"The deeds we do, though done in heedless ways, May have the shaping of our future lives;
And, stretching their long arms from the past,
May alter this and that in such strange fashion
That we become as puppets in their hands,
To play the game of life by old events."
 
 
Mr. Dombrain's office, situate in Chintle Lane, was a shabby little place consisting of three rooms. One where his clients waited, another occupied by three clerks constantly writing, and a third where Mr. Dombrain himself sat, like a spider in his web waiting for silly flies. The three rooms were all bad, but Mr. Dombrain's was the worst; a square, low-roofed apartment like a box, with a dim atmosphere, which filtered in through a dirty skylight in the roof. This being the case, Dombrain's desk was lighted by a gas-jet with a green shade, fed by a snaky-looking india-rubber tube attached to the iron gas-pipe projecting from the wall above his head.
 
The heavy yellow light from under this green shade revealed the room in a half-hearted sort of fashion, the desk, but quite unable to into the dark corners of the place. On the writing-table were piles of papers, mostly tied into bundles with red tape, a glass inkstand, a pad of pink blotting-paper, three or four pens, all of which were arranged on a ink-stained green cloth in front of a row of pigeon holes, full of loose letters and legal-looking documents.
 
In front of this table sat Mr. Dombrain in a heavy horsehair-covered chair, and near him were two other chairs of slender construction for the use of clients. Along the walls more pigeon holes with papers, a tall bookshelf filled with hard-looking law books, which had a look of having been picked up cheap, a carpet on the well-worn floor, and dust everywhere. Indeed, so thickly lay the dust on books, on floor, on papers, on desk, that the whole room looked as if it had just been opened after the of years. The of the Sleeping Beauty, perhaps, and Mr. Dombrain--well no, he was not a beauty, and he never was sleeping, so the comparison holds not. Indeed he was a singularly ugly man in a coarse fashion. A large bullet-shaped head covered with rough red hair, cut so short that it stood up stiffly in a stubbly fashion, a face with a coarse red beard clipped short, cunning little grey eyes, rather bleared by the constant glare of the gaslight in which he worked, and large ears. Dressed in a neat suit of black broadcloth, he appeared singularly ill at ease in it, and with his large stumpy-fingered hands, with clubbed nails, his awkward manner, his habit of stealthily glancing out of his bleared eyes, Mr. Dombrain was about as unsuited a person for a lawyer as one could find. There was nothing about him to invite confidence, and he looked as if he would have been more at home working as a navvy than sitting behind this desk, with his large red hands clumsily moving the papers about.
 
Three o'clock in the afternoon it was by Mr. Dombrain's fat-faced silver watch lying on the table in front of him, and as the lawyer the fact in his usual stealthy fashion, a timid-looking clerk into the room.
 
"Yes?" said Dombrain interrogatively, without looking up.
 
"If you please--if you please, sir, a lady," the timid clerk, washing his hands with invisible soap and water, "a lady about--about the situation, sir."
 
"Humph! I said the application was to be by letter."
 
"But--but the lady, sir?"
 
Mr. Dombrain looked at his nails, but said nothing.
 
"But--but the lady, sir?" repeated the timid clerk again.
 
"I said the application was to be by letter."
 
The clerk, seeing that this was the answer he was expected to deliver, went sliding out of the room; but at the door encountered the lady in question, dressed in black, and closely veiled.
 
"Madam," he stammered, growing red, "the application was to be by letter."
 
"I preferred to come personally."
 
As she , low though her voice was, Mr. Dombrain looked up suddenly with a startled look on his face.
 
"Can you see me, Mr. Dombrain?"
 
He arose slowly to his feet, as if in to some nervous impulse, and with his grey eyes looking straight at the veiled woman, still kept silence.
 
"Can you see me, Mr. Alfred Dombrain?"
 
The lawyer's red face had turned pale, and looked yellow in the gaslight. The hot atmosphere of the room evidently made him , used as he was to it, for he opened his mouth as if to speak, then, closing it again, signed to the clerk to leave the room.
 
Left alone with his visitor, Dombrain, still maintaining the same position, stood watching her with a mesmeric stare as she glided into one of the chairs beside the table.
 
"Won't you sit down, Mr. Alfred Dombrain?"
 
His face was suddenly with a rush of blood, and he sat down heavily.
 
"Madam! who are you?"
 
"Don't you know? Ah! what a pity; and you have such a good memory for voices."
 
"I--memory--voices," he stammered, moving restlessly.
 
"Yes; why not, Mr. Damberton?"
 
"! For God's sake, hush! Who are you? Who are you?"
 
The woman flung back her veil, and he from the sight of her face with a , strangled cry.
 
"Jezebel Pethram!"
 
"Once Jezebel Pethram, now Miriam Belswin. I see you remember faces as well as voices--and names also. Ah! what an excellent memory."
 
Mr. Dombrain Damberton collected his senses together, and, going over to a small iron safe set in the wall, produced a tumbler and a bottle of whisky. Mrs. Belswin looked at him approvingly as he drank off half a glass of the spirit neat.
 
"That's right; you'll need all your Dutch courage."
 
Quite forgetting the demands of hospitality, Dombrain replaced the bottle and glass in the respectable safe, and resumed his seat at the table with his ordinary nature quite restored to him by the spirit.
 
"Now, then, Mrs. Pethram, or Belswin, or whatever you like to call yourself," he said, in a harsh, angry tone, "what do you want here?"
 
"I want you."
 
"Ho, ho! The feeling isn't reciprocal. Leave my office."
 
"When I choose."
 
"Perhaps a policeman will make you go quicker," Dombrain, rising.
 
"Perhaps he will," retorted Mrs. Belswin, composedly; "and perhaps he'll take you along with him."
 
"Infernal nonsense."
 
"Is it! We'll try the experiment, if you like."
 
Mr. Dombrain resumed his seat with a on all women in general, and Mrs. Belswin in particular. Then he bit his nails, and looked at her , only to before the fierce look in her eyes.
 
"It's no use beating about the bush with a fiend like you," he growled sulkily, making a clumsy attempt to appear at his ease.
 
"Not a bit."
 
"I wish you'd go away," Dombrain, with a sudden change of front. "I'm quite respectable now. I haven't seen you for twenty years. Why do you come now and me? It isn't fair to pull a man down when he's up."
 
"Do you call this up?" Mrs. Belswin, looking round the dingy office.
 
"It's up enough for me."
 
The woman grinned in a disagreeable manner, finding Mr. Dombrain's manner very amusing. She glanced rapidly at him with her fierce eyes, and he uneasily in his chair.
 
"Don't look at me like that, you witch," he muttered, covering his face with his large hands. "You've got the evil eye, confound you."
 
Mrs. Belswin, leaning forward, held up her and shook it gently at the lawyer.
 
"It won't do, my friend; I tell you it won't do. You've tried bullying, you've tried ; neither of them go down with me. If you have any business to do you've got to put it aside for me. If you have to see clients you can't and won't see them till I choose. Do you hear what I say, you legal Caliban? I've come here for a purpose, Mr. Dombrain--that, I believe, is your present name--for a purpose, sir. Do you hear?"
 
"Yes, I hear. What is your purpose?"
 
She laughed; but not mirthfully.
 
"To tell you a story."
 
"I don't want stories. Go to a publisher."
 
"Certainly. I'll go to the Scotland Yard firm. Hold your tongue, sir. doesn't come well from an animal like you. I have no time to waste."
 
"Neither have I."
 
"That being the case with both of us, sit still."
 
Mr. Dombrain stopped his and became as a stone statue of an Egyptian king, with his hands resting on his knees.
 
"Now I'll tell you my story."
 
"Can't you do without that?"
 
"No, my good man, I can't. To make you understand what I want I must tell you all my story. Some of it you know, some of it you don't know. Be easy. It's short and not sweet. Listen."
 
And Mr. Dombrain did listen, not because he wanted to, but because this woman with the fierce eyes had an influence over him which he, , coarse-minded man as he was, could not resist. When he what she knew and what she could tell, and would tell if she chose, a cold sweat broke out all over him, and he felt nerveless as a little child. Therefore, for these and other reasons, Mr. Dombrain listened--with manifest , it is true, but still he listened.
 
"We will commence the story in New Zealand twenty years--say twenty-two years ago. One Rupert Pethram, the younger son of a good family, come out there to make his fortune. He made it by the simple process of marrying a Maori half-caste, called Jezebel Manners. You see I don't to tell everything about myself, dear friend. Well, Mr. and Mrs. Pethram got on very well together for a time, but she grew tired of being married to a fool. He was a fool, wasn't he?"
 
She waited for a reply, so Dombrain, against his will, was forced to give her one.
 
"Yes, he was a fool--to marry you."
 
"The wisest thing he ever did in his life, seeing what a lot of property I brought him. But I couldn't get on with him. My mother was a pure-blooded Maori. I am only half a white, and I hated his cold , his manners. I was--I am hot-blooded, , quick-tempered. Fancy a woman like me tied to a cold-blooded fish like Rupert Pethram. Bah! it was madness. I hated him before my child was born; afterwards I hated him more than ever. Then the other man came along."
 
"There always is another man!"
 
"Naturally! What would become of the Divorce Court if there wasn't? Yes, the other man did come along. A pink and white fool. My husband was a god compared to Silas Oates."
 
"Then why did you run away with Oates?"
 
"Why indeed! He attracted me in some way, I suppose, or I was sick of my married life. I don't know why I left even Rupert Pethram for such a fool as Silas. I did so, however. I gave up my name, my child, my money, all for what?--for a man that tired of me in less than six months, and left me to starve in San Francisco."
 
"You didn't starve, however."
 
"It is not my nature to act foolishly all my life. No, I did not starve. I had a good voice, which I managed to get trained. I had also a good idea of , so I made a success on the operatic stage as Madame Tagni."
 
"Oh! are you the Madame Tagni?"
 
"I was. Now I am Mrs. Belswin, of no occupation in particular. I sang in the States; I sang in New Zealand----"
 
"You didn't sing in Dunedin?"
 
"No, because my husband was there. Do you know why I came to New Zealand--a divorced, woman? No, of course you don't. I came to see my child. I did see her, unknown to Rupert or to the child herself. I was in New Zealand a long time watching over my darling. Then I went again to the States, but I left friends behind me--good friends, who kept me posted up in all the news of my child Kaituna. Since I left her twenty years ago like a fool, I have known everything about her. I heard in New York how Rupert had lost all his money, owing to the decrease in the value of property. I heard his elder brother had died, and that he had come in for the title. He is Sir Rupert Pethram; I ought to be Lady Pethram."
 
"But you're not," sneered Dombrain, unable to resist the opportunity.
 
She flashed a glance at him and replied quietly.
 
"No, I am Mrs. Belswin, that's enough for me at present. But to go on with my story. I heard how my husband had brought our child home to the old country, and leaving her there had returned to New Zealand on business. When this news reached me, I made up my mind at once and came over here. I found out--how, it matters not--that my husband's legal was an old friend of mine, one Alfred Damberton----"
 
"Hush! not that name here!"
 
"Ah, I forgot. You are the respectable Mr. Alfred Dombrain now. But it was curious that I should find an old friend in a position so likely to be of use to me."
 
"Use to you?" Dombrain, .
 
"Yes; I have seen your advertisement in the paper for a companion for a young lady. Well, I have come to apply for the situation."
 
"You?"
 
"Yes. Personally, and not by letter as you suggested in print."
 
Mr. Dombrain felt that he was in a fix, and therefore lied, with clumsy .
 
"That advertisement doesn't refer to your daughter."
 
"Doesn't it?" said Mrs. Belswin sharply. "Then, why refer to my daughter at all just now?"
 
"Because!--oh, because----"
 
"Because you couldn't think of a better lie, I suppose," she finished, contemptuously. "It won't do, my friend, I tell you it won't do. I'm not the kind of woman to be played fast and loose with. You say it is not my daughter that requires a chaperon."
 
"I do! yes I do!"
 
"Then you lie. What do you think private detectives are made for? Did you think I came here without having everything necessary to meet an unscrupulous like you!"
 
"I thought nothing about you. I thought you were dead."
 
"And wished it, I daresay. But I'm not! I'm alive enough to do you an injury--to have your name struck off the roll of English ."
 
"You can't!" he retorted defiantly, growing pale again. "I defy you."
 
"You'd better not, Mr. Damberton! I'm one too many for you. I can tell a little thing about your past career which would spoil the respectable position you now hold."
 
"No one would believe you against me. A respectable 's word is worth a dozen of a divorced woman."
 
"If you insult me I'll put a knife in you, you wretch!" said Mrs. Belswin, breathing hard. "I tell you I'm a desperate woman. I know that you have advertised for a chaperon for my daughter, and I--her mother--intend to have the situation under the name of Mrs. Belswin."
 
"But your husband will recognise you."
 
"My husband is out in New Zealand, and will be there for the next few months. When he returns I will deal with him, not you. This matter of the chaperon is in your hands, and you are going to give the situation to me. You hear, -bird--to me!"
 
Dombrain at the term to him, and jumped up with a furious look of rage.
 
"I defy you! I defy you!" he said in a low harsh voice, the in his forehead with intense passion. "You outcast! You Jezebel! Ah, how the name suits you! I know what you are going to say. That twenty years ago I was in gaol in New Zealand for . Well, I own it--I was. I was a friend of your lover, Silas Oates--your lover who cast you off to starve. I lost money betting. I a large sum. I was convicted and sentenced to a term of . Well, I worked out my term! I left the colony where, as Alfred Damberton, I was too well known to get a chance of honest employment, and came to England through America. I met you again in America. I was fool enough to think Silas Oates might help me for old time's sake. I found he had left you--left you alone in 'Frisco. You were little better than a creature on the streets; I was a gaol-bird. Oh, a nice pair we were! Outcasts, both you and I."
 
He passed his handkerchief over his dry lips as he paused, but Mrs. Belswin made no sign in any way, but simply sat looking at him with a .
 
"When I left you," resumed Dombrain, hurriedly, "I came to England--to my father. He was a lawyer in the country. He received me well--took me into his office and admitted me into . When he died I came up to London, and have since. I have changed my name to Alfred Dombrain, and am respected everywhere. Your husband does not know my story. He was recommended to me by a friend, and he has employed me for some years. I have his confidence in every way. I am a respectable man! I have forgotten the past, and now you come with your bitter tongue and spiteful mind to tear me down from the position I have so hardly won."
 
He dropped down into a chair; but Mrs. Belswin, still smiling, still sneering, to the safe.
 
"Take some more whiskey. You will need it."
 
"Woman, leave me!"
 
"Not till I leave as chaperon to my child."
 
"That you shall never have."
 
"Oh yes, I shall!"
 
"I say you shall not! You can go and tell my story where you please; I shall tell yours; and we'll see who will be believed--Alfred Dombrain, the respectable, trusted lawyer, or Mrs. Belswin, the divorced woman! Bah! You can't frighten me with . There is nothing to connect Dombrain the solicitor with Damberton, the convict."
 
"Indeed! What about this?"
 
She held up a photograph which she had taken out of her pocket--a photograph resembling Mr. Dombrain, but which had written under it--
 
 
Alfred Damberton.
 
 
"You may alter your face," said Mrs. Belswin , "but you can't very well alter your handwriting. And now I look at you, I really don't think there is much . A beard when there used to be only a moustache, more wrinkles, less smiles. Oh, I think any one will recognise this for you."
 
Dombrain made a snatch at the photograph, but she was too quick for him.
 
"Not quite. This is my evidence against you. I heard in America, through my useful detectives, that you were lawyer to my husband; so, thinking I might require your help, and knowing I shouldn't get it without some difficulty, I took the trouble of writing to New Zealand for a full report of your very interesting case. You've cost me a good deal of money, my dear sir; but they pay well on the opera-stage, so I don't mind. I have all the papers telling your little story. I have this photograph with your own signature, proving the identity of Damberton with Dombrain; so taking all things into consideration, I think you had better do what I ask."
 
She had so completely got the better of Mr. Dombrain that she had reduced him to a kind of moral , and he leaned back in his chair crushed.
 
"What do you want?" he asked feebly.
 
"I want the situation of chaperon to Miss Kaituna Pethram.
 
"If I give it to you, as I can, will you hold your tongue about--about--my past life?"
 
"Yes, certainly; provided that you never disclose that the divorced Mrs. Pethram has anything to do with the respectable Mrs. Belswin."
 
"I agree to all you say."
 
"You will give me the situation?"
 
"Yes."
 
"I am engaged, then?"
 
"You are."
 
"As chaperon to Miss Pethram?"
 
"Yes; as chaperon to Miss Pethram."
 
Mrs. Belswin arose with a smile of triumph and took her leave.
 
"Beaten all along the line, I see. Let this be a lesson to you, my dear friend, never to put your thick head against a woman's wits!"