In the cold grey dawn of the great sailing day, shadowy figures began going aboard the Skipping Goone. The city delivered them up. Then gradually the city awoke, and the waterfront went about its usual occupations.  
 
As morning advanced, the Skipping Goone became a setting for some of the wildest scenes in the history of opera in America. Red-eyed sopranos were bumped by stevedores; a stout lady whose forte was contralto matrons, went madly about in search of a trunk. Sailors were puttering, while Captain Bearman croaked out sullen orders through his beautiful flaming whiskers. Finally, the lord of all commotion, Xenophon Curry, who was sure, yes desperately and perspiringly sure, half the important things had been forgotten.
 
And of course Flora Utterbourne was on hand to see them off. She walked right aboard the Skipping Goone, her face smilingly full of every good wish for the impresario as she stood beside him on deck conversing with unbroken animation, yet always in that fluid, gliding manner which he knew so well now. Yes, Flora in her speech flowed on like a gracious river. And there was just a faint sadness behind her frank gaze, which meant that this departure was going to leave an unexpected emptiness. However, if there was sadness in her gaze, there ............