On the back gallery of the long, low house, the boys were waiting for Teresa to ring the bell for supper. Comfortably they lolled about on hammocks, chairs, and steps, with their shirts open at the neck and powdered with the dust of the corral.
From the , Tim Nolan, the ranch foreman, to them hurriedly.
"See here, boys, I'm right sorry, but I've got to see Benson to-morrow about those . That means that I've got to go as far as Bolo to-night, and that I sha'n't be back in time to start with the rest of you to meet the folks. But I'll see you in Bolo day after to-morrow at noon. The train is due then. Now be on hand, all of you that can. We want Miss Genevieve and her friends to have a right royal welcome. I reckon now I'd better be off. So long! Now remember—day after to-morrow at noon!" he finished, turning away.
"As if we'd be a-forgettin' it," grinned Long John, a tall, fellow in a hammock, "when the little mistress hain't set her pretty foot on the place since last August!"
"If only she wa'n't bringin' all them others," the short, sandy-haired man on the steps. "I'd just like to rope the whole bunch and send 'em back East again, old lady and all—all but the little mistress, of course. Boys, what are we a-goin' to do with an old lady—even though she ain't so awful old—and five tom-fool girls on the Six Star Ranch?"
"Ees not the Señorita a gurrl, also?" laughed a dark-eyed Mexican from his on the gallery railing. "Eh, Reddy?"
"Sure, Pedro," retorted the sandy-haired man, . (Pedro was the only Mexican cowboy at the ranch, and even he was barely tolerated.) "But the little mistress ain't no tenderfoot girl. She don't howl at a rattlesnake nor jump at a prairie dog; and she knows how to ride, and which end of a gun goes off!"
There was a general laugh, followed by a long silence—the boys did not usually talk so much together, but to-night a curious restlessness them all. Suddenly the tall man in the hammock pulled himself .
"Look a-here, boys, that's jest it," he began in a worried voice. "What if the little mistress has changed? What if she hain't no use for us and the ranch any more? I never told ye, but at the first, last August, ' she went away, I heard the boss and Mr. Hartley a-talkin'. They was sayin' she'd got to go East to learn how to live like a lady should—to know girls, and books, and all that. They said she was runnin' wild here with only us for playmates, and that they had just got ter pasture her out where the grass was finer, and the fences nearer tergether."
"Did they say—that?" half a dozen worried voices.
"They sure did—and more. They said two real ladies was a-goin' ter take her and make her like themselves—a lady. And, boys, I was wonderin'—how is a lady goin' ter like us, and the ranch?"
There was a moment's tense silence. The boys were staring, wide-eyed and , into each other's faces.
From somewhere came a deep sigh.
"Gorry!—she can't, she just can't, after all her book-learnin' and culturin'," groaned a new voice.
For a time no one spoke; then Reddy cleared his throat.
"Look a-here, there ain't but jest one thing to do. If she don't like the ranch—and us—we'll jest have to make the ranch—and us—so she will like 'em."
"How?" demanded a chorus.
"Slick 'em up—and us," retorted the sandy-haired man, with finality. "I was raised East, and I know the sort of doin's they hanker after. To-morrow mornin' we'll begin. I'll show you; you'll see," he finished in a louder tone, as Teresa's clanging supper bell sent them in a stampede through the long covered way that led to the dining-room which, with the cook room, occupied the large, low building thirty feet to the rear of the ranch house.
When Tim Nolan arrived at the Bolo station a little before noon two days later, he stared in open-mouthed wonder at the sight that greeted his eyes. In a wavering, straggling line stood ten stiff, red-faced, men, dressed in what was, to Tim Nolan, the strangest of garments he had ever seen.
Two of the men were in dead black, from head to foot. Four wore stiff, not over-clean white shirts. Six sported flaming red neckties. One had from somewhere a frock coat three sizes too small for him, which he wore very proudly, however, over a shirt with a red-and-green silk handkerchief knotted at the throat. Another displayed a somewhat silk hat. But, whatever they wore, each showed a face upon which hope, despair, pride, shame, and physical were blended.
For an instant Tim Nolan peered at them with unrecognizing eyes; then he gave a low ejaculation.
"Reddy! Carlos! Jim! Boys!" he gasped. "What in the world is the meaning of this?"
"Eet ees that we welcome the little Señorita an' her frien's," bowed Pedro, his sombrero which was the only part of his usual costume that he had retained.
"But—I don't understand," the foreman; "these rigs of yours! Reddy, where in time did you corral that coat?"
Reddy shifted from one uneasy foot to the other.
"Pedro's told you—we're here to welcome the little mistress, of course. We've slicked up. We—we didn't want the shock too sudden—from the East, you know."
For another moment Tim Nolan stared; then he threw back his head and laughed—laughed till the faces of the men before him grew red with something more than .
At that moment a pretty young girl in khaki and a cowboy hat made her appearance astride a little mustang. She wore a belt about her waist—though there was no revolver in her holster.
"Is Genevieve coming to-day, sure?" she called out . "I heard she was, and I've come to meet her."
"There, boys," the ranch foreman, "now here's a young lady who knows how to welcome the mistress of the Six Star Ranch!" Then, to the girl: "Sure, Miss Susie, we do expect Genevieve, and we're here to welcome her, as you see," he finished with a sweep of his broad-brimmed hat.
It looked, for a moment, as if the wavering, straggling men would break ranks and run; but a sudden distant whistle, and a sharp command from Reddy brought them right about face.
" up, boys," he ordered sharply. "I reckon the little mistress ain't a-goin' ter turn us down! She'll like it. You'll see!"
The train had scarcely come to a stop before Genevieve was off the car steps.
"Mr. Tim, Mr. Tim—here I am! Oh, how good you look!" she cried, holding out both her hands. A minute later she turned to introduce the embarrassed foreman to Mrs. Kennedy and the girls, who, with her father, were following close at her heels. This task was not half completed, however, when she spied the red-faced, anxious-eyed men.
As Mr. Tim had done, she stared dumbly for a moment; then, leaving the rest of the introductions to her father, she ran toward them.
"Why, it's the boys—our boys! Carlos, Long John, Reddy! But what is the matter? How queer you look! Is anybody sick—or—dead?" she , plainly in doubt what to say.
"Sure, it's for you—we're a-welcomin' you," exploded Long John, jerking at his collar which was obviously too small for him.
Genevieve's face showed a puzzled frown.
"But these clothes!—why are you like this?—and after all I've promised the girls about you, too!"
"You mean—you don't like it—this?" demanded Reddy, incredulous hope in his eyes and voice.
"Of course I don't like it! I've been the girls all the way here that you'd give them a welcome that was a welcome! And now—but why did you do it, boys?"
Long John drew himself to his full height.
"Why? 'Cause Reddy said to," he answered. "Reddy said we'd better ease up on the shock it would be to you—here, after all you'd been used to back East—fine clothes, fine feed, and fine doin's all around, to say nothin' of books and learnin' in between times; so we—we tried to break ye in easy. That's all," he finished, a little .
"And then these clothes mean—that?" demanded the girl.
Long John nodded dumbly.
Genevieve gave a ringing laugh, but her eyes grew soft as she extended her hand to each man in turn.
"What old dears you are—every one of you!" she exclaimed. "Now go home quick, and get comfortable." She would have said more, but some[68] one called her and she turned . Cordelia Wilson, looking half frightened, half , but wholly excited, was pulling at her sleeve.
"Genevieve, Genevieve, quick," she was panting; "is that a cowboy—that, over there—talking to your father?"
Genevieve turned with a wondering frown. The next moment she burst into a merry laugh.
"Oh, Cordelia, Cordelia, you will be the death of me, yet! No, that isn't a cowboy. It's Susie Billings. She lives on a ranch near here."
"A girl—dressed like that—and carrying a revolver! Just a common 'Susie!'" gasped Cordelia.
"Yes—just a common 'Susie,'" twinkled Genevieve.
"But I thought she was a—a cowboy," quavered Cordelia. "You said they'd be here in—in all their war paint!"
From behind them sounded a snort and a low-voiced:
"Boys, she thinks that's a cowboy! Come on—say we show 'em! Eh?"
Genevieve laughed softly at what Cordelia had said, and at the disappointment in her voice.
"Cowboys? Well, they are here," she acknowledged with lips, "and in their war paint, too—of a kind! They're right here—Why, they're gone," she broke off. "Never mind," she laughed, as she caught sight of a silk hat and a black coat hurrying toward a group of saddled . "I reckon you'll see all the cowboys you want to before you go back East again. Now come up and meet Susie—and she hasn't, really, any revolver there, Cordelia, in spite of that cartridge belt and holster. She's always rigging up that way. She likes it!"
Susie proved to be "a girl just like us," as Cordelia amazedly expressed it to Alma Lane. She was certainly a very pleasant one, they all . But even Susie could not keep their eyes from wandering to the scene around them.
It was a bare little station set in the midst of a bare little prairie town, and quite unlike anything the Easterners had ever seen before. Broad, dusty streets led seemingly nowhere. Low, straggling houses stretched out lazy lengths of untidiness, except where a group of taller, more buildings indicated the stores, a hotel or two, several boarding houses, and numerous saloons and dance halls.
From the station doorway, a blanketed Indian looked out with , unsmiling face. Leaning against a post a dreamy-eyed Mexican in tight trousers, red sash, and tall peaked hat, smoked a cigarette. down the platform a tired-looking man in heavy cowhide boots and rough clothes, watched beside a huge canvas-topped beyond which could be seen the switching tails of six great oxen.
"There's Fred's 'boat,'" remarked Bertha, laughingly, to Cordelia.
"Where? What?" Cordelia had been trying to look in all directions at once.
"That prairie down there."
"Now that looks like the pictures," asserted Cordelia. "I wonder if the cowboys will."
"I declare, the whole thing is worse than a three-ring circus," declared Tilly, aggrievedly, to Genevieve. "I simply can't see everything!"
"All aboard for the ranch," called Mr. Hartley, leading the way around to the other side of the station; and like a flock of prairie chickens, as Genevieve put it, they all trooped after him.
"Why, what funny horses!" cried Tilly, as Mr. Hartley stopped before a large, old-fashioned three-seated carriage up to the platform.
At Genevieve's laugh, Tilly threw a sharper glance toward the two gray creatures attached to the carriage.
"Why, they aren't horses at all—yes, they are—no, they aren't, either!"
"I always heard young ladies were a bit changeable," grinned Tim Nolan, ; "but do they always change their minds as often as that, Miss?"
"Yes, they do—when the occasion demands it," retorted Tilly, with a merry glance; and Tim Nolan laughed appreciatively.
"Well, they aren't horses," smiled Mr. Hartley, as he gave his hand to help Mrs. Kennedy into the carriage. "They happen to be . Now, Miss Tilly, if you'll come in here with Mrs. Kennedy, we'll put two other young ladies and myself in the other two seats, and leave Genevieve to do the honors in one of the ranch with the rest of you. The baggage, the boys are already putting in the other wagon, I see," he added, looking back to where two men were busy with a pile of trunks and bags. "They'll come along after us. Mr. Tim is on his horse, of course. We'll let him show us the way. Now stow yourselves comfortably," he his guests. "You know we have an eighteen-mile ride ahead of us!"