MILO SCANNED THE bedroom as we waited. I could see nothing but tragedy, but his trained eye located a bullet hole on the wall facing the bed, just to the right of the wheelchair. He drew a chalk outline around the puncture.

Mel Abbot continued to hunch stuporously in the bed, cuffed hands inert. Milo wiped his chin a couple of times. Each time Abbot yanked his face away, like a baby repelling spinach.

Finally, the howl of sirens. Three black-and-whites on Code Two, a Mutt-and-Jeff detective duo from Van Nuys Division named Ruiz and Gallardo, a squadron of cheerful, bantering paramedics for Mel Abbot.

I stood on the landing and watched the EMTs set up their mobile stretcher. Milo and the detectives had moved out of the bedroom, out of the old man's earshot, talking technical. Sidelong glances at the old man. A moist slick of snot mustached Abbot's upper lip. Jane's corpse was within his line of vision, but he made no attempt to look at her. A paramedic came out and asked the detectives where to take him. All three cops agreed on the inevitable, the prison ward at County General. The short D, Ruiz, muttered, "Love that drive to East L.A."

"No place like home, ese,n said Gallardo. He and his partner were in their thirties, solidly built, with thick black hair, perfectly edged and combed straight back. He was around six-two, Ruiz, no more than five-eight. But for the height differential they could have been twins, and Ibegan thinking of them as outgrowths of some Mendelian experiment: short detectives, long detectives. . . . Anything to take my mind off what had happened.

It didn't work—my head wouldn't shake off images of Jane Abbot's final moments. Had she known what was coming, or had the flash of the gun been sensation without comprehension?

Mother and daughter, gone.

A family, gone.

Not a happy family, but one that had cared enough, years ago, to seek help. . . .

A restraint strap unbuckled with a snap, and the EMTs advanced on Abbot. He began to cry but offered no resistance as they eased him onto the stretcher. Then he gazed down at the body and screamed, and waxy arms began striking out. One paramedic said, "Now, come on," in a bored voice. Snap snap. The paramedics went about their work, speedy as a pit crew, and Abbot was immobilized.

I ran downstairs, retraced the path through the house and out the kitchen door to the flagstone pathway. The sun was relenting, and the lowest quadrant of the sky was striped persimmon. A few neighbors had come out to stare, and when they saw me they edged closer to the gates. A uniform held them back. Someone pointed, and I ducked out of view, stayed close to the house, which was where Milo found me.

"Taking the air?"

"Breathing seemed a good idea," I said.

"You missed the fun. Abbot managed to slip an arm out and grab hold of one of the EMTs' hair. They shot him up with tranquilizer."

"Poor guy."

"Pathetic but dangerous."

"You really think he did it?"

"You don't?" He slapped his hands on his hips. "I'm not saying it was premeditated, but hell, yeah. He was holding the gun, and that hole in the wall fits with a shot fired from the bed. My best guess is it happened last night. They probably had the gun in a nightstand, somehow he found it, was using it as a teddy bear, Jane entered the bedroom, freaked him out, and boom."

"Suburban security goes bad."

"We see it all the time, Alex. Usually with kids. Which is what Abbotreally is, right? The nightstand drawer's within arm's reach. There's another gun in there—older revolver, a thirty-eight, unloaded. So maybe Jane was being careful. But not careful enough. She forgot about the clip in the gun."

"Tragic accident," I said. "You're the detective."

He stared at me. "Spit it out."

"Jane was an experienced caretaker. I can't see her letting him get near a gun."

"She had her hands full, Alex. People get careless. Perfectly competent parents turn their backs while Snookums toddles over to the pool."

He stared down the length of the house. "There're no signs of forced entry, there was a box of loose jewelry in Jane's dresser and a nice fat safe in the bedroom closet, combination-locked. Not to mention all those paintings. Ruiz and Gallardo's first order of business will be to see if the gun was registered. Solid citizens like them aren't likely to own an illegal piece. If it was theirs, that pretty much clinches it."

He took baby steps, turned in a small, tight circle, hitched his trousers. "Least I know why she didn't return my calls."

"You're right about the art," I said. "If it's real, it's worth a fortune. One hell of an estate. One hell of a community property. I wonder who inherits."

He rotated, faced me, eyes half closed but alert, like those of a resting guard dog. "And the point is ..."

"Mel Abbot's only child died ten years ago, Jane's, just a few days ago. Now Mel will be declared incompetent and someone else will be placed in charge of all the assets. Probably a court-appointed conservator. My guess is relatives will start lining up. I wonder who's next in line, from a legal standpoint."

"Some cousin from Iowa. So what?"

"Maybe not," I said. "Jane mentioned a prenup, but that could've applied only to divorce, not death. If Mel's will signed everything over to Jane, that would've put Lauren in place to inherit. But with Lauren dead, her closest living relative could step up to the plate. And look who just called you and asked about Lauren's finances."

His head shot forward, and the eyes opened wide. "Daddy dearest— Oh, man, you have a devious mind."

"He did call. Hours after Jane died."

"Jane and Lauren both hated his guts. There'd be no reason for him to think anyone made him a beneficiary."

"Any will come up for Lauren?"

"Not yet."

"If she died intestate," I said, "her estate will end up in probate and be up for grabs. I'm no lawyer, but my bet is that, as her closest living blood relative, Lyle will have a strong claim. Sure, getting through the paperwork will be a hassle, and there'll be estate taxes to pay, but if those paintings are real, even a chunk would be serious money. Lyle's hurting financially. A Picasso or two would do wonders."

"He offs his ex and plants the gun in the old guy's hand?"

"Like you said, no love lost between them."

"C'mon, Alex. He can't be stupid enough to do it and call me the same day. Talk about obvious." He frowned. "But it wasn't obvious, was it? Not till your warped mind seized upon it. You are one creative puppy."

He began pacing along the side of the house. Low chatter from the front of the property created an irritating soundtrack: noise but no reason.

"Lyle's calling you was blatant," I said. "But, like you said, people get careless. Did he seem the subtle type to you? The guy's angry, depressed, out of work, drinks, stomps around his property with a loaded shotgun. If that's not a recipe for violence, I don't know what is."

"You're saying he did Jane and Lauren? No big bad Duke conspiracy or Shawna cover-up?"

"Who knows?" I said. "The other thing to think about is everyone around Lauren is dying. Which fits with Jane not being more forthcoming because she did know something explosive. Either way, pinning it on Abbot seems awfully convenient."

"For argument's sake, let's say Lyle was the shooter. He shows up and Jane just lets him in?"

"She might Ve. Even with tons of hostility, there was that early bond— the years they'd been together, familiarity, chemistry. I've seen it plenty of times working custody cases. The nastiest divorces. Two people trying to rip each other's hearts out in court, then they find themselves alone and end up in bed. Maybe Lyle put on a big show of grief—that's the one thing they shared. Lauren's death. For all we know he didn't even cometo kill her. They started talking, Lyle segued into money talk like he did with you, Jane lost it, and one thing led to another."

"So why's the old guy still breathing?"

"Because Lyle's no genius, but he did have an inspiration. Picture it this way: The argument begins downstairs. Jane orders Lyle out, he refuses. She rushes upstairs, thinking to lock herself in the bedroom, then call the police. Lyle goes after her, gets in the bedroom, shoots her. It's dark, they could've wrestled from a spot near the bed—the hole in the wall. He misses that time but hits his mark twice, and Jane goes down. Abbot's asleep—maybe deeply, he's probably on medication. The gunshot wakes him up. He sits up. Disoriented. A senile old man confronted with sudden loud noise and darkness. His consciousness is clouded anyway. He wouldn't have focused immediately— Where were his glasses?"

"On his nightstand."

"He could've seen nothing. Lyle spots him, considers killing him, realizes Abbot's no direct threat, and comes up with a better idea: plant the gun near or in Abbot's hand and leave quietly. He might've even pressed Abbot's finger on the trigger and fired and that's where the hole in the wall came from. Even if Abbot's head does clear and he recalls some details, who's going to believe him? What's his story? A mystery intruder with no signs of forced entry? A bogeyman who leaves his weapon behind? But I'll wager Abbot comes up with nothing. He's out of it. A few days in the prison ward at County and he'll probably be completely vegetative."

A door slammed at the front of the house. We stepped forward to see the paramedics trundle Abbot out. The old man lay strapped on the stretcher, eyes closed, mouth agape. As the EMTs carried him across the motor court, they chatted and seemed relaxed. No threat from the cargo. Neighborly necks craned as Abbot was loaded into the ambulance. Siren sonata as the uniform at the gate cleared an exit path and the ambulance sped away. Two vans drove up. One white, with the coroner's logo on the door, was allowed through the gates. The silver one with a network affiliate's call letters on the roof next to a satellite antenna was waved to the curb.

"The party begins," said Milo. "At least it's Ruiz and Gallardo's bash."

"I can just hear tonight's broadcast," I said, as a young redhead in a yellow pantsuit stepped out of the news van. "'A Sherman Oaks man was arrested today on suspicion of murdering his wife. Neighbors described Melville Abbot as friendly but feeble—'"

"That's still where the facts point, Alex."

"Guess so," I said. "And Ruiz and Gallardo do seem like nice guys. Why complicate their lives?"

"Oh, my," he said. "What the hell went down during your childhood to make you enjoy complications?"

"When my mother was pregnant with me she got startled b............