lately in waves of old-fashioned caraway, and she was in the midst of its sea of bloom, with the lace-like blossoms swaying around her in the wind. She wore the simple dress of pale blue print in which he had first seen her; silk could not better have become her loveliness. She had woven herself a chaplet of half open white and placed it on her dark hair, where the delicate blossoms seemed less wonderful than her face.
 
When Eric stepped through the gap she ran to meet him with outstretched hands, smiling. He took her hands and looked into her eyes with an expression before which hers for the first time . She looked down, and a warm blush strained the ivory curves of her cheek and throat. His heart bounded, for in that blush he recognized the banner of love’s vanguard.
 
“Are you glad to see me, Kilmeny?” he asked, in a low significant tone.
 
She nodded, and wrote in a somewhat embarrassed fashion,
 
“Yes. Why do you ask? You know I am always glad to see you. I was afraid you would not come. You did not come last night and I was so sorry. Nothing in the orchard seemed nice any longer. I couldn’t even play. I tried to, and my violin only cried. I waited until it was dark and then I went home.”
 
“I am sorry you were disappointed, Kilmeny. I couldn’t come last night. Some day I shall tell you why. I stayed home to learn a new lesson. I am sorry you missed me—no, I am glad. Can you understand how a person may be glad and sorry for the same thing?”
 
She nodded again, with a return of her usual sweet composure.
 
“Yes, I could not have understood once, but I can now. Did you learn your new lesson?”
 
“Yes, very . It was a lesson when I once understood it. I must try to teach it to you some day. Come over to the old bench, Kilmeny. There is something I want to say to you. But first, will you give me a rose?”
 
She ran to the bush, and, after careful deliberation, selected a perfect half-open bud and brought it to him—a white bud with a faint, sunrise flush about its golden heart.
 
“Thank you. It is as beautiful as—as a woman I know,” Eric said.
 
A wistful look came into her face at his words, and she walked with a head across the orchard to the bench.
 
“Kilmeny,” he said, seriously, “I am going to ask you to do something for me. I want you to take me home with you and introduce me to your uncle and aunt.”
 
She lifted her head and stared at him incredulously, as if he had asked her to do something wildly impossible. Understanding from his grave face that he meant what he said, a look of dismay dawned in her eyes. She shook her head almost violently and seemed to be making a , effort to speak. Then she caught up her pencil and wrote with haste:
 
“I cannot do that. Do not ask me to. You do not understand. They would be very angry. They do not want to see any one coming to the house. And they would never let me come here again. Oh, you do not mean it?”
 
He pitied her for the pain and bewilderment in her eyes; but he took her slender hands in his and said firmly,
 
“Yes, Kilmeny, I do mean it. It is not quite right for us to be meeting each other here as we have been doing, without the knowledge and consent of your friends. You cannot now understand this, but—believe me—it is so.”
 
She looked questioningly, pityingly into his eyes. What she read there seemed to convince her, for she turned very pale and an expression of hopelessness came into her face. Releasing her hands, she wrote slowly,
 
“If you say it is wrong I must believe it. I did not know anything so pleasant could be wrong. But if it is wrong we must not meet here any more. Mothe............
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