"There's three of them," said Grief in a whisper.  
"Four, I tell you!" said Wrinkles in a low, excited tone.
 
"Four," breathed Pennoyer with decision.
 
They held fierce pantomimic argument. From the corridor came sounds of dresses and rapid feminine conversation.
 
Grief had kept his ear to the panel of the door. His hand was stretched back, warning the others to silence. Presently he turned his head and whispered, "Three."
 
"Four," whispered Pennoyer and Wrinkles.
 
"Hollie is there, too," whispered Grief. "Billie is unlocking the door. Now they're going in. Hear them cry out, 'Oh, isn't it lovely!' Jinks!" He began a noiseless dance about the room. "Jinks! Don't I wish I had a big studio and a little reputation! Wouldn't I have my friends come to see me, and wouldn't I entertain 'em!" He adopted a descriptive manner, and with his indicated various spaces of the wall. "Here is a little thing I did in Brittany. Peasant woman in sabots. This brown spot here is the peasant woman, and those two white things are the sabots. Peasant woman in sabots, don't you see? Women in Brittany, of course, all wear sabots, you understand. Convenience of the painters. I see you are looking at that little thing I did in Morocco. Ah, you admire it? Well, not so bad—not so bad. Arab smoking pipe, in . This long here is the pipe. Clever, you say? Oh, thanks! You are too kind. Well, all Arabs do that, you know. Sole occupation. Convenience of the painters. Now, this little thing here I did in Venice. Grand Canal, you know. Gondolier leaning on his . Convenience of the painters. Oh, yes, American subjects are well enough, but hard to find, you know—hard to find. Morocco, Venice, Brittany, Holland—all oblige with colour, you know—quaint form—all that. We are so modern over here; and, besides, nobody has painted us much. How the devil can I paint America when nobody has done it before me? My dear sir, are you aware that that would be ? Good heavens! we are not æsthetic, you understand. Oh, yes, some good mind comes along and understands a thing and does it, and after that it is æsthetic. Yes, of course, but then—well—— Now, here is a little Holland thing of mine; it——"
 
The others had evidently not been him. "Shut up!" said Wrinkles suddenly. "Listen!" Grief paused his and they sat in silence, their lips apart, their eyes from time to time exchanging messages. A dulled came from Hawker's studio.
 
At length Pennoyer murmured wistfully, "I would like to see her."
 
Wrinkles started noiselessly to his feet. "Well, I tell you she's a peach. I was going up the steps, you know, with a loaf of bread under my arm, when I chanced to look up the street and saw Billie and Hollanden coming with four of them."
 
"Three," said Grief.
 
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